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Language techniques in the novel Jasper Jones Craig Silvey
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Explore the way authors use character voice in both 'Jasper Jones' and 'Town' using the following passages as the basis for your response.
Character voice is used in Craig Silvey’s novel Jasper Jones and James Roy’s series of short stories Town as a way of engaging the audience and making it an inclusive text for the reader. In both texts the author’s use of character voice paints a picture of the nature and feelings of the characters, such as; Lee’s infatuation with Briony in Town, Eliza’s ambitiousness and constant need for freedom in Jasper Jones. The character voice used for all the characters represents the personality, behaviors and traits of the individuals. It also allows the audience to see themselves as a member of the community that Town focuses on and a citizen of Corrigan, becauses of the author’s usage of specific, inclusive and descriptive language.
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“But all I could think was, I wish I'd worn better pants.
I was happy with my t-shirt, but my jeans were a bit crapola. & I was thinking, I wish I hadn't worn these shoes, cos they're a bit old” (Lee, pg. 164). This statement of Lee’s gives the audience insight into the way his mind operates and his personality. By his use of colloquial language such as ‘crapola’ and ‘cos’ as well as his use of ampersands and beginning sentences with ‘but’ and ‘&’ establish his writing as non standard and very alike his thought processes, all the thoughts and feelings that Lee has are demonstrated in his story. “Whoa, that is serious. I mean, she was really cute. Way cuter than anyone I think I'd ever seen. But cute isn't even the right word. She's beautiful.” (Lee, pg. 164) The character voice that Roy has used in these sentences is consistent to the rest of Lee’s story, his use of repetition of the word ‘cute’ demonstrates his infatuation with Briony as well as his inability to filter his
thoughts. “My mum says I'm not allowed, which is so stupid because I already know what happens, but I'm going to anyway.” (Eliza, pg. 116) Through this line of speech, the character Eliza, portrays the level of restrictions and boundaries she has in her life which impact on her personal freedom and choices. It also allows the audience to understand her personality, in particular the stubborn aspect of it. Unlike Lee, Eliza’s speech and language is not non-standard and colloquial but instead well articulated and fluent. “Well, I'll live in Manhattan and you can live in Brooklyn, and we'll meet at the Plaza Hotel for high tea. And I'll wear a fox-fur coat and penny loafers and you'll have a tartan scarf and a brown pinstripe suit. And a pipe.” (Eliza, pg. 117) In this piece of the text, Eliza once again, articulates herself in a way that seems classy, worldly, and knowledgeable. The voice that the author creates for her, helps to display the vision of her dream for the audience to see and experience as well as this though, it also displays a different side of Eliza’s personality, it shows her letting down some of her walls and allowing Charlie access to her mind. The authors use of character voice is very important to the interpretation and understanding of the two texts, it gives the audience a deep insight into the personality and cognition of all the characters. The voice that is created for Eliza establishes her need for freedom and her want for a greater life, whereas Lee’s voice demonstrates the laid back aspects of his personality and the parts of his life that he sees as important and self defining.
Henry's first-person narrative is the most important element of these stories. Through it he recounts the events of his life, his experiences with others, his accomplishments and troubles. The great achievement of this narrative voice is how effortlessly it reveals Henry's limited education while simultaneously demonstrating his quick intelligence, all in an entertaining and convincing fashion. Henry introduces himself by introducing his home-town of Perkinsville, New York, whereupon his woeful g...
Good morning/ Afternoon Teacher I am Rachel Perkins And I was asked by The Australian Film Institute to be here to today to talk about my musical. My musical One Night The Moon which was the winner of the Australian Film Institute Award for Best Cinematography in a Non-Feature Film in 2001. I am also here to talk about how distinctive voices are used to show the experiences of others. The voices of Albert and Jim are two characters that give us two different perspectives this is due to their views. Albert one of the characters in my film is an Aboriginal character played by Kenton Pell who is hired by the police as a tracker. Albert is a very deeply spiritual person this gave him a spiritual voice throughout the play but when he get 's kick off the land and banned from the search the gets frustrated which gave him this really emotional voice. This event has a greater meaning which I will elaborate on later and now Onto Jim. Jim is your 1930s white Australian that owns a farm and is going through tough times because of the Great depression. Jim does not allow Albert to find his daughter, This is due to his racist and prejudiced views of black Australians. Jim has an authorial voice because he see’s himself as inferior. Near to the end of
Diction plays a critical role in the development of the tone in a story. The type of words the author uses directly leads to the tone of the entire literary work. If ...
