Jane Eyre Research Paper

Jane Eyre, the female lead of Brontë’s novel Jane Eyre, in several customs exemplifies the traditional womanlike character of nineteenth century literature, but in others, she disrupts the frame abruptly and deliberately. Her physical characteristics unaccompanied challenge all undeclared rules portrayed by different authors of the time. While confined in the red room of her Aunt Reed’s mansion, Jane stares into the viewing glass and labels herself as a “strange little figure…with a white face and arms speckling the gloom, and glittering eyes of fear moving where all else was still” (Brontë 20). In the same passage, she accounts for her features as being “half fairy, half imp” (Brontë 20). In nineteenth century fiction novels, “fairies” were

frequently perceived as ill-behaved, malicious, magical beings of human form that regularly interfered in human businesses. Repeatedly, fairies were observed as detrimental to humankind, and are consequently regularly viewed as hazardous and unwanted. Imps were similarly unpopular in nineteenth century literature and were frequently the cause of bad luck along with fairies. Jane’s exclusive metaphorical portrayal as “half fairy, half imp” is very fundamental for the period in which the novel was written. Jane, a female lead who reflects the “ideal morals of the community,” would be anticipated to thoroughly be like the guiding principles set up by the culture (Hume 1). As females were at no time anticipated to work separate of their households, countless heroines are labelled as angels or idols (Heiniger 2). Abigail Heiniger states in her paper “The Faery and the Beast,” the typical nineteenth century female was “an unrealistic male-created ideal” (24). Fairies, lighthearted and mischievous little creatures, are far detached from the joyful and unadulterated image conjured by the expression angel. The words “fear” and