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Analysis of John Steinbeck
Analysis of John Steinbeck
Analysis of John Steinbeck
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John Ernst Steinbeck Chronology Born: February 27,1902 in the family home. He lived at 132 Central Avenue, Salinas, CA. He wrote his first stories here as a child. Father: John Ernst Steinbeck. He lived 1863-1935. He was the County Treasurer. Mother: Olive Hamilton Steinbeck. She lived 1867-1934. She was an elementary teacher. Sisters: Elizabeth Steinbeck Ainsworth. She was born on May 25,1894 and died on October 20, 1992. She lived in Pacific Grove, CA. Esther Steinbeck Rodgers. She was born April 14,1892 and died on May 9,1986. She lived in Watsonville, CA Mary Steinbeck Dekker. She was born on January 9,1905 and died January 23,1965. She is buried in the family plot. 1919: Graduated from Salinas High School, then located on West Alisal Street across from the post office. Began attending Stanford University. 1919 - 1925: He attended Stanford University. 1925: He went to New York City, working odd jobs, including manual labor for the construction of Madison Square Garden. He was unable to find a publisher. He returned to California the next year. 1929: Cup of Gold became his first published novel. 1930: Married Carol Henning and moved to the family home in Pacific Grove. His father helped support the struggling couple. They divorced in 1942. She lived in Carmel Valley, CA after and died February 8, 1983. 1932: The Pastures of Heaven became his first published work set in Monterey County. 1934: His mother died in the Salinas home. John had stayed in the home to take care of her. After this experience, Steinbeck wrote to a friend, "The house in Salinas is pretty haunted now. I see things walking at night that it is not good to see." Steinbeck wrote to 1934: A short story set in Monterey County, The Murder, won an O. Henry Prize. 1935: His father died. This was the first year Steinbeck had commercial success. Tortilla Flat was an instant hit. 1935: He won the Commonwealth Club of California Gold Medal for Best Novel by a Californian for Tortilla Flat. 1936: He again won the Commonwealth Club of California Gold Medal for Best Novel by a Californian for In Dubious Battle. 1936: Of Mice and Men, set around Soledad, was produced as a novel and then as a play. The Red Pony by Steinbeck also won recognition. Steinbeck mentioned labor violence in Salinas in a letter, "There are riots in Salinas and killings in the streets of that dear little town where I was born.
While that wonderful night stayed in Goodwin’s mind things began to change for her and the people around her. Neighbors that she had known her whole life began to move. As if close neighbors moving away was not enough Doris’s best friend Elaine and her family moved away as well. After her best friend moved away Doris also had to deal with the terrible news that Walter F. O’Malley owner of the Brooklyn Dodgers decided to move the Dodgers to Los Angeles California. The same year the Dodgers moved is the same year that Goodwin’s mothers’ health steadily decreased. Goodwin’s mother died on February 22, 1958. She had died in her sleep causing Goodwin’s father to find his deceased wife when he woke up in the morning. These things combined is what officially ended the childhood of Doris Kearns Goodwin.
...e with him. But Husband on June 9th he died of Pneumonia. Emmy and John buried him somewhere near them but to this very day nobody know where that is exactly.
She was never again officially remarried but spent the rest of her life with American artist Robert Brady after exchanging marriage vows in a church in Acapulco,
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
Her husband died in 1882 and she never got remarried. After her husband died, her and her children moved back to Saint Louis. In 1885, her mother died. She
In Heart of Darkness, cultural identity and the dominance of the European, white male is constructed and asserted through the constructions of the "other", that is the African natives and females, largely through language and setting. Thus, while claims of Conrad's forwardness in producing a text that critiques colonialism may be valid, Heart of Darkness is ultimately a product of it's time and therefore confirms the contextual notions of difference.
As far as china Achebe's article of Heart of Darkness is considered, I disagree with his narrow approach towards Joseph Conrad's novel. Achebe does not take into account that Heart of Darkness is narrated from the perspective of the main characters Marlow who has never been exposed to the African culture before. As a result, Marlow does not aware of the African's way of living and also their traditions. The book contains several racist thoughts towards the Africans, but it also provides a deep sharp criticism towards the Europeans as well. Although the discrimination towards the Africana is obvious in the novel, but the readers must be aware of the historical text in which the novel was written.
