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Women in American literature
Women in American literature
The Early Images of African-American Women in American Literature
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In 1966 author Jean Rhys published her novel Wide Sargasso Sea, a paraquel to the events depicted in Charlotte Bronte’s Jane Eyre, which was published 1847, some one-hundred nineteen years prior. Rhys gave an in-depth description of the life of Edward Rochester’s first wife, Antoinette “Bertha” Cosway, a white Creole woman. Little is known about the character in Jane Eyre other than the fact that she is stark, raving mad, comes from a family plagued by lunacy, and has been confined to life in the third floor of Thornfield Hall. In Jane Eyre, Bertha’s most noticeable contribution to the story is the part she plays in thwarting Rochester’s marriage to Jane, and her apparent suicide after setting the estate on fire. Other than this, her character …show more content…
Moreover, Rhys didn’t fill in the gap that exists in Jane Eyre, she used her novel to speak about Creole life in the West Indies, something rarely ever discussed in literature. Her accounts draw inspiration from her own experiences, herself being a white Creole who grew up in the Caribbean island of Dominica in the early 20th century. In addition, Rhys included her own commentary on the negative effects of colonialism in the West Indies, the racial issues that were prevalent in the 19th century, and men’s dominance and women's dependence in marriages at the time. All this is covered by Rhys throughout Antoinette’s painful, yet thought provoking transformation from an independent woman, as vibrant as her Caribbean culture, to the “madwoman in the attic.” English critic Walter Allen published an unfavorable review of Wide Sargasso Sea in The New York Times Book Review in 1967, in which he argued that Rhys, for all of her effort to re-create the character Bertha Mason, did not stray far enough from Bronte’s
Jane Eyre finds her own image in St. John Rivers as they share several similarities in their moral determinations. After learning of Bertha Mason’s existence, Jane Eyre refuses to stay in Thornfield, fearing that she might lose her self-respect if she would give into Feeling, or “temptation” (447). The Feeling demands her to comply with Rochester’s entreaty, asking “Who in the world cares for you [Jane]? Or who will be injured by what you do?” (4...
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
Jane Eyre (Case Studies in Contemporary Criticism). Ed. Beth Newman. Boston: Bedford Books of St. Martin's Press, 1996. 475 - 501 -. Print.
In Charlotte Bronte’s Jane Eyre there are many occasions in which there is motifs about division and bias relations. Money was a major division between people in the Victorian Era. Family made people rise in the standings with others, If your family was rich or well known, then you were going to be well known and well liked. There are many situations in which Jane is thought of as poor and worthless, as well as having no family.
By Rochester calling Antoinette Bertha he has effectively created a new person, one he wants to control and rule. Jean Rhys asserts the theme of control through the structure in Wide Sargasso Sea which is very unconventional due to its three part structure. This structure could represent the unconventional ideas that are presented in the novel, women were seen as weak and men often dominated so the era the novel was written the question of where control lies between the two characters would have ultimately been seen as eccentric by many. Rhys also uses a chronological structure to shows the differing points of power in each of the characters’ lives. It could be argued that surroundings could be considered a character as it has so much influence over Antoinette’s life. The one place that Antoinette feels comfort is her home, this was shown in the start of the novel when she shows affection for where she lives but she soon hates the place which she once loved “But I loved this place and you have made it into a place I hate” Rochester has so much control he can change love into hate, he has destroyed her
...ing novels of their time. They both revise aspects of their era, that would rarely, if ever, have been touched on. Wide Sargasso Sea having the double revision of challenging Jane Eyre, as well as social beliefs. “The devices that connect the two texts also rupture the boundary between them. Although this rupture completes Rhys’ text, it results in a breakdown of the integrity of Bronte’s.” As much as Bronte’s text was revolutionary of her time, so too was Rhys’. Time changed and what was once revolutionary became simplified and unbelievable. The fact remains, that without Jane Eyre, there would be no Wide Sargasso Sea, the two text’s are mutually exclusive, and just as revolutionary now as when they were written.
Following the Moral Compass in Jane Eyre Jane Eyre is the perfect novel about maturing: a child who is treated cruelly, holds herself together and learns to steer her life forward with a driving conscience that keeps her life within personally felt moral bounds. I found Jane as a child to be quite adult-like: she battles it out conversationally with Mrs. Reed on an adult level right from the beginning of the book. The hardships of her childhood made her extreme need for moral correctness believable. For instance, knowing her righteous stubbornness as a child, we can believe that she would later leave Rochester altogether rather than living a life of love and luxury simply by overlooking a legal technicality concerning her previous marriage to a mad woman. Her childhood and her adult life are harmonious, which gives the reader the sense of a complete and believable character. Actually, well into this book I  I was reminded of a friend's comment a few years back to "avoid the Brontes like the plague.
