Hip Hop and Sports, they may be polar opposites on the surface, but as you dig deep you may find that they are vastly interconnectedness and that their relationship definitely plays off of one another. Hip hop has an audience that started off with young black men and women living in urban areas spitting the rhymes of their daily struggle and life. This grew; it became an empire spreading from east to west, from continent to continent and reaching an audience that no one could really ever imagine. Basketball, the game of the ghetto, has grown and reached new heights as well. It has given us many different talented athletes and personalities. It has grown past the sport itself to a brand, it too became an empire. Both of these different things have had a huge impact on the culture, especially the black culture. …show more content…
This plays a huge role in how they are portrayed, especially when the two markets start to overlap. The influence of hip-hop on basketball starts to portray the caricatures and stereotypes of African American athletes and men that later affect the views given to youth in inner city America. This embodies the “American Dream” which keeps kids from focusing on their academics and portraying what it means to be black in America. This is done through hip-hop’s influence on sports through the political aspects of society that influences the rise of both hip-hop and sports in urban areas. Also the socioeconomic influences the people who are involved with these things. Their relationship is also characterized by the rise in both economies of the industries and how they have directly influence one another. Many characterized both hip-hop and basketball as a way out. This was a way out of the ghetto, out of the poverty induced urban areas. The article, The Amistad Digital Resource: Social and
Walter LeFeber's book serves as a cornerstone of reference for its content as it relates to race, black business and the expansion of global capitalism since the late 20th century. With regard to race, it shows how race effected middle-class Michael Jordan at a young age and how he grew in the star he became, yet still could not es...
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
There is an astonishing lack of positive Anglo-American role models in the NBA. An overwhelming majority of celebrity basketball players are African-Americans. Such names as Michael Jordan, Shaquille O'Neal, Magic Johnston, Penny Hardaway, Grant Hill, Scotty Pippin, and Charles Barkley evoke visions of success and greatness in the minds of many young people, but can Anglo-American youngsters really be expected to identify with these African-American cultural icons? Similarly, almost all contemporary movies about basketball center around African-American rather than Anglo-American characters. Shockingly, many basketball themed movies which feature Anglo-Americans portray them in a negative light, perpetuating a derogatory stereotype of Anglo-American basketball players, and further reducing the likelihood of their success. Some films even have titles which mock the challenges faced by Anglo-Americans in the basketball industry; a popular film from the early nineteen nineties was titled White Men Can't Jump.
Wiggins, David Kenneth, and Patrick B. Miller. 2003. The unlevel playing field: a documentary history of the African American experience in sport. Urbana: University of Illinois Press
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
The history of sports goes back since ancient times. It has been a useful way for people to explore nature and their environment. Sports include different activities and games such as football, soccer, basketball, and etc. to express their skills and talents. Also, sports are a way to relax and have fun; but are sports all our African Americans rely on? The dream to become future sports stars. The reason why Gates begins his essay with an anecdote is to show and compare how many african-american athletes were at work today and how little the chances of African-Americans becoming athletes are compared to being a lawyer, dentist, or even a doctor. African-Americans assume that they are born athletes and it’s because the school system doesn’t teach them reality and educate them to undertake more realistic goals for careers.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
It was the first time I had ever been to a party. I had just graduated high school, and did not have nor ever did have any sort of interest in going to a party. One of my fellow classmates had invited me to her party on the night of graduation, and I decided why not? I was told growing up that I would never have contact with most of my classmates after graduation ever again, so I wanted to have one last fun moment with the graduating class of 2013. I arrived at my classmate’s house around nine, and immediately was overwhelmed by the makeshift dance floor in the backyard, the loud, unfamiliar music, and the disco lights. Growing up, I had never been introduced to rap music, so I did not enjoy it as much as my fellow classmates did. It did not take long for the party to get started. Boys and girls alike started to make their way to the makeshift dance floor, immediately dancing on one another. I was absolutely taken away as girls that I had known for four years bent over and began to press their backsides up against boys, grinding on the boys as if it were an everyday activity as degrading music blared out of the speakers, as if they were not aware of the actual lyrics of the song. I was not sure what made me feel sicker to my stomach: the way the girls moved their behinds in ways that I found impossible, which I later learned was called ‘twerking’, or the misogynistic rap music that my classmates danced to. I have not been to a party since then, and I do not think I ever will go to one again. It did not take me long to understand why my parents never let me listen to rap music before: it is this misogynistic, or a hatred towards women, type of music. Rap music clearly portrays women in several, negative ways, such as re...
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
Music is one of the most powerful and influential language which to many people in
This will then open up the discussion about the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music. Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries). 2011; 28).
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
Sports are often identified to have positive influences on many individuals. The sports industry is growing worldwide, especially the basketball industry, which is regarded in second place behind football. The global prevalence of basketball is unquestionable, especially among the young. Basketball is a dynamic team sport that involves a pattern of alternating, active, and skilled movement activities. There are compound demands that require a mixture of individual skills, team plays, strategies, and motivational aspects.
The Effects of Hip-Hop Music on Today’s Youth Does hip-hop music effect today’s youth in a positive or negative way? The effects of hip-hop music have been disputable following the time when its rise into the social standard in the late twentieth century, but hip-hop music is not just one sided but can be both positive and negative in today’s youth. What is hip-hop about? Assuming that you address hip-hop fans, the term alludes to more than simply a musical type - it incorporates an entire society, including dance structures, graffiti symbolization, and fashion (Selke INT).