Jinn, oni, and demons are entities which have some overlapping features, but key differences as well. I speculate that some of the overlaps occurs due to cross-cultural contact, specifically regarding jinn and demons since Islam and Christianity cross-pollinated certain concepts. Even before Islam emerged, early Christians in the deserts might have had contact with the myth of the jinn. The oni emerge from a unique cultural and religious framework, but even so, some similarities can be identified with the use of Kripal’s toolbox.
First, jinn, which were part of the Arab mythology well before Islam emerged, are believed to be spirits of smoke and fire. These beings are believed to interact with the human world, changing form if desired, and
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possess free will. Some legends tell of jinn who appeared as humans to mate with a beloved human, which is reminiscent of the story of Nephilim. It was believed that they dwelled in places that were abandoned, filthy, and dark. As Islam was revealed, the jinn were incorporated into Islam, recited by the Prophet Muhammad in certain Qur’anic surahs. Once they were part of the Qur’an, their status evolved slightly. The jinn were now subject to Allah and Islam, fell into rank with angels, Satan, and humans. They could even choose to convert to Islam, which is a unique aspect of the jinn that developed to reflect the cultural milieu of the early Islamic community. Jinn were believed to wreak havoc on the pious Muslim during prayer. Certain prayers were (and still are) uttered to dispel the jinn spirits during times of vulnerability, such as during childbirth, or upon entering places where the jinn were thought to inhabit. Some believe that those with esoteric knowledge, such as a Sufi sheikh, can control or influence jinn. Thus, while jinn can interact with the human world, those with esoteric knowledge can interact with jinn. Demons, as portrayed in Christian theology, are quite complex. The concept of what demons were and how they interacted with the human realm evolved over time along with the Christian faith itself. For example, in the fourth to fifth centuries, when monks were cloistered in the deserts of North Africa, demons resembled jinn to a fair degree. They might appear to a monk as flashes of light, flames or smoke, which is reminiscent of the classical depiction of the jinn. They were believed to influence the monk’s mind, especially in times of vulnerability. One example was the belief that the demons could lead the monk to the sin of acedia (sloth) or even lust. In general, these demons were a nuisance that interfered with the monk’s concentration, dedication, and perseverance. They could produce sexual illusions to tempt the lonely monastic. Even though these demons were perceived as a threat, at this time it was not believed that they could physically possess the human body or soul. They were also limited by God and could only act within parameters set by God. Theologically, they were thought to be fallen angels, which is unique to demons in the Christian tradition. By the high Middle Ages, Christianity had shifted from the deserts and into Europe. Accordingly, the perception of demons had evolved significantly. They were no longer a mere nuisance and were believed to have the ability to visibly appear and sexually interact with humans, as incubi or succubae, not unlike the jinn. Women were believed to be especially vulnerable, due to their feeble minds and weak faith. My favorite depiction of demons during this period was that of the demon who was formed by “wasted human sperm” (produced through the sin of masturbation), and who could impregnate a woman with this amassed human sperm. The demons were also increasingly perceived as evil beings that could attack humans physically or psychologically. It was also believed that demons tended to attack orders that were especially pious and powerful as a test of their faith and strength, a trait that is shared by some Islamic theologians regarding jinn. Eventually, necromancers would emerge and claim the ability to summon demons to do their bidding (which is similar to the power sheikhs claimed over jinn, although the sheikhs do not seek to control the jinn). Demons were perceived to possess special knowledge, so to conjure one to do one’s bidding could yield power to the necromancer (and financial gain no doubt). This would eventually lead to the belief that witches, usually women or other outliers, were conjuring demons for evil purposes. As the movie Haxan illustrated, those who fell short of societal norms were especially vulnerable to the accusation of witchcraft (the vulnerability of women is also believed to encourage the jinn, as well). Demons were believed to not only harm others on behalf of the witch but also to appear in beastly forms. The color black was also suspect. While this seems odd to many today, in a medieval world without the security of electric lights and other modern implements, beasts in a dark forest must have been perceived as a threat to human security. Thus, to project these fears in such a way almost makes sense. The witch was also believed to have sexual relations with the demons, in the ghastliest of manners, such as in the form of orgies. Again, the notion of a woman possessing sexual agency would have violated the social “norms” of this era, so such a woman would be a prime suspect for witchcraft. The belief that demons could possess a human body became more commonplace, although this concept had been introduced in the Gospels. Specific rituals of exorcism would develop as well. Some of these medieval ideas of demonology are present in our culture today, though they have changed to reflect our culture (the Ouija board comes to mind). Oni, the demons of Japanese culture, are quite unique in comparison, though there are some similarities to jinn and demons.
