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Idea of transformation ovid's metamorphoses
Essay on ovid's metamorphoses book 6
Essay on ovid's metamorphoses book 6
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Jealousy and Desire in Ovid's Metamorphoses
Passionate lust is a blinding force. When jealousy and desire control actions, the outcome is never what it is envisioned to be. Ovid's Metamorphoses provides an clear example of love turned terribly wrong. Throughout the novel, overwhelming desire controls actions and emotions, leaving behind sadness and grief wherever it strikes. With this kind of love, nobody gets what he or she wants in the end.
The first strong example of unsatisfactory endings can be found in Book Four, in the story of "The Sun-god and Leucothoe." Phoebus has a strong desire for Leucothoe, and the two begin a fiery affair. Clytie, one of the girls whom Phoebus had rejected, is insanely green with envy, and snitches on Phoebus and Leucothoe's affair. The outcome is disheartening; Leucothoe is buried alive, Phoebus is grief-stricken, and Clytie still doesn't get the man she wanted. Everyone loses.
"And as for Clytie, / Love might have been a reason for her sorrow, / And sorrow for telling tales. . . Since she was so used to love, and almost crazy / for lack of it, she pined away" (Ovid 89).
This exemplifies the blinding affect that love can take on people. If Clytie had taken time to think out her actions, she would have seen what the outcome would have been like. If Phoebus didn't want her before he met Leucothoe, why would he want Clytie after she had taken his love away from him? There was not logic in Clytie's actions, only vehement love.
One could argue that the love displayed in the novel is actually not love at all, but pure longing and lust. If the characters really felt love, they would think about the other person and want him or her ...
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...Circe's satisfaction that Picus would be with no other woman. She says, "You shall be punished for this, you shall not be given / To Canens any more, and you will learn / What a woman, scorned in love, can do, that woman / Being Circe, loved and scorned!" (Ovid 350).
People often do crazy things for those individuals they love or think they love. When desire and jealousy overpower the ability to think clearly, the consequences are almost always catastrophic. One could learn a lesson from these stories or just be amused with how closely it resembles something that has been seen or experienced recently. Either way, the ending is always the same, and everyone can relate to the feelings portrayed.
Work Cited
Ovid. Metamorphoses. The Norton Anthology of World Masterpieces. Ed. Maynard Mack. 5th edition. New York: Norton 1987.
The only characters who agree on what love means are the two main characters, Romeo and Juliet. This makes their longing for each other even greater. The rest of the characters disagree on its importance as well as its role in life with both the two main characters and with each other, which keeps the two from being together. The different views add intensity to the story and make it much more interesting. Love is the driving force that causes the plot to
There were two major rape narratives in the Metamorphoses: one in Book I, when Jupiter rapes the nymph, Io; and one in Book II, when Jupiter rapes Diana’s follower, Callisto. After the first instance, Ovid sympathizes considerably with Io. First, he addresses her with the title “fleeing girl” (Ovid 9), which gives her the characterization of being innocent and unwilling towards Jupiter. In addition, after the rape, Io is turned into a heifer then taken away from her home to be kept in captivity by Argus, which makes the readers sympathize with her because she is being held against her will for being the victim of rape. Lastly, Ovid conveys sympathy for Io when she looks into a river and sees that she is a heifer and becomes “terrified of herself”
Nashville, TN: Broadman 1977. Ovid. Metamorphoses. The Norton Anthology of World Masterpieces.
Cassandra Clare, author of the best-selling novel City of Bones, once wrote, “To love is to destroy, and to be loved is to be the one destroyed”. As an author of a series of young adult books, Clare wishes to send a message to adolescent readers regarding the destruction that young, passionate love can lead to. A similar theme is explored in William Shakespeare’s Romeo and Juliet, where two adolescents from feuding families fall in love with one another. When they first see each other on the night of the Capulet party, they quickly fall in love and are soon married by Romeo’s friend and mentor, Friar Lawrence. Their love, being full of passion in its quick course, faces many trials such as Romeo’s banishment from their hometown of Verona, as well as Juliet being forced to marry Paris, kinsman of the Prince. The affection they feel for one another, being all consuming, often leads them to want to sacrifice everything for each other, including their own lives. Their self-destructive, rushed love ends with their deaths, occurring just a multiple days after they first met. In William Shakespeare’s play Romeo and Juliet, many characters such as Friar Lawrence, Romeo, and Juliet illustrate that young, passionate love is a powerful force that leads to destruction.
