‘Jimmy Munday is a hero whose death allows others to finally take their destiny into their own hands.’ Do you agree?
In Davis’ play, No Sugar, Jimmy Munday, the main character and the major protagonist, is culturally miscellaneous as a well-known Indigenous man of Nyoongah descent in his designated living in Australia. To an extent, he is essentially shown with humour and that he has used great weapons in order to pertain his challenges towards the attack authority involved in a critical situation like a real major hero. As for merely being discovered by other characters, in particular, he was figuratively tragic and that points out a symbol of death, which represents the loss of voice and the white community. Thus, the overwhelming occurs of by him through those scenes and by means of reality.
Jimmy is contemporarily being taken off on an offense with inappropriate actions and his
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trifle contribution to tolerance. Furthermore, he expatriates himself to prison and experienced an unexpected moment of “three months with hard labour” for his “sixth offence related to alcohol”. Jimmy wasn’t the only one who is taking this whole disadvantage for this poor heavenly sake of troubles but others like his brother-in-law Sam Millimurra and Frank who is an unemployed white farmer have this same excuse as a result which has been happened to be spread along the way. These characters are being told not to assault while drunk on alcohol and this will leave the law with an arouse message as being made to strict them from prohibiting alcohol. They are illegalised, and that has harassed Jimmy’s lives without the reliability of freedom and survival. Mannerly, that has concealed to the start of his demise. Jimmy, who is not only being drunk on alcohol in the white custody for alcohol abuse in the aftermath but also nevertheless he deliberately fights and confronts into Sam who has a calming influence and talking to Jimmy in his own native language in gaol together, to endeavour to scatter Jimmy’s exasperation against the Sergeant. Thus, at most, he has always put himself in an awkward position that cannot be condoned where he soon continually feels the emotion of intense angry and insane across the play. Family is a theme that is shown great importance in Davis’ play. Moreover, Jimmy, who is not regarded as a “person” by the government, he is a character who is strongly viewed approachable and focused on his self-determination as to what he will likely be in need to support the matters of survival and thrives as an individual. Although he has an extended family, the idealistic plan to support them is for him to figure out either of his ancestry or the background history within his family and this may be related to the sense of security could be indistinguishable to accomplish him in assumption to demand the ways that hover behind government decisions which may include relocation of indigenous people from the Government Well Aboriginal Reserve in Northam to Moore River. The reliance of Jimmy’s befriend mate, Frank, compensates him for all his kindness benefits of a life-restoring family meal by purchasing him wine, and ends up in gaol for “six weeks imprisonment with hard labour” for his trouble. Jimmy says: "Whole town knows why we’re goin’. ‘Coz wetjalas in this town don’t want us ‘ere.” By the way of how this has reinforced and emphasised along its way through, he professionally expresses his integrity which brings on forward to that farce of Australia Day in Act Four, when before having a serious condition of a heart attack but this epidemically could delay the means and ability to challenge white authority successfully. Thus, onwards, this leads to a morally virtuous to the key similarities of identity and survival which basically be referring to Jimmy but other members of his family therefore may find it simple to adjust in the aspects of fulmination. The active strengths that are highly approved by Jimmy is exceptionally competent with such of an ability of the occurrences, who then abstracts to be outspoken indeed out of the most characters.
Consequently, Jimmy though varied his spoken language as being passionate who has a quarrel to share he stands and never gives up for himself and his culture confidently. Throughout Davis’ play, Jimmy always uses informal and offensive language which often contains blaspheme phrases and generally has a theme or meaning of the play outlined in it. An example of Jimmy’s language is appeared at the very beginning of the play when he says “you know why them wetjalas marchin’ down the street, eh? I’ll tell youse why. ‘Cause them bastards took our country and them blackfellas dancin’ for ‘em. Bastards!” Through the use of this language presents Jimmy as a messianic character from the way the line simply must be uttered when reading this line you can almost direct Jimmy standing there growing with irritation over the betrayal the other Aboriginals have enacted against their culture and their
land. In contrast, Jimmy is mostly leading to him to the mode as a proficient representative of the fate of his people. He is an angry young man, and what causes him to feel that way negatively is that the white treatment of his people are always desperate to have a destiny take in positioning by their sides. Evidently, there is an argument associating between the whites and the Aborigines where the ‘whites’ are trying to protect the aborigines, but they don’t want it. Subsequently, it is because the Aborigines, who therefore do not have the same rights as the way they could meet in return to the whites. Academically, Jimmy serves well as a hero and when honoring for his dignity he can protect either of his Aborigines or the whites as well as to try out to attain the challenges that could break off to support his lives as a fight due to his death.
