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Graffiti introduction
Graffiti introduction
Perspectives on graffiti
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Question: Investigate how Basquiat uses visual codes and symbols to communicate his intentions in a visual language. Jean-Michel Basquiat was an American artist who was born in brooklyn and died in NoHo. He emerged in New York as a gritty, street-smart graffiti artist crossing over from downtown beginnings to art gallery fame. Basquiat's form of art is painting, his artworks link to street art and include graffiti, racial inequalities and the fast-paced inner city lifestyle. He use visual codes and symbols represent society, the economy, politics, gender, and culture.
Basquiat’s artwork notary (1983) is full of symbolic text, codes and figurative elements that create a sense of rhythm that work on various levels to create meaning. In notary you can see American symbolism and Street slang mixed with references to history. the copyright symbol for instance is symbolic and links it back to his graffiti days. You can see the confidence in basquiat's work with the apparent random layers of the expressive spontaneous yet naive quality of the line of work. Notary draws us in with the scribbled words all over the artwork and leaves us guessing what the words means. The colours in basquiat's artwork represent anger, terror, fury and fear but there's also that slight element of hopefulness in his work.
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Even though it has eyes, a nose, and teeth, the painting gives us the illusion and feeling that the face is incomplete, and the bones are the coming through the surface from underneath. The head is filled with Basquiat’s graffiti, giving the impression there are figures and forms within the face, but when you look closer the face is just a lot of abstract lines and shapes. In his work you can see the anger and intense emotion he had from past experiences, this is what drove his art and reason why he was accepted in to the artworld and why his work is being displayed galleries across the
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
The mixed reaction I have towards the painting is because, first off, I still wouldn’t know what is really behind it or what it’s trying to tell us without looking at it from a distance. When I looked at it from a computer desktop I could see a shoe, a mountai...
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
Basquiat began to expand his work by attending art festivals and events in other states and countries than just New York. One of his favorite places to visit was Africa. “This expansive work of the 1980’s compresses together the relationship of Egypt to Africa, with reference to more local centers of African-American music within southern culture (www.theartstory.org). Instead of displaying his work on the streets of New York, he exhibited his artwork in various places throughout the world, especially at the Kestner-Gesellschaft Gallery in Hanover, Germany. “His work and style received critical acclaim for the fusion of words, symbols, stick figures, and animals.
Georges Seurat used the pointillism approach and the use of color to make his painting, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this painting, preparing it woth at least twenty drawings and forty color sketched. In these preliminary drawings he analyzed, in detail every color relationship and every aspect of pictorial space. La Grande Jatte was like an experiment that involved perspective depth, the broad landscape planes of color and light, and the way shadows were used. Everything tends to come back to the surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. Also important worth mentioning is the way Seurat used and created the figures in the painting.
The first thing to notice about this painting is how incredibly involved and realistic the brushwork is. The couple’s faces are so delicately rendered. Every wrinkle is visible and every hair strand is in it’s place. The soft folds and patterns of their clothing, and the grain of the vertical boards on the house, are highly developed and reveal Wood’s incredible attention to detail. The man, especially, appears to be nearly photorealistic.
As far as the human body is on the real and the anatomical features it fails to give an Idea of the human body in depth but an idea nonetheless. The painting in general is very proportional and in a way the people are proportional as a whole to the center; Jesus Christ. The main body part that seems to alwa...
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
“Speechless” is a black and white photo. To me the choice of colors from the artist already shows the type of tone that they want to set. Typically black and white photos set a more dramatic serious tone to me. The photo appears to be very heavy. The photo has Farsi text written all over the woman 's face along with a gun to the side of her face. The setting in “Speechless” by Shirin Neshat is effective an plays a very important role in creating the atmosphere and theme of the artwork. Without knowing the background of the artwork the person viewing it from the outside perspective might be a little confused with whats going on. The artist however has incorporated cultural aspects and cues to make the audience more aware of what is going on. In the artwork there is a woman covered with a veil. You can see half of her face and see that she has distinct characteristics that can lead the audience to interfere she is of middle eastern descent. Dark hair, dark eyes, thick dark eyebrows. She is also covered in various amounts of Farsi/Arabic text that also give cultural cues to the overall message that the artist is trying to convey. Giving these cultural cues to the audience give the audience context to the overall message of the piece. The character of this piece is the woman portrayed in the piece. She is the main part of the artwork as everything else surrounds her. The symbols in the piece extend
Georges Seurat was a French born artist born on December 2nd 1859 in Paris, Frrance. He study at École des Beaux-Art, which was one of the most prestige art schools in the world, which is also known for training many of the renounced artist we know. George Seurat left the École des Beaux-Art and began to work on his own; he began to visit impressionist exhibitions, where he gained inspiration from the impressionist painters, such as Claude Monet. Seurat also was interested in the science of art; he explored perception, color theory and the psychological effect of line and form. Seurat experimented with all the ideas he had gained, he felt the need to go beyond the impressionist style, he started to focus on the permanence of paintin...
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The above painting is titled “Baluster and Skull,” and is a Cubism piece painted by Georges Braque. Like most of Braque’s work, it is painted with oil on canvas. The painting was created in 1938 just before the start of the Second World War. The overall painting appears to be a table, with obviously a “Baluster and Skull,” a glass, and a decorative wall. The baluster represents support, but what he is supporting is unclear to me. The skull could represent death, in which he could be influenced by the current events happening in Europe during 1938. The fact that the skull in one solid piece intrigues me the most. Everything else in the piece of artwork is put together by multiple shapes and piece, with the exception of the skull, in which it
The face is a central organ to personal identity. With it we can communicate human expression, feelings and characters with as little as the blink of an eye. On a deeper level, the face can be an art form that speaks to a universal understanding of the mind. Olivier De Sagazan uses the face to challenge conventions. He exposes human rawness and looks at cultural taboos. Sagazan’s artwork cannot be pinned down by language but by raw emotion. His unsettling performances represent visions of primitivism, agony, occult and other ancient cultural art forms that cover or deform the face in ways that can be both beautiful and confronting. Leading us to question, “What are we? Humans? Or animals? Or savages?
The large body of the character in this painting is very significant. Just that detail alone shows that Basquait wanted to portrait strength through this painting. This painting was sold at auction for 13.5 million dollars in 2008. It had been held as part of the private collection of Lars Ulrich, the drummer for the heavy metal band Metallica, who decided to sell this painting along with Basquiat’s other masterpiece Profit I in order to raise funds to build a house for his family.He viewed himself as tough since he grew up on the streets and was homeless for years. Basquait once said he thought that he was going to be a bum the rest of his life, and by going through all that he did it made him a stronger person. “He was a street kid, true, a teen runaway who had slept on benches in Tompkins Square Park, but he was also a handsome privileged boy from a Park Slope brownstone who had gone to private school, followed by a stint at City-As-School, a destination for gifted children. Though he didn’t have a formal art education, he and his mother Matilde had been visiting museums since he was a toddler.” (Laing). Maybe