Bribery has always been a controversial issue, especially in the business world. Many argue that bribes are a necessary cost of doing business while others view them with distain, claiming that they are antiquated and create an unfair advantage. In the late 90’s, the problem reached a boiling point. Although laws such as the Foreign Corrupt Practices Act made bribery illegal in the United States, it still remained an international issue. Numerous skeptics claimed that violators of the act slipped through loopholes and that the law was not properly enforced. This law only applied to the United States, but bribery had become a worldwide concern. In 1998, the International Anti-Bribery and Fair Competition Act was enacted. The Act became law on November 10, 1998, however; it did not take effect until May 1, 1999.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
"Book One of Ovid's Metamorphoses establishes the book's theme of metamorphoses with a tale of creation that progresses into human stories leading to the current breed of man. The creation piece is followed by a flood story and a discussion of the ages of mankind. The ages of mankind - gold, silver, bronze, and iron - describe man's slow progression from a good, wholesome society into a miserable, self-destructive one. The next stories concern tales of gods and goddesses and their manipulations of the human population and each other. Book one ends (appropriately) with Phaethon's journey to meet his father, the sun, thus establishing Ovid's theme of quests for change."(auburn. edu)
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
In Ovid's Metamorphoses, the concept of love seems to vary from character to character. In one case, a god in the form of a man desperately seeks a particular woman and refuses to relent until he has her. In another instance, a female goddess cares deeply for a man and goes to great lengths to protect him from danger. In yet another case, both who are arranged to be married seem indifferent about the matter.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
Therein lies the unique chance for a sick soul to heal, to be cleansed and rested. But good cannot come of evil, and so the sickness of his soul only further infects his state of being. His mental disintegration, once proposed to be on purpose, continues uncontrolled. In the desert of his mind, void with the utter emptiness of the knowledge of death (his father's and the death of his faith in his mother) lies the supreme enemy to neurotic despair: romantic love. For romantic love assures power, it can create a sense of purpose, inspire heroism and beauty.
Corruption consists in the illegitimate agreement between a corruptor and a corrupted, in which they abuse of their public power in order to obtain personal benefit. Bribery and corruption is something that has been going on for years. According to Allen, “officials perceive themselves as immune to any penalties for demanding and receiving bribes” which she states that it is one of the main reasons for bribery and corruption in underdeveloped countries. According to Transparency International, an organization committed exclusively to end corruption, three of the most corrupt countries in the world are Somalia, North Korea and Afghanistan. This does not mean that corruption is only seen in underdeveloped countries. In international business, corporate employees often find themselves dealing with corruptors in foreign countries and, in most cases, they will give in.
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.
The procedure of giving and taking bribe is called ‘corruption’, and almost in all countries around the world it is forbidden; as a result, participating in this procedure leads to some punishments. Kind of punishment may vary depending on countries’ law; therefore, in one country it can be some monetary fine, while in other
...ses may be read and interpreted separately, taken together rather than apart, the stories can be more effectively linked. The use of repetition throughout the work and constant symbolism in each tale help connect the stories. The entire work is in poetic form, and the literary techniques used are consistent with the time period. Common symbols are used throughout. A common motif is the stretching out of arms preceding metamorphosis. Also, the imagery of hunting coincides with that of sexual passion. Daphne is a huntress and is associated strongly with the forest and nature. It is fitting then that she is the character pursued by Apollo. The vocabulary of hunger and thirst, or devouring and drinking are associated with acts of violence. The constant repetition and the imagery in Metamorphoses are key to interpreting what Ovid is trying to convey to the reader. The power of change is the central issue in each story and in all the stories combined. Change as a vehicle of escape, punishment, or any means to an end is apparent in virtually every story in the book.