...nters many of the degrading stereotypes that colonial literature has placed on Africa. In his lecture, "An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe documents the ways that Conrad dehumanizes Africans by reducing their religious practices to superstition, saying that they should remain in their place, taking away their ability of speech, and depreciating their complex geography to just a single mass of jungle. Achebe carefully crafts Things Fall Apart to counter these stereotypes and show that Africa is in fact a rich land full of intelligent people who are, in fact, very human.
The classic novel Of Mice and Men written by John Steinbeck has resonated with readers for generations. Steinbeck’s poignant use of literary elements highlight the negative aspects of the human condition. His use of foreshadowing, imagery, and symbolism assist in outlining these issues.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
A plethora of emotions triggers a person's motivation to write. Whether it is disappointment, fear, bliss, or pure excitement, feelings produce an overwhelming sensation. The response to these feelings can rise from a person's environment, relationships, interests or current struggles. However, emotional madness can be simmered down through a practice of writing (Science 20). Clinical trials indicate that writing about deep or traumatic experiences can clear the mind of all the “confining” stresses and emotional suffocation (Bolarius 2). In detail, a new brain imaging study, conducted by UCLA psychologists, reveals how “verbalizing” feelings can cause a sense of peace and prove to be a “cathartic” exercise (Science 20). In fact, writing down emotions born from experiences provides an opportunity in the documentation for posterity. In the same way, John Steinbeck, the author of Nobel Prize winning literary work, has marked milestones in the history of literature, leaving insightful and evocative images in the hearts of millions and for future generations. Steinbeck's work has drawn influence from several events in his life. David Bender, author of the Literary Companion, writes that any “serious” work from Steinbeck “must begin in his western home of the Salinas Valley” (Bender 13). Steinbeck's strong relationships and time growing up in the West were tremendous influences in his novels The Grapes of Wrath and The Pearl, as well as his short story “The Chrysanthemums.”
In his essay "An Image of Africa: Racism in Conrad’s Heart of Darkness" Chinua Achebe argues that Joseph Conrad 's novel Heart of Darkness is a racist piece of art. Achebe believes that Africa and Africans are represented in the novel through Conrad 's eyes, not the way they really are, which gives the reader the wrong impression about the continent and the people as a whole. He also assures that the racism found in the novel is because Conrad 's own racist ideas and beliefs. Conrad 's intentions, whether he is a racist or not, are not clear, as the novel is written from the perspective of a foreign white man in a strange country. Conrad does not intend to be a racist, but his novel Heart of Darkness may look like
Achebe stated that Conrad’s work was “an offensive and deplorable book.” I believe this view of Heart of Darkness to be true through his inhumane depiction of blacks throughout his novel. Conrad followed in the footsteps of infamous racist in figures, King Leopold II in particular for his barbaric treatment of Africans in the Congo. Achebe also accused Conrad of being “a thoroughgoing racist,” which I do not agree with. While I do think that Conrad certainly was a racist, he did not take that racism to the extremity that others, such as King Leopold II, did. In Heart of Darkness, Conrad made it clear that he was a racist, but did not carry that racism out to the fullest extent possible.
Achebe, Chinua. “An Image of Africa: Racism in Conrad’s ‘Heart of Darkness.” Massachusetts Review. W.M. Norton and Co. n.d. Web. 9 Dec.2010. .
In Europe, where people follow rules and regulations, these men are nothing, but in the jungle they are able to shine.However in the article, “An Image of Africa: Racism in Conrad’s Heart of Darkness,” Chinua Achebe describes the novella, “Heart of Darkness” by Joseph Conrad, as being racist.He supports this idea with examples from the text and with criticisms of the imagery used throughout the work. Achebe claims that by portraying Africa as “the other world and the antithesis of Europe,” Conrad is seeking to project Africa as the opposite of Europe and therefore,