For example, according to tradition oni can interact with the human realm, for better or for worse, moving freely between the realm of the dead and the living without the need for human intervention (such as a necromancer). The oni can be male or female, although the female oni is perceived to be particularly vengeful and jealous. The female oni, the shikome is often portrayed as ugly, which might reflect the perceived worse qualities of women in the Japanese culture. Much like the jinn and demons, the oni are believed to have the power of shape-shifting. One unique aspect of the oni is the belief that angry oni can influence the natural elements and conjure violent storms and natural catastrophes. Thus, rituals have developed to avert the wrath of these angry oni. Another unique aspect of the oni is found in the Buddhist tradition, where oni are also portrayed as protective forces. One practice that emerged from this belief was the carving of oni into wood and hanging these carving above doorways for good luck. Another example of the positivity associated with oni is the belief that meditation can transform an evil oni into a good oni. Thus, much like Christianity and Islam, the demon is used an exemplar for proper religious
practice. Finally, some of the common elements of jinn, demons, and oni are: the vulnerability of women, the ability to interact with the human realm, the supernatural element, and that all entities can be influenced by the power of religion. These supernatural beings are not immune to time and culture. All have been adapted over time and place to reflect the human realm and will most certainly continue to do so if history is any indication of the future.
...s themselves, much like the Dineh. Through their art, the Walbiri communicate with their ancestors, and become united with the Dreamtime, much like the Dineh. When a tjurunga, the residences of the spirits, is touched, a physical connection is made with the supernatural. This contact causes the perpetuation of both humans and spirits (Anderson, 65). This example of contagion in the Walbiri culture illustrates the importance of the relationship between mortals and the holy spirits and art. The Walbiri philosophy that through art humans can transcend and come into direct contact with the Eternal Dreamtime and their ancestors is further exemplified by this act of contagion.
...e… One sheep costs half a danaq and a lamb costs a tussuj.” (al-Andalusi, 64). Both Ibn Fadlan and al-Andalusi deviate from these topics often, but Ibn Fadlan primarily concentrates on the rituals of a culture and al-Andalusi mainly focuses on a culture’s resources.
The Art Institute of Chicago houses a sculpture that epitomizes Shingon Buddhism in Japan. Born from an influence of Chinese esoteric Buddhism and the Indian God Shiva, the deity Fudo Myo-o, or “The Immovable One”, is one of the most important figures in Japanese Buddhism. The deity first appears in the Heian Period during the ninth century and is made to help followers of Buddhism with any adversity faced. During the Kamakura Period from the 12th-14th centuries the figure of this guardian king developed into a more realistic sculptural form. Fudo Myo-o is unique to the Shingon Buddhism of Japan with qualities that distinguish him from most any other deity, qualities that embody his vicious compassion, wisdom, and wrath.
As human beings, we are designed to belive in something. Although the belief in a higher power or religion is diverse, many theologies share common themes. “The Epic of Gilgamesh” and the Hebrew book of “Genesis” are seemingly polar opposites. Christianity, demonstrated in Genesis, is monotheistic, and the Hebrews base their faith on their relationship with God. On the other hand, Sumerian philosophy, found in Gilgamesh, is polytheistic, and the Sumerian people base their theology on fear. Ancient polytheistic literature forms an archetypical pattern of the mortals trying desperately to please the gods. A mortal’s entire existence rests in the hands of the sometimes childish gods. In spite of this, these two stories
Sixth century Arabia, the home of Muhammad, the founder of Islam, was a place of rich cultural diversity. Prior to the rise of Islam, the majority of those living in Arabia were polytheists (Donner, 29). They worshipped various deities, such as astral gods or their own ancestors, with settled societies developing more complex religious practices that involved a single creator god with many intermediary gods (Aslan, 6). The Ka’ba, a site of religious pilgrimage in the city of Mecca that would become central to the Islamic faith, contained three hundred sixty idols representing the many gods recognized throughout the peninsula (Aslan, 3-4). The belief of most sedentary Arabs in one higher god with possible lesser gods existing as well is known as henotheism (Aslan, 8). By the time of Muhammad’s birth, henotheism was widespread in Arabian towns and cities (Aslan, 8)...
The compare and contrast concepts of Inanna 's and Marduk 's are not exclusive to Sumerian or Babylonian myth. Several cultures have varying ideology about religion and creation; upon close inspection, one can see the similarities. Upon reading the story of Inanna, you can see how she transformed from a young woman to a beautiful goddess displaying her sexuality for all to see. This transformation is manifest in the use of symbolisms to display this myth.
