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Literary theories for isolation
Literary theories for isolation
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“The Biggest Weakness” The Canadian Prairies are notorious for its winter’s harsh, unforgiving climate. They represent not only humankind’s perseverance for survival, but unrelenting isolation, and the despair that can follow. In “The Painted Door” by Sinclair Ross, a discontent housewife gives into temptation after being left alone by her husband. A person will attempt to defy isolation, because when left alone, they will give in to temptatious thoughts, affecting their view on their relationships. Physical solitude will dictate if an individual choose to give into temptation, and when they do, it will change their amorous affairs forever. An individual’s independent reflection after giving into temptation will reveal their true feelings, …show more content…
making them decide on what they really want, altering how they view people around them. Ross develops the idea that isolation will influence how one will act on their temptations, because seclusion reveals one’s true attractions to the point where they make decisions that transform the outcome of their lives. When faced with isolation, Ann resists, because if she chooses to accept her emotional confinement, she will ultimately accept her temptations thoughts, altering how she sees her relationships. Ann attempts to keep herself busy, to do “something to stave off the gathering cold and loneliness.” Even though she is left alone, Ann tries to stay mentally occupied, so that she does not have to feel alone. For years she tolerates being away from her husband, but now the emotional consequences are slowly eating at her. She’s so desperate for human connection, she resorts to saying “That’s all I need, someone to talk to.” After years of discontentment and life used to being social and happy, she now resorts to relying on basic social conventions to keep her sane. When she looks at her old life juxtaposed with her current isolation, she realizes that the drastic change of lifestyle made her resent her life. She believes if she is no longer emotionally secluded, she does not have to face her temptations thoughts. Ann is so determined to ward off the inevitable temptation, she goes as far as tediously painting the door, even though its paint cannot stick in the winter. She realizes that her limit is reaching its peak, and if she does not remain to busy to fight off accepting her isolation, her temptations thoughts will come and she will have to face them, saying “I married him….I mustn’t keep on this way.” Her loyalty to John motivates her to ward off the lustful thoughts that have already sprung in her mind. Driven by guilt, she goes on to think “It was just an effort to…justify her rebellious thoughts, to prove John responsible for her unhappiness” Ann’s choice to give into her longing has made her see John in a different light. Although she has already submitted to her lust, she is still remorseful that she stooped to such a low even though her desolation pushed her. Despite her best efforts to deny it, she understands that she has been alone for too long and the thoughts she tries to keep away will come. No matter how hard she rejects it, her constant abandonment by John has made her inquisitive towards temptation. She oppresses her thoughts for years and continues to do so, because she refuses to let temptation win, although she realizes it is futile. However, she reaches her breaking point and faces the “Thoughts that outstripped her words, that left her alone again with herself and the ever-lurking silence.” She gives into her isolation, and ultimately her temptation. Her mind endured emotional seclusion to the point that she gave into her intrinsic human desires. The act of conceding to her isolation and temptatious thoughts changes Ann completely, as she realizes that she is unhappy with John and wants something more from life, that another man might be the solution to her isolation and longing. The moment she surrendered to her desirous thoughts, it transforms her outlook on her relationships, apprehending that her constant isolation has made her long for someone else. When her mental isolation pushes her to face these thoughts of attraction, she realizes her desire for Steven, which leads to inner turmoil on whether to choose to act on it. Ann’s physical separation and isolation from John creates opportunity for her to act on her temptations.
When Steven arrives, they are isolated together in the house, which allows Ann to truly give into her attraction. However, she insists that John will return, saying “He always comes.” John’s isolation from Ann greatly influences if she chooses temptation or not. If John came back, she could not have the freedom to choose Steven, as they would no longer be isolated. She hopes John will not return home, worrying that “it really might be John at the door.” Ann actively desires the isolation with Steven, so she can give into her temptation, reassured that there will be no consequence. Initially, Ann insists that John will come back so she does not have to be alone with Steven. If she accepts that she is alone with Steven and that they are isolated together, there will be nothing stopping her from following her temptation, as she already gave into her thoughts. As the night progresses, her temptation makes her cave into choosing him. However, the final push was the reassurance that John was not coming back and it was just Ann and Steven, alone together. When she conclusively decides to act on her temptation, she sees Steven differently, realizing “his smile…there seemed a kind of warmth…instead of his smile it was she had changed.” Their isolation is the deciding factor. If they weren’t alone together, Ann’s temptation would not have taken control and would not have changed …show more content…
how she thought of Steven. In the beginning of the night she saw the bad qualities in him, but as they spent more time alone, his repulsive traits transform into attractive qualities. Without the storm, Ann would not have to face Steven alone, and consequently, the temptation that grew from her isolation would not have grown to such proportions. Because John is away from Ann, which leaves her and Steven alone, it creates the chance for Ann to be reassured into accepting her temptations. Ann acknowledges that Steven is arrogant and unloving, but with her temptation so strong, and the chances of them being caught due to their isolation small, she subconsciously makes the decision to act. This isolation driven infidelity will lead Ann to making a drastic decision that will affect her marriage in a way she never imagined. After giving into temptation, Ann’s solitary reflection makes her realize her true feelings.
