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Reading Different Worlds by Jerry Grooms was a rewarding experience, and definitely helped me write my own essay. The author’s first line had me hooked, and made it very clear what the tone of the essay was. His thesis statement was well-defined, and easy to understand. Mr. Grooms is very artistic about explaining each detail between the two pieces of art he is comparing, creating a clear picture in the reader’s head of what the portrait looks like without needing the photo; though having the photo there is definitely helpful. The photo can be slightly distracting though, trying to read around it. I also wish there would have been more information about the portraits, the style that was used, and more about the time they were created. The
The point the author, Russell Baker, is making in his essay, “Writing for Myself,” is quite evident. When Mr. Fleagle, Baker’s English teacher, assigned an informal essay to be completed as homework, Baker immediately became baffled by the daunting task. Though reluctant to start, Baker knew that it he had to swallow his animosity toward writing and select a topic to write on.
The pictures say a lot, however, with petite information. The artwork she displays are somehow complex, and one gets to understand their meaning over time as she uses vivid imagination to bring out facts and fiction together.
During my trip to the Art Gallery of Ontario, I found there to be one painting that surely stood out and made an unique impression on me, it was certainly a painting unlike the rest of the in the gallery. When my eyes met those of the portrait of Dr. Heinrich by Otto Dix, I was deeply intrigued and found myself to be drawn to the piece and inspecting it the longest out of the all the options of paintings that I saw at the AGO.
What we learn at home, at school, from our peers, and from entertainment can have great effects throughout our whole entire lives. There is no such thing as a perfect family, human being, or society, yet we are able to live our lives with the enjoyment of peace and harmony. What we see on television may simulate a perfect family, but, of course, not everything we wish to see is true. Not everyone can have the lives that everyone wants. In reading the essays "The Perfect Family" by Alice Hoffman, "The Sanctuary of School" by Lynda Barry, "Dog Lab" by Claire McCarthy, and "Education" by Jake Werner a realization occurred. These authors came down with comparable results. Two authors have similar styles of writing while the others had a contrasting style.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
In Brave New World, as in Invisible Man, the many characters are face with their preset roles within the societies in which they take residence in. In their respective works, Aldous Huxley and Ralph Ellison explore the idea of predestination versus free-will within a society and by employing the rejects of each society, Huxley and Ellison expose the idea that the only means of escaping one’s destiny is to embrace isolation.
The face of the portrait is detailed, and more naturally painted than the rest of the composition. However, the left iris exceeds her eye and extends past the normal outline. The viewer can see every single brush stroke resulting in a unique approach to the capturing human emotion. The streaky texture combines with the smoothness flow of the artist’s hand creating contrast between the hair and the face. The woman’s hair is painted with thick and chunky globs of paint. The viewer can physically see the paint rising from the canvas and flowing into the movement of the waves of hair. Throughout the hair as well as the rest of the portrait Neel abandons basic painting studies and doesn’t clean her brush before applying the next color. Because of the deliberate choice to entangle the colors on the brush it creates a new muddy palate skewed throughout the canvas. Moving from the thick waves of hair, Neel abandons the thick painting style of the physical portrait and moves to a looser more abstract technique to paint the background. Despite the lack of linear perspective, Neel uses a dry brush technique for the colorful streaks in the background creating a messy illusion of a wall and a sense of space. The painting is not clean, precise, or complete; there are intentional empty spaces, allowing the canvas to pear through wide places in the portrait. Again, Neel abandons
Comparing different works of art from one artist can help a person gain a better understanding of an artist and the purpose of their artwork. An artist’s works of art usually have similarities as well as differences when compared together. Sandy Skoglund is a photographer that stages entire rooms to create a scene for her photographs. Skoglund uses painting, sculpture, and photography to create her artwork. Due to the fact that most of her photographs are created in similar ways, almost all of her photographs have similar components represented throughout the photographs. Differences can be found in her artwork as well. Skoglund’s Revenge of The Goldfish, 1981 (Figure 1), is a popular work of art that is represented at the Akron Art Museum
I decided to use Herman Lee for my artist comparison. The first piece that I saw of his was a series about Great Romans and they were portrait pieces. He has five pieces in this series that contain five different Roman people. They happen to be portraits of a person in vector/illustrative style. I decided to use this as a starting block for my piece. Instead of doing a leading figure in our today society as my portrait piece, I chose to do myself. Doing a portrait of yourself to me is harder to manage then doing a portrait of another person. Doing a portrait of yourself is hard to me because it involves figuring out what side of you, as a person, you want to be seen as or what you want to be seen as. You have to show a piece of who you are as a person and be quite vulnerable to the viewers, so I decided to go outside my comfort zone for this piece.
Not only do these photographs excel in technicality but they also excel in emotional appeal. Looking through these photographs opens my eyes and gives me a taste of what Haitian culture is like. Even when their location is considered a filthy ghetto junkyard to some, they still managed to make the background work to their advantage and create beautiful photographs. I love how honest these photographs are and the fact that they don’t use any fancy backdrops or superficial models to create art is what also pleases me the most. Instead they use what they have and create pure and honest portraits that still seem have a glimmer of artistic values that magically makes it all come
His images not only tell us about the object, they also have a feeling of true beauty. The reasons we like certain shapes and forms are not really understood but his images are pleasing. The curves of a body or the voluptuous curves and shimmering surface of the shell are so striking; we can gaze at them for ages and really appreciate their beauty.
There are a variety of pathways and elements, which enables individual transition into a New World. ‘Into the World’ is about people choosing the next pathway into their life by their own determination, experiences and support which enables them to go beyond their original location and narrow view of the world. ‘Billy Elliot’ relates to the elective ‘Into the World’ as the film is about new possibilities opening up, determination, family support and individual growth. Two related texts that show other kinds of transitions into new worlds include an article on the Queensland School of Excellence titled ‘Pas de deux’ from the ‘Australian Educator’ on the 03/05/04 and a documentary by a Youth Program called ‘Typo Station’ from Sunday Sunrise. To demonstrate different pathways into a new world, these three texts use different types of techniques.
...h the message is conveyed. Potter’s juxtaposition of picture and word also rewards the reader for trusting the evidence of his or her eyes, rather than simply submitting to the authoritative voice.
As a student photographer and someone who loves to take photos, I believe a portrait is something that can portray who a person really is. My favorite kind of photographs to look at (as well as take), are the kind where you can look at them and they capture you. I love to look at a photo that makes me want to know more about the person in it. I love when I can see their emotions and feelings right across their face. There is nothing more beautiful than a photograph of a bride holding her bouquet on her wedding day when you can just see how happy and in love she is. However, I also love when you have to analyze the photo a bit deeper and realize what it is truly about. A portrait that conveys a message is the most intriguing. A portrait doesn’t have to be of someone beautiful or someone skinny. For me, it just has to be ...
The point of this replacement lies in the photograph's not being the reflection of a fact made by an artist in a drawing, but a precisely caught and recorded fact. This precision and documentary quality make for such a forceful impression that, in painting or graphic art, it would be quite inadmissible. A poster with photographs is more effective than a poster with a drawing of the same subject.’ (Milner and