“A hero is no braver than an ordinary man, but he is braver five minutes longer.”-Ralph Waldo Emerson.That quote is my favorite because it shows you that everyone is the same ,but there is some people that stand out more than others like my hero Fernando Valenzuela.
The man was running, running for his life. He did not want to look back, for he was being hunted. He ran and ran, until finally he could not run anymore. But, he was an intelligent man, therefore he had a plan. He ran and jumped off the cliff. This caused the hunter to believe he was dead. However the huntee was just getting started. He got back to the hunters mansion and bam! He fed him to the dogs therefore, through his madness, General Zaroff drives the book’s theme of walk a mile in someone else’s shoes.
Charley Goddard when into the war when he was fifteen years old he when into the war only to be a man. He was not thinking of what he would have to live on, the conditions he had to live under. He was not thinking that he would have to see the things that he had seen, doing the things that he had to do to stay alive. When Charley entered the war he wasn’t scared mostly because the didn’t do much. When the war really started to “kick up” or become more intense he started to get scared, he almost threw up half of the time. He didn’t think he would have to walk and take cover from dead men- dead friends. When Charley was out of the war he was twenty one. He was walking with a cane and is complaining that he was too old. When Charley said he was too old he wasn't talking about his age he was talking about the things he had seen.
Abuse is a subject that should be considered important. There are about 960,000 abuse incidents reported annually. 85% of them are reported by women. The resting 15% are reported by men. In Fried Green Tomatoes, abuse is a recurring part of the book, Fannie Flagg does an admirable job in describing in detail the abuse incidents that happen throughout the book. Ruth is a character that receives abuse from her husband, she believes she deserves everything he does to her, even push her down the stairs. She finally takes the decision to escape from the abusive relationship she is in when her near death mother advices her to. Along the way characters develop some effects caused by abuse. People who suffer from abuse may develop fear, low self-esteem, or strength.
There is no doubt that Miss. Strangeworth is not an easy person to deal with, let alone live with, and although her character is fictional, there are many people with the same personality. We can tell quite easily that she is a very meticulous woman, with a lot of perfectionist tendencies, a few of which are to nitpick people’s lives and make sure that even the most minute detail is up to her standards. I know of someone with these attributes and as difficult as they are to deal with, with their list of requirements to be met and their eagle-eye for detail in even the smallest things, they mean the best, and are always trying to help, despite the possible repercussions.
A Ticket out of the Past By (Teresa) Yung-Ching Chuang. Life is like an ascent, the more you climb, the higher you will get. J. C. Burke skilfully undertakes this philosophy as a source of inspiration for ‘The Story of Tom Brennan’. It is not another crazy adventurous tale with a heroic storyline that seems unrealistic; the novel is about individual representation as Burke insightfully illustrates the long and slow journey of Tom Brennan, navigating through his road of self-discovery that eventually leads to his destination and achieves his “ticket out of the past” (Burke, pg 182). The catalyst of the novel is a traumatic car accident causing two instant deaths and one paralysis.
In March, by Geraldine Brooks, a mixed-race slave named Grace Clement is introduced after a young, aspiring Reverend March visits her manor to sell books and trinkets to women as a peddler. Grace Clement is a complex key character that is a controlling force in March and exhibits a symbol of idealistic freedom to Reverend March during the Civil War. Her complexity is revealed through her tumultous past, and her strong façade that allows her to be virtuous and graceful through hard times.