After sleeping with Steven, she alone thinks about John, admitting she “In retrospect, found them to be years of worth and dignity, until crushed by it all at last.” When she looks back, she realizes that her temptation ruined her marriage with John, making her regret her decision. Influenced by temptation, her marriage, which she now thinks of in a new light, is “crushed by it all.” it is from her private thoughts, which she isolated and kept away, that she finds new desire for her marriage. She was so certain that giving into her temptation with Steven was right, but when she thinks about her choice, she realizes that she had made a horrible mistake, that the “sense of guilt that even her new-found and challenged womanhood could not entirely quell.” in her isolation, she realizes that her love for John is greater than her temptation. She recognizes while standing alone, that temptation did not solve her loneliness. Even now, she is still isolated. Blinded by her isolation, she acts on her subsequent temptation. She comes to terms with these feelings by herself, accepting that her temptation was only temporary and her choices might have lead to the destruction of her marriage. When she goes back to Steven, she thinks “It would be easier were he awake now with her, sharing her guilt….she came to understand that for him no guilt existed.” she learns that Steven will never face
consequences, that it is her alone that can atone for her unfaithful actions, that she must do it herself. She comes to terms on her own that her desire for Steven subsided and she no longer wants to act on it. Her singular passion for Steven pales in comparison to John. This changes how she views John and her marriage, and instead of following her temptation, she chooses to stay with John. In her private thoughts, she finds her true feelings on temptation and her marriage, and chooses to pursue her marriage, believing that it holds more value than to follow her temptation, which is now merely empty passion sprung from isolation. She shoulders the guilt and burden on herself, facing the consequences of her isolation driven temptation alone. Ross develops the idea that isolation affects how an individual views their temptation, because a person’s solitude makes them face their temptations, which results in their downfall. An individual will fight isolation, in order to prevent facing their temptatious thoughts when they’re alone. An person’s physical isolation will drive their decision to act on their temptations. When one reflects on their temptation after acting on it, they will come to realizations on how they truly feel. “The Painted Door” tells the story of how acting on isolation-driven temptation can change your life forever. In those cold prairie fields, the isolation and melancholy can drive anyone to making decisions they’ll regret.
With nobody but herself at home, Ann strongly desires to talk to someone, and that someone who arrives at her house is Steven. Ann who has been feeling anxious and helpless while isolated suddenly feels relief when Steven comes as shown, “-and suddenly at the assurance of his touch and voice the fear that had been gripping her gave way to an hysteria of relief.” Steven helps comfort Ann, while Ann is being cautious of herself. She knows that Steven is enticing, but will not give in to him despite how attractive she finds him. Steven is the complete opposite of John and Ann compares John to Steven multiple times, “Steven’s smile, and therefore difficult to reprove. It lit up his lean, still-boyish face with a peculiar kind of arrogance: features and smile that were different from John’s.” and even favours Steven more than her husband. Ann is used to seeing John’s features but not Steven’s. This excites Ann and prompts her to develop feelings that are of a high school girls’, “She didn’t understand, but she knew. The texture of the moment was satisfyingly dreamlike.” It takes Ann a moment to realize that her object of temptation is right in front of her, and it does not take long for her to take the opportunity to ease her boredom and isolation through her upcoming
“Even the distant farmsteads she could see served only to intensify a sense of isolation” (Door, 48).
In the beginning of the story, John has to go see his father who lives five miles away and help him as there is a blizzard expected. Since the snow was too deep, he had to walk over to his father's house due to the wagon would not be able to go through all the snow. Ann never being alone, argues that surely she is more important than John's father by saying, “[..]Surely I'm as important as your father.” This later end with her failure to remain loyal due to the fact that she starts comparing her own husband qualities to the qualities of Steven making her to be unfaithful to John who later sees Ann and Steven together. This was all a result to Steven’s ambitions to undermine Ann’s loyalty to John. But as the story continue we see that Ann remains loyal by keeping positive and also fully aware that John will always return home for her. So keeping this thought in mind, she keeps to a routine and decides to paint the bedroom door knowing that it's too cold for the paint to stay on the door. However, she keeps repeating, “'I'm a fool” leading to understand the frustration and the hate for living a life that includes so much
In 1990, when he was 22 years old, Christopher McCandless ventured out into the Alaska wilderness in search for true happiness, and 2 years later he suffered a tragic death. An aspiring writer, Jon Krakauer, found McCandless’ story fascinating and chose to dedicate 3 years of his life to write a novel about him. The book entitled “Into the Wild” tells the tale of Christopher McCandless, an ill prepared transcendentalist longing for philosophical enrichment, who naïvely, failed to consider the dangers of isolating himself from human society for such a long period of time. Though Christopher McCandless made a courageous attempt to separate himself from society, in order to achieve self-fulfillment, the stubborn nature of this reckless greenhorn led him to his unfortunate demise.