Shaman are known in many cultures, but are identified by different names: healers, spiritual healers, medicine men, angakok, ganga, mulogo, witch doctors and warlords, just to name a few. However, this does not mean that all Shamans will hold the same beliefs, they may be good or evil, but they do receive their paranormal powers in many forms, some receive them thru visions or trances. Shamanism is humanity's oldest form of relationship to the Spirit. But it is not a religion. Given the various traditions of Native American people, shamanism takes in a diverse range of methods for collecting knowledge.
Islam has a deep history, beginning with ideas originating before Muhammad and spanning to the present day. Before Islam, the Bedouin people’s faith contained a belief in supreme beings alongside animism. They also put a large emphasis on ancestor worship (Swartz 15). Some groups...
Every ancient society and civilization has creation myths that were passed down and keep alive throughout the passing of time by word of mouth. These myths are the world’s oldest stories and are vital to these cultures because they explain their beginnings and give purpose to their existence. By analyzing and interpreting different creation myths it becomes easier to understand different cultures and their connections and relationships with heir beliefs and god(s).
Each and every culture follows a certain set of distinct practices that are distinct and specific to each individual culture. The common Western perception of Japan's ambiguous practices stems from the extreme difference in views correlated with the widespread lack of knowledge concerning the ancient culture steeped in tradition. Japan's widely Buddhist population is known for their calm acceptance of death as a part of life. One particular, perplexing cultural practice is the tradition of writing jisei, or "death poetry" when on the verge of death. A thorough understanding of Japanese Death Poems provides an explicitly accurate depiction of the Japanese attitude towards death and the Zen Buddhist philosophy that helped form this attitude.
However much Islam and Christianity would seem to share common ground, the discussion is not complete without noting the parallels between this two that have taken center stage. Some of the remarkable differences as they try to answer deep life complexities arise in the areas of religious practices by both their adherents and the clergy (Dorothy 13-28). “There is also a stark contrast to the belief system subscribed to, means of salvation, scriptures”. The most prominent difference present concerns the belief of life after death and practices of depicting the metaphysical
The Buddhist clerics believed that Aoi was possessed by evil spirits. Therefore the clerics tried to use poppy seeds in order to help Aoi. The Tale of Genji by Murasaki Shikibu states “Curiously, she still felt unlike herself, and her clothing reeked of poppy seeds. To allay her misgivings she tried washing her hair and changing, but the smell lingered until she came to look on herself with horror….” The poppy seeds are supposed to get rid of the evil spirits that are possessing Aoi. According to Norma Field, “Poppy seeds are used in the rites of exorcism, and their scent on her person confirms her suspicion of her spirit’s mischief”. The poppy seed ritual however did not work and Aoi passed away after giving birth to her son. Aoi was cremated by the Buddhist clerics and her family received an urn with Aoi’s ashes in it. According to Murasaki Shikibu, “Such losses strike often enough, but no doubt because Genji had known so few – perhaps only one – he was consumed in his bereavement by the fires of longing”. Buddhists believed in the cycle of rebirth; therefore Buddhists perform rituals of cremation. In Murasaki Shikibu’s Tale of Genji, the chapter called Heart - to - Heart shows a picture of Buddhist clerics performing a ritual of cremation. During the cremation ritual, the Buddhist burns the dead bodies in the fire which creates ashes of the
Onryo are grudging and vengeful spirits (27). These spirits come about when they are not properly buried or remembered and cause great unhappiness (27). The belief is that onryo can only be calmed by prayer (27). According to traditional belief, however, thirty-three or fifty years must pass for the spirit to find rest (27). The Japanese believed that when the spirits would find peace they either became hotoke which means “buddha” or sorei, “ancestor go...
At the first glance, Islam and Christianity appear to have nothing in common, however; as you go beyond the surface, they appear to have many similarities such as their beliefs of God, their beliefs of life after death, their holy scriptures, and their prayers. These religions, although two entirely different beliefs, share a similar origin. Like many other religions, they both claim to be the one and only true way to God. In order to truly see and understand their similarities, one must date back to the rise and birth of Christianity and Islam. Throughout the course of this essay, I will compare the many facets that show the alikeness between these two growing religions.
Kenneth Jost. 2005. “Understanding Islam.” Annual Editions: Anthropology 11/12, 34th Edition. Elvio Angeloni. New York: McGraw-Hill Higher Education.