More handpicked essays just for you.
Myths of Japanese culture and traditions
How are asian american protrayed in media
Impact of television in society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Myths of Japanese culture and traditions
A television show can be a source of entertainment, information, or even advertisment. However, the written perspective have a narrow focus and only appealing to an ideally, similar audience. “My American Wife!” portrayed the daily aspects of an American housewife and her signature “meat-featured dish”, although the show was constructed for the content of Japanese’s culture. The entanglement of meat, race, and gender became significant in the media, as it exposes the delicacy of one culture attempting to fabricate the reality of another. Jane Takagi-Little became the new director of the Japanese show “My American Wife!” and as a documentarian, Jane attempts to document the vast authenticities of different cultures. Although she tries to
“This is Our World” by Dorothy Allison is an essay that brings her own personal views to art and the impact that it has had on her life. She brings descriptive language to describe how the art can be compared to writing. The author persuades her audience that writing is more than just writing and it can be an eloquent and beautiful piece of art.
In the essay “The End of Spam Shame: On Class, Colonialism, and Canned Meat,” Sylvie Kim, the author, argues that no culture or person should be judged based on what foods they eat. Kim argues this by using her love for spam to explain the cultural difference and judgement she has experienced being an Asian-American consumer of the “pink gelatinous pork” (3). Sylvie explains personal shame and fear of judgement when eating spam to her audience, Asian-American readers of the blog “hyphenmagazine.com.” She elaborates on her disgust for judgement by using the argumentative writing style of repetition. She continually reuses the word love. This writing style is crucial
The biographic features of a writer usually have an influence on the development of his or her literary creation. The biographic influence is especially strong on the literary work of Flannery O'Connor. Her life and experiences are reflected through her work in themes, characters, descriptions and style. There are two important features of her life, which had marked the short stories and novels of Flannery O'Connor: The South of the United States and her religion, Catholicism. These two aspects are reflected in her vision of life, society and above all in the vision of the human race.
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
What is in a story if you can’t take something out of it and relate to your everyday life? The book “Typical American” by Gish Jen, gave me something that I never fully, and I probably still don’t, comprehend: foreigners, and their struggles in making a new life in another country. I have been on my share of trips, both domestic and abroad, but was never in a distant land long enough to feel the effects of the unknowing these people felt every day. The manner in which this story was presented has given me a new insight into, not only foreign nationals, but more importantly, how one goes about presenting emotional feeling not just through words, but setting, characterization, point of view, conflict, and theme.
Even though mise-en-scène plays an important role in crafting meaning in television programs, the impact of the mise-en-scène only works when a narrative is present. Most readers may be familiar with the idea that television programs tells stories, but Mittell argues that even unscripted television programs use narrative structures in their programming as well. While chapter five of Jason Mittell’s book. Television and American Culture, focused on mise-en-scène and the stylistic elements that contribute to the meaning made inside a television show such as setting, staging, costumes & makeup, and lighting, chapter six focuses more on the creation of the television narrative.
The ‘Andy Griffiths’ and ‘I love Lucy show’ are two popular sitcom from the early 1950s and 60s that are still relevant in the 21st century. Also, both shows were the typical sitcom that many Americans’ enjoy watching with their children as there was no content of nudity nor inappropriate language. The Lucy’s and Griffiths’ show were very well-known mostly because of the authenticity and raw honesty in the show. Though both shows have same objective in entertaining their audiences; however, there were clear contrast as well as comparison in which how these shows had been produced.
In 2009, ABC aired the first episode of Modern Family, a show about three families who are all related. Since then the show has become a huge success as audience’s find enjoyment in watching the characters as they face everyday trials and tribulations. Each episode runs for a half hour and takes place in a California suburb. The producer’s center the plot on a specific controversial issue in which the characters are forced to confront and handle, as well as resolve and give their reactions prior to the shows ending. For the purpose of this analysis, a narrative methodological approach will employed. The narrative methodological criticism is effective because mass-mediated stories play central roles in how society understands themselves, other people with whom they have contact with, as well as the rest of the world and beyond.
The cover of the 20th Anniversary edition of Amusing Ourselves to Death: Public Discourse in the Age of Show Business, shows a woman in a business suit and a man in a business suit, both with televisions as heads. This is just a small representation of how society has relied on media for their main source of knowledge and that it has taken over society's main thought process. Postman opens his first chapter by recounting various anecdotes illustrating that American thinking has become trivial. Postman writes that politicians are praised for their looks or physique, rather than their actual knowledge on the topics that are being discussed. Postman expresses that televised journalism has led to an increasing emphasis on style and appearance, rather than substantive information and knowledge. Postman does this in order to discuss the differences in typography versus media, news and entertainment, and the history of public discourse and media. Postman also discusses how the media has taken over our lives with this interesting saying “And our languages are our media. Our media are our metaphors. Our metaphors create the content of our culture.” (Postman 15). This saying is a way for Postman to reveal the effect of the media-metaphor of television on our
In order to get a greater sense of the food personality attributes, three episodes from each show’s current season were analyzed to examine the personalities’ mannerisms and culinary identity. These attributes and characteristics were coded and analyzed (see Table 2). Content analysis started with cursory examination of the television episodes. I posed two questions during my initial examinations: how do these culinary personalities present themselves as experts in either the domestic or public spheres, and how do these presentations adhere or diverge from the earlier outlined gender culinary stereotypes. This meant looking at the theme of the shows, setting, the appearance and mannerisms of the culinary personalities, and how well these shows convey the tone of the network. While watching, I took note of any personal anecdotes or memories given while the food was being
Television has always been an industry whose profit has always been gained through ads. But in chapter 2 of Jason Mittell’s book, Television and American Culture, Mittell argues that the rise of the profit-driven advertising television model can be traced back through American television history, and that the rise of the profit-driven advertising model of television actually helped to mold American culture both from a historical standpoint and from a social standpoint.
In the essay “White on Rice: Yellowface in American Media” the asian-american author asserts that people of Asian, Hispanic, Latino, Indian, and Native American, but particularly Asians, ethnicity are not only underrepresented, but down right ostracized in the realm of film and television here in the United States through a process known as Yellowfacing, or the misrepresentation of the Asian ethnicity by predominantly white actors. The author uses the movie Massacre of the Christians by the Chinese among other examples of television and film that contain yellowfacing to exemplify the media's outwardly biased discrimination towards the Asian ethnicity. The author’s purpose is to shed light upon the mind of the intended audience, by showing them
By using both primary and secondary resources we are to show how Australian television programs incorporate different cultures.
Culture defines the way that people go about their daily lives, including what they eat, what they believe, and what they do. In a place where a certain culture prevails, it is only natural that the core beliefs and the customs of a culture are reflected in the media. The cultures within the U.S. and India influence the media portrayal of women in unique ways and specific stereotypes: women are often objectified and sexualized in U.S. culture whereas women are restrained and viewed as sexual fiends in Indian culture. Culture affects the ways that women are portrayed in Indian and U.S. culture, but, at the same time, the depiction of women in media and the treatment of women within the culture can be simplified into two themes: sex and power.
to be all the same and we always classify them as being old and frail.