The dilemmas, developed from the motivation, compel the characters to resolve their conflicts. In "The Painted Door", Ann is struggling in a violent tumult of mental and emotional anguish and trying to find importance in life. The conflict arises in her decision to gratify one of two goals; immediate satisfaction, sleeping with Steven, or long term satisfaction, the love and support of her faithful dependable husband. Ann also faces a conflict between a social need and an emotional need. Initially with John she feels she can't connect to society because "John never talks [He] never danced or enjoyed himself" (Ross 160-162), however after sleeping with Steven her guilt leads her to realize that "John is the man with him lay all the future" (174) and only with him can she be completely and emotionally fulfilled.
The theme of isolation is established and developed through the setting of Crow Lake. Located against the deserted territory of Northern Ontario, Crow Lake is a diffident farming settlement that is “... linked to the outside world by one dusty road and the railroad tracks” (Lawson 9).
In the novel Into the Wild, by Jon Krakauer, the protagonist, Christopher McCandless, displays isolation and independence almost to the point of narcissism but it was not until he set out on his journey into the wild that those closest to him realized the true height of his individualism. In McCandless’s eyes, people in his society have forgotten about the value in the pursuit of personal knowledge, the chase of individual happiness, and the existence without materialistic objects. On his journey, McCandless takes drastic measures to uncover, find and discover who he is and what he is capable of, isolating himself physically and mentally, driven by the idea that society urges men to conform.
Ann is justified in her decision to "sleeps" with Steven, John’s friend. John has not been paying much attention to Ann and he leaves her alone in their house with Steven. Ann also has prior feelings for Steven from when they where in school together. Ann felt that she is unimportant to John because he frequently leaves her alone; she states, "It isn't right to leave me here alone. Surely I'm as important as your father." Ann just wants to feel loved by John but because he doesn't make her feel loved. She sees Steven as the only person who can give her the love and affection she needs.
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
While in the prison like room, the narrator’s husband first places the idea in her head she is in a mental state and needs to be sent away for a while to recover. After a while she does not want to be in the house any longer. When she states her desire to leave her husband’s responds by giving her “such a stern, reproachful look that [she] wished, and have it whitewashed into the bargain.” The husband, John, refuses to let her make her own decisions. She is trapped by her husband in the prison of her room with nowhere to go (MacFarlane,
Immediately this comes into effect as John says, "But...Between you and me, you understand?... Well, I wake in the night... and watch her dream... and sometimes her mouth even moves, just a little bit. It's like a whisper. I can never make that out. I don't know where she goes, in her dreams. I don't even know if I'm in them...I don't think I can bear losing her."
On the other hand; the stranger in Ann’s life, John Loomis, had an extremely negative impact. Mr Loomis presents a major threat to Ann’s life and scares her out of her own home. It was his intrusion that led to the death of her dog and drove Ann to make the decision to escape and find other life. While we do not find out what happened to Ann in the end, we are filled with hope by her viewing of the birds flying around in the poisoned habitat.
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Without realizing it, she has created a struggle between a friend in whom she can confide but cannot love like a husband and a husband whom she can love as such, but in whom she cannot confide. The saddest part of the story, and the part which finally shows the consequences of the wife 's ineptitude, is the final scene. Upon awakening from a stoned slumber, she finds her blindman, her confidant, sharing a close conversation with her husband, her greatest desire, as they draw a picture of a Cathedral together. Her makes her jealousy evident when she exclaims, “What are you doing? Tell me, I want to know...What 's going on?” like a child shouting to be heard (Carver 193). Her desperate tone stems form the fact that she must observe her heart 's greatest desire occur before her eyes, but from the side lines. She so desperately desires to become a part of the relationship forming between her husband and the blind man, but she cannot. Once again she falls behind, this time spiritually as her husband experiences a revelation, while she remains in the dark. The husband realizes the importance letting people “in” ones life at the blind man 's words, “Put some people in there now. What 's a Cathedral without people,” but the wife does not (193). Obsessed with becoming a part of their conversation, she completely overlooks the relevance of the
Gilman shows through this theme that when one is forced to stay mentally inactive can only lead to mental self-destruction. The narrator is forced into a room and told to be passive, she is not allowed to have visitors, or write, or do much at all besides sleep. Her husband believes that a resting cure will rid her of her “slight hysterical tendency” (Gilman 478). Without the means to express herself or exercise her mind in anyway the narrator begins to delve deeper and deeper into her fantasies. The narrator begins to keep a secret journal, about which she states “And I know John would think it absurd. But I must say what I feel and think in some way - it is such a relief” (Gilman 483)! John tells his wife that she must control her imagination, lest it run away with her. In this way John has asserted full and complete dominance over his wife. The narrator, though an equal adult to her husband, is reduced to an infancy. In this state the narrator begins her slow descent into hysteria, for in her effort to understand herself she fully and completely loses herself.