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Autumn begins in martins ferry ohio analysis
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James Wright’s “Autumn Begins in Martins Ferry, Ohio” reveals a rather pessimistic narrative of the various lifestyles that are described, and also the inescapable destinies that hold for the townspeople. This utmost despair experienced through the people, forms an ambition that transcends onto their children; who are their last hope. Therefore “Autumn Begins”, the season that holds many possibilities for the townspeople, and even a glance into the past for others. The first stanza of the poem begins at the Shreve High football stadium, where the narrator is shown to be located. While reading further into the poem, it also becomes somewhat clear that this narrator is James Wright. While he is at the stadium, it could be speculated that Wright
is possibly attending a football game, or even just simply visiting the stadium itself. Wright, then expresses thoughts about the people that surround him and goes into describing a rather negative outlook. Stating “I think of Polaks nursing long beers / And gray faces of Negroes in the blast furnace / the ruptured night watchman” (Wright). These descriptions of the people are altogether negative, and portray an unfortunate attitude of the working people. These people are described as alcoholic, gray faced workers. Perhaps Wright is one of these people, sitting amongst the multitude of people that share in the desperation of something more in their lives. He then ends the stanza with the line, “Dreaming of heroes” (00). This line not only reveals the inward desire of the working class to achieve something better, but also rather the opportunity to complete these desires. Now it needs to be understood who exactly these heroes could possibly be. “All the proud fathers are ashamed to go home / Their women cluck like starved pullets / Dying for love” (00-00). Wright could possibly be one of these fathers, who finds himself “ashamed” going home, especially after his grueling days of work. Only coming back to their wives, who fight for the slightest hope of love and compassion from their husbands. Again, this lifestyle that Wright is living seems unbearable and almost inescapable knowing that most of the townspeople share this problem too. However, there is hope in these “proud fathers” and this hope happens to be their sons. Now coming to the end of the poem, Wright concludes saying “Therefore, Their sons grow suicidally beautiful” (000). It begins to piece together now, with the hard working fathers who look to their sons as hope for a better future. The sport of football is all the townspeople have left, and also the only opportunity they see to change the lifestyle in which they are doomed to enter. Wright, possibly a former football player, had his chance to make a living that was better than his current situation. But like many others, he failed to do so and now joins the others as they hold onto the hope of their children. The words “suicidally beautiful”, possibly mean that the father's fear that their sons will eventually find themselves ending up in the same situation as they are. They are beautiful in the way that they are the only chance of happiness they have, but also “suicidal” as in the way the fathers lifestyles are. This poem is a great representation of the typical situations that American families often find themselves facing in their lives. Often in any sport, parents look at their children as themselves and almost treat them as if they are a second opportunity in life. They often fear that their children will be destined to the future that they miserably hold, and therefore fight for the slimmest hope of change. Football was everything for these townspeople, and basically the last thing the people held dearest to them since it haves them the slightest bit of hope.
The poem I have chosen for the assignment is Maple Valley Library, 1967 by Rita Dove. After reading the poem I concluded that the speaker is Dove when she was fifteen years old sharing Dove’s perspective of being in the library and checking out books. Now looking at the poem, it has five or six wide stanzas and one or two skinny stanza each having a range of long to short lines except for the last two stanzas being short. The poem is long reaching the two pages mark with a rugged look. Then looking at the rhyming there appears to be none in the poem that I can
Part I of A Sand County Almanac is devoted to the details of a single piece of land: Leopold’s 120-acre farmed-out farmstead in central Wisconsin, abandoned as a farm years before because of the poor soil from which the "sand counties" took their nickname. It was at this weekend retreat, Leopold says, "that we try to rebuild, with shovel and axe, what we are losing elsewhere". Month by month, Leopold leads the reader through the progression of the seasons with descriptions of such things as skunk tracks, mouse economics, the songs, habits, and attitudes of dozens of bird species, cycles of high water in the river, the timely appearance and blooming of several plants, and the joys of cutting one’s own firewood.
The story takes place in Annadel, a rural town seated in Justice County of southwestern West Virginia, during the late 19th and early 20th centuries. The author does a fantastic job bringing the reader to the setting through the story being depicted by four different characters’ self narrated stories, which effectively puts the reader in the character’s shoes. In addition, a unique trait is added, with the dialogue being written in a presumably region and period specific style southern dialect. This feature not only makes the reader feel as though they are there at that time and place, but also provides for a more interesting read. While the unique style added to the dia...