One of the characters in To Kill a Mockingbird is Bob Ewell. Bob Ewell is a selfish drunk who doesn't know how to control himself. He beats his children and he can’t hold a steady job for long. He is obsessed with revenge for Atticus for making him look like a fool at the trial of Tom Robinson, whom Ewell’s daughter is accusing of rape. Because of his false testimony, he can never be trusted again in front of the whole courtroom. He will do anything to get back at Atticus, and is willing to go as far as going after his children. He also has a grudge against the judge in the trial, and against the wife of the accused. Bob is crazy and delusional and is trying to gain back his reputation by taking down all the people that went against him in
Another fear erected from this novel is the power of seduction over feebleminded women. Evident in a passage from Zofloya, Victoria was swooned even by the sound of his voice, ‘Oh, Flattery, like heavenly dew upon the earth, gratefully dost thou descend upon the ear of woman! Indescribable pleasure dilated the bosom of Victoria, as she listened to the honied accents of the delicate Moor’ (Dacre 156). This villain had a hold over her making it easier to push her towards evil deeds. He promised her security after committing the crimes she wished, ‘…you shall see your desire fulfilled, and I will preserve you from every danger and suspicion’ (Dacre 181). Victoria had wished Berenza dead and Lilla out of the way but required the extra push from Zofloya.
Before we look at whether James Moloney effectively uses characterisation to convey Aboriginal issues we must look at the issues themselves. In Dougy, the issue of black and white prejudice is strongly present in the plot. The stereotyping of Aborigines and white Europeans play an important role in the events and the outcome of the story, as is individuality and the breaking of the stereotypes. The book also touches on the old Aboriginal superstitions that are still believed in by some today, though one of such superstitions plays an important role in creating the mood of the resolution. These issues impact most heavily on the character Gracey.
As a boy, James questions his unique family and color through his confusion of race issues. Later in his life, as an adolescent, his racial perplexity results in James hiding from his emotions, relying only on the anger he felt against the world. It is only when James uncovers the past of his mother does he begin to understand the complexity of himself and form his own identity. As James matures, issues of race in his life become too apparent to ignore. His multiracial family provides no clear explanations on prejudices and racism, and when "[James] asked [Ruth] if she was white, she'd say, No. I'm light skinned and change the subject.
His curiosity made him ask the following question to his mother: ‘Then why don’t you look like Rodney’s mother, or Pete’s mother? How come you don’t look like me?’ (McBride 12). James noticed that his classmates were the same skin tone as their mother, however since James was dark skinned and his mother was white skinned he questioned if she was his biological mother but she made established that she is his mother. James never understood why his mother chose to live amongst the black community until he became an adult, but as a child he had no clue why but he knew she was at risk because she was a white woman. Here James states, “But there was a part of me that feared black power very deeply for the obvious reason. I thought black power would be the end of my mother. I had swallowed the white mans fear of the Negro, as we were called back then, whole” (McBride 27). A black kid usually wouldn’t be worried about their mother living in a black community but given James circumstance, he had a white mother which was not seen too often at that time so out of love, he was worried that his mother would be harmed for being a white person living amongst the black community. For having a white mother he was often teased. Wanting to live a
This provokes a reaction from white audiences where we rely on hand gesture to comprehend the play, while also begging the question as to why they speak in such a way. Language is used as a symbol for their culture, a culture that is split between white and blacks; this is just one more tactics that Jack Davis uses to marginalise.
“Even in the darkest hour, when all hope seems lost… there is light.” Tolkein. The story, Salt to the Sea by Ruta Sepetys, is about the a few survivors of WW2 who go on a long journey to get to the Wilhelm Gustloff. They end up meeting multiple people along the way and they all end up developing and changing along the journey. The families and children like Florian, Joana, Halinka, and Klaus that survived the “darkest hour” represent the future and the start of a new, better life. All of the characters that ended up surviving were driven by the need to create a future for the children and the need to be with their “family” they found along their journey.
“What you feed your mind determines the fate of your mental health issues in the future, so feed and use as much biblical wisdom as you can, to avoid the potential mental meltdowns in life.” ~ Jon Barnes