John Mcwhorter

525 Words2 Pages
bulb-icon

Recommended: Impact of rap music on youth

John H. McWhorter’s essay was first seen in City Journal in 2003. It focuses on rap retarding black success by reinforcing the stereotypes that long hindered blacks, and by teaching young blacks that a thuggish lifestyle is a genuine response to a racist society. (McWhorter 44) Hip Hop started off as an expression of emotion and to tell what was happening in society, but it seems to have gone downhill. McWhorter was smart with his essay; he used each appeal so he could connect with at least three different types of people. We see his use of pathos when he said “It was just as gangsta rap hit its stride that neighborhood elders began really to notice that they’d lost control of young black men, who were frequently drifting into lives of gang

Show More
Related

  • Analysis Of Joan Morgan From Fly Girls To Bits And Hos

    945 Words  | 2 Pages

    In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.

    Read More

  • Summary Of Rap Poetry 101 By Adam Bradley

    1110 Words  | 3 Pages

    When listening to rap music we get to experience the environments that the MC lived through. Most MC’s use music as a way of coping with reality, their violent and hard life. In this way they find a kind of shelter in their songs even though these songs describe their life and how hard it is.

    Read More

  • John Diefenbaker

    998 Words  | 2 Pages

    In the year 1957, Canada elected its first Prime minister without English or French root, John Diefenbaker. While growing up in the city of Toronto, because of his German name, he was often teased. [1] He grew up as an outcast, and so he was able to relate to the discrimination and inequality many of the minorities in Canada felt. This essay will attempt to answer the question: To what extent did Prime Minister John Diefenbaker help promote equality to the minority communities. . The minorities in this time period were the women, aboriginals, and immigrants. During his time as the Prime Minister, he was able to help protect the rights of this group because many of their rights were being abused by the society. Diefenbaker also helped the minorities to stand up for themselves and other groups. Diefenbaker was able to bring positive change to the minority communities by making an official Bill of Rights and appointing people of discriminated groups to the parliament while other members did not.

    Read More

  • Dragon Slayers Analysis

    575 Words  | 2 Pages

    One day in class professor McPherson makes a connection between rap music and Walker’s paper and said they are both phony. He talks about how rappers are extreamly wealthy and their families are doing well but they claim they are in the streets and “hustling” to make their way through life, when in reality they are doing better than a large portion of the population. The reason he says Walker is doing the same is because he wasn’t talking about himself… he is talking about his family and their hardships, that he has not experienced. Then Walker learned one of the most important lessons that would be with him forever; that people love sterotypes, sterotypes engage a reader but once the reader is interested you have to add your own esense of you into your writing. This means as a writer you have to show the reader the real you but you have to understand yourself first. One must not base their life on the life or sterotype of

    Read More

  • John Zimmerman

    1388 Words  | 3 Pages

    Are young children putting their health and even their lives at risk if they partake in the sport of football? Some claim that the American sport is far too dangerous and the risk of concussions and injuries far outway the pros of the physical sport, while others insist that technological improvements and new regulations have made the sport safer. Jonathan Zimmerman, a professor of history and education at New York University, argues in his paper, “We Must Stop Risking the Health of Young Football Players,” that football is a sport that is too dangerous for the youth. He states his belief that technological improvements in helmets and changes in the rules of the sport have had little effect on reducing injuries and that nothing has worked.

    Read More

  • Analysis Of In Defense Of Trap Queen As Our Generation's Greatest Love Song

    1105 Words  | 3 Pages

    He uses specific tone through his text his tone is meant to inform and persuade giving him creditability towards his argument. He uses pathos through his text by saying the way music makes people feel a certain way and understand the argument making it stronger, he also uses the story of his mothers death to play with the readers emotions. He uses words like ghetto, Blacks, love , soul, gangsters, etc to show persuade the audience and she if the emotions of the reader would be affected. He then brings in ethos by using creditable mentions of Fetty Wap and statistics like “At the time of this writing, “Trap Queen” is the #2 song in America. To have the #2 song in America is to hit pretty much every demographic…” To provide the audience a sense of trust with him making his argument gain power. He also includes tweets to validate his argument and create stronger support from his intended audience and giving the audience a sense of

    Read More

  • Masculinity In Hip Hop

    1594 Words  | 4 Pages

    When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists

    Read More

  • John H. Johnson

    673 Words  | 2 Pages

    John H. Johnson was born January 19, 1918 in rural Arkansas City, Arkansas. His parents were Leroy Johnson and Gertrude Jenkins Johnson. His father was killed in a sawmill accident when little John was eight years old. He attended the community's overcrowded, segregated elementary school. In the early 1930s, there was no public high school for African-Americans in Arkansas. His mother heard of better opportunities for African-Americans in Chicago and saved her meager earnings as a washerwoman and a cook and for years until she could afford to move her family to Chicago. This resulted in them becoming a part of the African-American Great Migration of 1933. There, Johnson was exposed to something he never knew existed, middle class black people.