Snow Falling on Cedars, a novel by David Guterson, is a post World War II drama set in 1954 on the island of San Piedro in Washington State. The story’s focal point is the murder trial of Kabuo Miyamoto, who is accused of killing a fellow islander, Carl Heine, Jr., supposedly because of an old family feud over land. Although the trial is the main focus of the story, Guterson takes the reader back in time through flashbacks to tell a story of forbidden love involving two young islanders, Ishmael Chambers and Hatsue Imada (Kabuo’s future wife). At the time of their romance, interracial relationships were considered strictly taboo because of racial bias. It is through both this love story and Guterson’s remarkable use of setting and imagery that the reader is informed as to why racial prejudice is so high on the island of San Piedro at the time of the trial and why Kabuo is not merely on trial for Carl’s murder, but also for the color of his skin.
The soft island breeze blows across the sound and the smell of the sea fills the air in Willow Springs. Meanwhile, a thousand miles away in Lower Manhattan the smell of garbage and street vendors’ hotdogs hangs in the air. These two settings are key to Gloria Naylor’s 1988 novel Mama Day where the freedom and consistency of the Sea Islands is poised against the confinement of the ever-changing city, two settings that not only changes characters’ personalities but also their perceptions. On the surface the two places seem to share no similarities and represent different aspects. There are, however, some similarities, among which is the effect of the setting on the characters. Naylor demonstrates through the characters Cocoa Day and George Andrews that a person’s surroundings affect the way they behave and either allows or permits them to believe in certain aspects of life, especially in respect to believing in magic or logic.
A. Creech accounted for many memories during her early childhood years. She took many trips with her parents and four siblings. She enjoyed the company of others and making memories. Often, grandparents, uncles, aunts, cousins, and friends visited her and her family, making her always used to warm, large, extended family. Her favorite memories came from Creech’s traditional summer vacations to various destinations. She loved road tripping with her “noisy and rowdy family” across the country. Her never-forgotten memories eventually led to her recreation of the trip into many of her books.
With the coming of the new century America under goes a change led by many different events. The collection of poems written in Lee Masters book Spoon River Anthology portrays the typical small town at the end of the 19th century and the beginning of the 20th century. Show the different social, economical, and political trend and influences throughout the United States.
The struggles that many face while experiencing poverty are not like any other. When a person is experiencing poverty, they deal with unbearable hardships as well as numerous tragic events. Diane Gilliam Fisher’s collection of poems teaches readers about labor battles within West Virginian territories, at the beginning of the twentieth century. Some of these battles include the Battle of Matewan and Battle of Blair Mountain. The collection of poems is presented in many different manners, ranging from diary entries to letters to journal entries. These various structures of writing introduce the reader to contrasting images and concepts in an artistic fashion. The reader is able to witness firsthand the hardships and the light and dark times of impoverished people’s lives. He or she also learns about the effects of birth and death on poverty stricken communities. In the collection of poems in Kettle Bottom, Fisher uses imagery and concepts to convey contrast between the positive and negative aspects of the lives of people living in poverty.
Literature: Penguin Edition. The American Experience. Upper Saddle River, NJ: Pearson Prentice Hall, 2007. 561-562. Print.
As a result, their lives changed, for better or for worse. They were inexperienced, and therefore made many mistakes, which made their life in Chicago very worrisome. However, their ideology and strong belief in determination and hard work kept them alive. In a land swarming with predators, this family of delicate prey found their place and made the best of it, despite the fact that America, a somewhat disarranged and hazardous jungle, was not the wholesome promise-land they had predicted it to be.
Bierce, Ambrose. “An Occurrence at Owl Creek Bridge.” The Norton Anthology of American Literature. Ed. Nina Baym. New York: Norton, 2008. 300-306.
...a rural farming community in the 19th century South where accents are thick and homes are few and far between. The young girl’s family is privileged enough to own a buggy whereas the Slumps own a simple wagon. The Slumps have a dirt floor to which clearly exemplifies the poor living conditions that they survive in. The girl’s father not only owns better equipment but also has a shed to which he can store the items in to keep them from being exposed to the elements. The little girl acknowledges the diversities between their two lives but doesn’t consider the Slumps as inferior people simply because they live an austere lifestyle. Her concern, as far as she’s concerned, is that the Slumps sleep under the stars, pick plums, and make jelly: a task that is unfamiliar and exciting to her to which she can merely examine from afar with a desire to partake in the amusement.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
Had Hillbilly Elegy been an academic work, most would consider it to be a case study, analysing the life, events, and culture of working class Americans living in the country’s Rust Belt region. Although not a research paper, author J.D. Vance enlightens readers on life in the Rust Belt region of America through astonishing facts and innumerable personal anecdotes full of of heart, soul, and humor; making this memoir an incredible read. Vance discusses in great detail his personal experiences being born, bred, and raised in Ohio, and explains how several key people in his life motivated him to escape the crisis plaguing his people. This memoir, while passionate and deeply personal, speaks to a much larger social issue. Hillbilly Elegy tells
King, S. "Strawberry Spring." Night Shift. New York, NY: First Anchor Books. 2012. 182-191. Print.