Lee creates a comical tone in To Kill a Mockingbird when Scout uses curse words at unnecessary times. “But at supper that evening when I asked him to pass the damn ham please, Uncle Jack pointed at me,” (Lee 90). This comical tone shows Scout’s imaturity. The tone aids in the development in her character, while continuing to lighten the mood for
Power relationships are represented in different ways in various texts dependent on the historical era from which the text is produced. Jasper Jones is a coming-of-age novel written by Australian writer, Craig Silvey in 2009. It follows the life of Charlie Bucktin, a thirteen year old resident of Corrigan, a rural mining town in Western Australia as he matures into adulthood. In order to protect Jasper Jones, the town’s ‘troublemaker’, he helps Jasper to dispose the dead body of Laura Wishart, the missing daughter of the shire president and struggles to keep this dreadful secret. Power relationships in this novel have been reflected, reinforced and challenged in their own context and my personal context through various narrative conventions. Racial power has been reflected in the text through the context in which the text is set. Sexual power has been reinforced in the contemporary context. Furthermore, in both the text’s context and my context, the idea of political power has been challenged.
Stylistically, the book is arranged in rotating chapters. Every fourth chapter is devoted to each individual character and their continuation alo...
When looking at Golding and Marquez's techniques of plot and dialect, one can determine that these methods of writing are used to advocate civility. The authors of both works use their ability to tell stories as a platform for their own beliefs to be heard. These techniques they use, such as plot and dialect, serve as the hidden implications of themselves. The main characters Ralph and Maria transition from an individual in a new and isolated environment to a savage who is a part of this place.
There are many different types of characters in stories, and each has been described differently leaving different impression to readers. Reading some stories gives the readers the feeling of empathy for characters. Speaking about characteristic, it is great to know how a character feels in order to understand the story. Through this essay, I would like to show how stories make the readers feel empathy to other’s concerns, feelings, and troubles.
Ross, Steven M. ""Voice" in Narrative Texts: The Example of As I Lay Dying." PMLA94.2 (1979): 300-10. JSTOR. Web. 23 Mar. 2014.
...ing, symbolism, and the ageless dilemma of communication problems provides an excellent dialogue, giving the story an interesting twist indicative of his style
Style is a literary technique that authors use to reveal information about various aspects of the narrative. Style can be utilized as a way for the audience to read between the lines and unveil key information. Pejorative language expresses criticism and bad opinions. Flannery O'Connor's pejorative style is exhibited in many of her short stories. From the dialogue of a convict in “A Good Man Is Hard To Find” to the thoughts of not so wise Hulga in “Good Country People” her pejorative style unveils the perceptions of characters.
The most prominent linguistic aspect of the novel is its lack of dialogue. There is not one line of dialogue throughout the entire novel. This reliance on narration accomplishes several things for Kincaid's protagonist, Xuela Claudette Richardson. First, it allows Xuela to be defined by no one but herself. There...
Although both authors claim their stories are true, and thereby that their characters are realistic, there seems to be a gap between the authors' claims and the "reality" of the characterization. This question is closely connected to the fact that both novels belong to the earliest English novels. There was no fixed tradition that the authors worked in; instead the novel was in the process of being established. The question arises whether the two works lack a certain roundness in their narrators.
Characterization has been established as an important part of literature as it allows authors to fully develop characters’ personalities, allowing readers to understand the characters and their actions. In the poem Judith, the author uses adjective phrases to describe Judith and Holofernes’ personalities. The diverse contrast in their nature highlights the heroic qualities in Judith, which teach the reader to have faith in God, as that is where her courage and strength stems from. Therefore, characterization can further be used as a technique to establish major themes in a work of
Reading comes alive as the reader falls into the author’s voice and connects to the protagonist. When individuals read they involuntarily relate themselves to the protagonist. Therefore, a slightly different meanings of the story is created based on the individual’s personal experiences and beliefs. For instance, a novel could be considered a humorous parody of chivalric romance, but another individual could view the work as containing a serious philosophical message. This is a common scenario for Miguel de Cervantes’ Don Quixote in which individuals can conclude many different meaning, and character analysis. Miguel de Cervantes constructed a complex character, who over time has been regarded as a madman, dreamer, or a man in the midst of