    Read More

  • Zip Coon And Jim Crow: Stereotypes Of African Americans

    1203 Words  | 3 Pages

    Nowadays, I feel that many people limit black musicians to the genres of rap or R&B. Roots of Rhythm and Blues do run through African American culture and rap stemmed from “toasting” that took place on the streets of Jamaica (Campbell, 2013. pg. 264). While the population of rap and R&B are predominantly African American, there should be no limit put on these musicians. Another example of an exception to the rule would be a white rapper or rapper of another ethnicity other than African American. Although things have begun to change, people still see rap as only being a genre for black musicians. I believe that gangsta rap came about and gained popularity when in the 1990’s, African Americans were using this form of music to shed light on their oppressed lives. Many African Americans, more so than whites, live in poverty where the cycle of struggling continues. As gang violence and discrimination increased, their anger spilled out in the words of raps songs. During this time, I believe that many people stereotyped African Americans as authority hating, angry, and lazy people. I feel that some people view the successful rappers that have made money maybe in a similar arrogant way of the city slicker Zip Coon. These people may view African Americans in poverty as they would stereotype Jim Crow as content with their situation and that there is no actual problem. Just like Darius Rucker is

    Read More

  • Hip Hop and the Recording Industry

    693 Words  | 2 Pages

    Negus, Keith. "The Business of Rap: Between the Street and the Executive Suite." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 525-540. Print.

    Read More

  • The Influence Of Hip Hop And Sports

    951 Words  | 2 Pages

    This plays a huge role in how they are portrayed, especially when the two markets start to overlap. The influence of hip-hop on basketball starts to portray the caricatures and stereotypes of African American athletes and men that later affect the views given to youth in inner city America. This embodies the “American Dream” which keeps kids from focusing on their academics and portraying what it means to be black in America. This is done through hip-hop’s influence on sports through the political aspects of society that influences the rise of both hip-hop and sports in urban areas. Also the socioeconomic influences the people who are involved with these things. Their relationship is also characterized by the rise in both economies of the industries and how they have directly influence one another.

    Read More

  • Hip Hop's Effect on American Culture

    3349 Words  | 7 Pages

    Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.

    Read More

  • Francis Macomber

    680 Words  | 2 Pages

    There are several significant plot moments in the story. One is Macomber fleeing from the wounded lion. This creates the conflicts of Macomber vs. his wife and Macomber vs. his own cowardice. Francis Macombers and his wife, Margret Macombers, set off on an remarkable safari in Africa with Robert Wilson, a professional hunter and guide. The atmosphere is tense, though Wilson and the African porters try to act as if everything were normal. Robert Wilson begins to grow impatient and infuriated with Francis continuously bringing up his cowardice failure earlier in the afternoon. Francis Macomber was to kill a lion, but Francis was frightened

    Read More

  • The White Negro Analysis

    2120 Words  | 5 Pages

    Although the concept is off-limits and offensive in culture today, he defends this significant part of American history throughout his book. The impression given to us of the White Negro by Mailer can help us look at it as a form of blackface that has found its was in American society. Although artists like Al Bernard and Bert Williams were performers of physical blackface on stage in the 20th century, the hipster has shown to become a form of non-physical blackface. A type of blackface that isn’t ridiculed or criticized by society, but accepted or sometimes even ignored as a grand section of American Popular

    Read More

  • The Idiocy Of Mumble Rap

    122 Words  | 1 Pages

    In the idiocy of mumble rap, I agree that mumble rappers shouldn’t be called MC and that rap or hip hop was supposed to be poetry and have message and means. However, mumble rappers can’t and shouldn’t be called hip hop because it lack of lyricism, technical skill and you just can’t understand what they are saying. Therefore, I think mumble rappers should have their own genre so that it not labelled as hip hop or rap. Therefore, this week I have learn that hip hop and rap have play an important role in black lives and society that rap was used to give individuals a comprehensive view of what it was like to live in dangerous underprivileged area in United State.

    Read More

More about John Mcwhorter

Open Document