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Analysis of the character of othello
Analysis of the character of othello
Shakespeare analysis and criticism
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Shakespeare's famous drama, Othello, revolves around three things: doubt, avengement and deception. As a powerful general of the Venetian army, Othello is unstoppable, until his life is turned upside down by an envious soldier whose hatred is fueled by the fact that he was not promoted to Lieutenant. After secretly marrying his wife, Desdemona, Othello’s true strength is tested. Othello is a black Moor, allowing racism to play a factor throughout the drama. Those whom he believed were faithful are no longer, according to his trusted soldier Iago, enraging Othello. As the drama takes place, those whom are spectating know that Iago is bad news. Involved with a rich man named Roderigo, who is in love with Desdemona. Iago plots to get revenge on …show more content…
Iago encompasses the tragedy with deception as he betrays Cassio, Othello, Desdemona and Emilia. Thus, ending in a very emotional outpouring by Othello himself, allowing himself to kill Desdemona and himself. As one of Shakespeare's most famous tragedies, many have studied the work of Othello. Othello consists of many key literary elements, making it the perfect drama to study in English/Literature classes. Shakespeare was a true genius and I believe he knew exactly what he was doing then writing Othello. Shakespeare gave no specific gender of characters nor significant setting throughout Othello, allowing his work to continue to be a admired even in modern day. The flexibility of Shakespeare’s writing allows for change to characters and setting, granting the ability to modernize Othello and understand the admired tragedy much …show more content…
As a tragedy, Othello contains examples of exodos, catharsis, asides, symbolism, hamartia and soliloquies. Just as in every other tragedy that Shakespeare wrote, many characters die during the exodos of Othello. The true tragedy of Othello is not just the deaths of Desdemona and Othello himself, but that Othello realizes his mistakes too late, after the consequences are permanent. He understands only after he has killed Desdemona that Iago has deceived him. Thus, leading up to an outpouring of emotion at the end of Othello, called a catharsis. Othellos guilt and jealousy conclude as he states, “I kiss thee ere I killed thee. No way but this, / Killing myself to die upon a kiss.”(V.II.369-370 ). After this is said, Othello commits suicide, stabbing himself out of remorse and disbelief of his foolishness. This catharsis did not surprise the spectating audience due to the help and hints from multiple asides and soliloquies by the characters. In Othello, the audience knows that there is more than meets the eye in the character of Iago, and it is ironic that he displays honesty as he states, "I am not what I am" (I.i.66). This brutal honesty allows him to manipulate characters throughout the tragedy. In Act II, Iago has two very important asides, each providing insight on his schemes. The first of his asides is in response to seeing Cassio and Desdemona hold hands. Iago says that
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
Othello is such a gullible character with so much trust in the wrong people. He trusts Iago before he trusts his own wife, Desdemona; he let Iago get into his mind. Iago arises any doubt Othello has for anyone he ever trusted making them all seem untrustworthy. More then anything Iago uses pathos to appeal to emotion. “ But I will wear my heart upon my sleeve For daws to peck at. I am not what I am” (Othello, Shakespeare, Act I Scene I Line 65-66). Iago talks about being open and honest; although this is not true it makes the other characters feel secure. Othello is a strong character, but Iago is his downfall. Blinded by jealousy and questions Othello will no longer trust Desdemona nor Cassio, because of this he will meet his
...o he murders his wife. Then, he does not want to be made to look like a murderer so he begs to be remembered as a different man than the one he actually is. In the midst of trying to save his reputation, Othello reveals his subconscious fears of not being accepted and always looking like a foreigner no matter what he accomplishes. Out of all his accomplishments in the military, Othello wants to be remembered for one specific story – the time he saved a Venetian from being abused by a Turk. It is as if he is forcefully portraying himself as a contributing member of Venice by saying that he protected it from outside forces. At the same time, he equates himself to the Turk and kills himself in the same way he killed the Turk. Othello, in trying to save his reputation, loses everything he has ever cared about or worked for – Desdemona, his reputation, and his career.
William Shakespeare’s Othello is a tragedy about revenge through jealousy and deception. Throughout the play, Iago is constantly pitting characters against each other in order to satiate his anger from being denied the promotion to lieutenant that Cassio was granted. As a catalyst for all the conflicts that arise during the play, Iago merely uncovers the underlying insecurities characters such as Othello, a notable war general in Venice, are struggling with. Animal imagery as well as the use of light and dark to differentiate between race is very prominent and is used to drive a wedge between the newlyweds, Othello and Desdemona. Although Othello is a highly accomplished and well respected war hero, the notion that Venetians, including Desdemona, are a superior race, prevents him from ever feeling truly secure in his marriage, ultimately leading to the demise of several people close to him, and finally himself.
Iago’s artful manipulation of Othello’s mind is done in such a way that Othello no longer realizes what he is doing. Angered by the “proof” Iago gives him, Othello does what he believes was honorable in his situation. When he wishes to kill his wife, it is not because he wants it to end that way, but rather because he feels it is the only way to clear the sins the she has committed. Before he kills her Othello says, “Justice to break her sword! One more, one more!/ Be thus when thou art dead, and I will kill thee,/ And love thee after.” (114).
Othello is a classic Greek tragedy because it abides by Aristotle's definition of great tragedies, the place, time, and focus of a single plot throughout the entirety of the play. Othello is a tragic hero whose demise is brought forth by his own tragic flaw. He is susceptible to the manipulation of others do to his own insecurity with himself, and ultimately leads to his irrational murder of the only thing he treasured, Desdemona. Through manipulation and deception, Iago is able to become the puppeteer of Othello's life, controlling the course of his fate in a sense simply through the power of words. Iago proves to be a crucial factor in the destruction of Othello's world.
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
The ironic part is that he is known as "honest Iago". Every act contains an evil plot set up by Iago. They all play into his grand scheme. In the very beginning of Act I, Iago displays his hatred for Othello. He is angry with him for making Cassio the lieutenant.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.
One person Iago deceives is Roderigo. Throughout the play, Iago tells him that he hates Othello and that Roderigo should make some money so he could give gifts to Desdemona, who he admires from afar. Thinking that this is sound advice, Roderigo does just that. However, Iago is actually keeping the gifts that Roderigo plans to give Desdemona for himself. Eventually, Roderigo begins to catch on to the act and confronts Iago, but he falls right into Iago’s trap again when he tells him that killing Cassio will help him win over Desdemona. Roderigo is then lead to his death by the hands of "Honest Iago."
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
The Impact of Gender on Shakespeare’s Othello. In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.