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The role of fairy tales in our childhood
The role of fairy tales in our childhood
A modern fairy tale- essay
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The Consequence of Desire in Jacob and Wilhelm Grimm’s Rapunzel
Historical scholars, patriots, and entertainers of an accidental nature: all have been used to describe Jacob and Wilhelm Grimm, the two German brothers who, in the 19th century, dedicated much of their lives to the collection and publication of folk-tales in an attempt to help define the cultural identity of their country. The entertainment value of this collection was probably not considered at the time of its origination, especially by the collectors themselves, whose main motivation was a sense of “nationalism and Romanticism” (Hallett, xvii). Yet, nearly two hundred years later, it is impossible to ignore the influence that the Brothers Grimm have had on the modern “fairy tale” as a form of entertainment, evident in the presence of some element of a Grimm tale in nearly every aspect of children’s literature, and the adaptation, albeit in a skewed form, of the brothers’ stories by entertainment giants such as Disney.
When considering that the initial purpose of the Brothers Grimm was not simply to entertain, but to impart a sense of the German life and its origins, we are impelled to examine the purpose and contribution of each individual story to its authors’ overall objective. While not overtly presenting a moral, characteristic of the Aesop and Perrault tales, the Grimms’ tales nonetheless inherently carried with them a significant didactic aspect. In the tale “Rapunzel”, we are presented with characters who are slaves to their selfish desires, or, conversely, to the desires of others, and it is only through the growth brought about by a long and painful catharsis do some characters find redemption, while others who remain a servant of desire fin...
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...ing off our desires, is like cutting off our feet when we want shoes.” Instead we must realize that the warning in the story is one against disregarding the rules of society and that of family, from both the child and parental point of view, lest we, too, fall from a tower. This holds as true today as it did nearly two hundred years ago, once upon a time.
Works Cited
Grimm, Jacob and Wilhelm Grimm. “Rapunzel.” Folk and Fairy tales. Eds., Martin Hallett and Barbara Karasek. Ontario: Broadview press, 2002. 67-70
Hallett, Martin and Barbara Karasek, eds. Folk and Fairy Tales, 3rd ed.
Ontario: Broadview press, 2002.
Sexton, Anne. “Rapunzel. ”Transformations. Boston: Houghton Mifflin Co., 1971.
Zipes, Jack. Victorian Fairytales: The Revolt of the Fairies and Elves. New York: n.p., 1987. Google Books. Taylor and Francis Group. Web. 03 Apr. 2015.
Tatar, Maria. "Jacob and Wilhelm Grimm, ‘Little Red Riding Hood’" The Annotated Classic Fairy Tales. New York: W. W. Norton &, 2002. 17-27 371-373. Print.
Fairy tales are a part of childhood. They go back through time depicting magical images of happy children, love stories, beauty, wealth and perfection. Authors, movie and film creators, artists and more draw beautiful images for people to remember and pass on through time. Many times the ugliness of the villains and the horrors that come into play throughout a fairy tale are often not as advertised. However, after careful analysis it is very clear that both authors of the original “Rapunzel” and its retell “The Root of The Matter” by Gregory Frost do not shy away from these evil aspects through their tales, while still capturing the magical moments that make a fairy tale memorable. The Root of the Matter fits the Rapunzel tradition with both
Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Vintage, 2010. Print.
Anderson, Hans Christian. “The Little Mermaid.” Folk and Fairy Tales. 3rd ed. Eds. Martin Hallett and Barbara Karasek. Toronto: Broadview, 2002.
A fairy tale is seemingly a moral fiction, intended mainly for children. A lesson in critical analysis, however, strips this guise and reveals the naked truth beneath; fairy tales are actually vicious, logical and sexual stories wearing a mask of deceptively easy language and an apparent moral. Two 19th Century writers, the Grimm brothers, were masters at writing these exaggerated stories, bewitching young readers with their prose while padding their stories with allusion and reference: an example of which is "Rapunzel." Grimm's "Rapunzel" is packed with religious symbolism, which lends a new insight to the meaning of this classic story.
Warner, Marina. From the Beast to the Blond on Fairy Tales and Their Tellers. New York: Chatto & Windus, 1994. Print.
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
“Obesity Information.” American Heart Association Obesity Information. American heart Association, 27 February 2014. Web. 04 Apr. 2014
The obesity in the US has drastically increased in the last few decades due to an increase in the consumption of unhealthy foods and reduced physical activity levels. Nearly 78 million adults and 13 million children in the United States are dealing with the health and the emotional effects of obesity every day. Because obesity has massive implications in regards to the health of our society, this issue is cited almost daily in the news, on radio and televisions, journals and magazines. According to Centers for Disease Control and Prevention in Atlanta (CDC) more than thirty percent of our adult population is diagnosed as obese, and there are several hundred of thousands of deaths each year that are associated with diseases caused by obesity as a primary contributing factor.
Rollin, Lucy. “Fear of Faerie: Disney and the Elitist Critics.” Children’s Literature Association Quarterly Volume 12. Number 2. 1987. Retrieved 18 Dec. 2013 from < http://muse.jhu .edu/journals/chq/summary/v012/12.2.rollin.html>.
8. Allison B.D. et al (1999) Annual Deaths Attributable to Obesity in the U.S. (Reprinted) JAMA, October 27, 1999 Vol. 282, No. 16.
Fairy tales have been a big part of learning and childhood for many of us. They may seem childish to us, but they are full of life lessons and intelligent turnings. Components of fairy tales may even include violence, but always with the aim to provide a moral to the story. Hansel and Gretel is in itself a very interesting story to analyze. It demonstrates the way that children should not stray too far from their benchmarks and rely on appearances. In 2013, a film adaptation was produced. This film is produced for an older public and has picked up the story to turn it into a more mature and violent version. Hansel and Gretel is a German fairy tale written by the Grimm Brothers which has undergone several changes over the years and across the cultures which it touched, but for the purposes of this essay, I will stick to the original story. In the development of this essay, I will analyze the components of this tale by the Brothers Grimm based on the factors listed in the course syllabus (violence, interpersonal relationships, the function of magic and the ending), and I will then do a summary and comparison between the story and the film which was released in theaters recently.
Bettelheim, Bruno. The Uses of Enchantment: the Meaning and Importance of Fairy Tales. London: Thames and Hudson, 1976. Print.
Zipes, Jack. Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York: Routledge, 2006. Print.