Charlotte Brontë's 1847 novel Jane Eyre depicts the passionate love Jane Eyre and Edward Rochester have for each other, and as Bertha Mason stands in the way of the happiness of Brontë's heroine, the reader sees Mason as little more than a villainous demon and a raving lunatic. Jean Rhys' serves as Mason's defendant, as the author's 1966 novella Wide Sargasso Sea, a prequel to Jane Eyre, seeks to explore and explain Bertha's (or Antoinette Cosway's) descent into madness. Rhys rejects the notion that Antoinette has been born into a family of lunatics and is therefore destined to become one herself. Instead, Rhys suggests that the Cosways are sane people thrown into madness as a result of oppression. Parallels are drawn between Jane and Antoinette in an attempt to win the latter the reader's sympathy and understanding. Just as they did in Jane Eyre, readers of Wide Sargasso Sea bear witness to a young woman's struggle to escape and overcome her repressive surroundings. Brontë makes heavy use of the motif of fire in her novel and Rhys does the same in Wide Sargasso Sea. In Rhys' novella, fire represents defiance in the face of oppression and the destructive nature of this resistance.
In the novel Wide Sargasso Sea Rhys primarily focuses on the characters Antoinette & Mr. Rochester as a reflection of gender roles in the Caribbean during the 1800s. In this Romance novel Rhys showcases many ways that gender is used through stereotypes and discusses a great deal of specified gender roles in society. She also craftily exposes hardships of gender biases.
Sarvan, Charles. ¡§Flight, Entrapment, and Madness in Jean Rhys¡¦ Wide Sargasso Sea.¡¨ The International Fiction Review. Vol 26.1&2:1999:82-96.
First, one must beg the question, why does Rhys choose an allusion that nobody will understand? Rhys was fully aware that the title would not lend itself to easy interpretation. Why, then, did she stick with Wide Sargasso Sea instead of the more obvious ‘The First Mrs. Rochester’ or even ‘Creole’? Her seemingly unusual title choice is in actuality a carefully crafted selection that echoes her decision to write about the madwoman in the attic in Jane Eyre; it requires unpacking, just like Bronte’s Bertha. Like the lunatic in the attic, Rhys is asking the readers to not take her at surface value, but to question her reasons: “the reason why Mr. Rochester treats her so abominably and feels justified, the reason why he thinks she is mad and why of course s...
Jane Eyre is a classic English novel which follows the development of a young woman in the mid 1800's. Jane grows to be a smart, self supporting, independent woman. This becomes a struggle for her as she was brought up to live in the lower-class. Throughout this novel, Jane tries to show that class and gender should not affect personality. This novel explains Jane’s struggle against societal expectations of class and of gender.
In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë's legacy, but is also a damning history of colonialism in the Caribbean.
A broad focus on Charlotte Bronte’s Jane Eyre reveals multiple perspectives in which postcolonial criticism could be angled. For the most part, this study will explore the representation of a selection of foreign cultures as a foil to Europe’s presumed magnificence. Additionally, focus will be trained on the gender relations as an indicator of patriarchal colonialism. On this second point, the study will attempt to illustrate the various ways in which the character of Jane Eyre is deliberately constructed to counter the male colonialist ego. Some more illustrations will be sought regarding the relationship of classes as another appendage of postcolonial relations. The thesis undergirding this discussion is that the struggle between cultures, gender and classes is the three-pronged assessment that illustrates the postcolonial discourse in Charlotte Bronte’s Jane Eyre.
The novel Jane Eyre by Charlotte Bronte and Wide Sargasso Sea by Jean Rhys were produced at different times in history. Indeed, they were created in different centuries and depicted extensively divergent political, social and cultural setting. Despite their differences, the two novels can be compared in the presentation of female otherness, childhood, and the elements that concern adulthood. Indeed, these aspects have been depicted as threatening the female other in the society. The female other has been perceived as an unfathomable force that is demonic in nature but respects these enigmatic threatening characters. The female other has been portrayed as intensely alienated while grows knowing that their actions are subject to ridicule, rumor,