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Allegory in frankenstein
What is the role of isolation as a theme
Allegory in frankenstein
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In the novel Frankenstein, Mary Shelley exemplifies the dangers of becoming isolated from society. Shelley employs characterization to show how Victor Frankenstein’s isolation turns to insanity, while the monster’s isolation becomes anger. Through the thorough and revealing development of her characters, Shelley demonstrates the detrimental effects isolation can have on one’s well being. Other literary devices that Shelley employs to further emphasize her point are allusion, imagery, and metaphors.
Victor Frankenstein, the protagonist of Shelley’s harrowing novel, decides to create a monster made from reanimated corpses, and the readers get to see his downward spiral into physical and mental illness. When he begins to create his monster, he
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retreats into himself and his work. As he shuts everyone out he becomes “pale with study, and...emaciated with confinement” (Shelley 40). At first, Victor finds “consolation” in “deep, dark, deathlike solitude” (Shelley 77), because no one else shared the knowledge that troubled him, and therefore no one could understand him. But it begins to take a toll on him, and he becomes sick and his mental state deteriorates. Though this isolation was initiated by Victor himself, it makes everything worse for him. Victor withers away until his friend Henry comes to stay with him. Victor had lost himself until the “gentleness and affection” of Henry “warmed and opened [his] senses” (Shelley 57). Through the development of Victor, Shelley demonstrates the necessity company and friendship to one’s well being. It was not until Victor reached out to a friend that he got better. His sickness was caused by his isolation and it was cured by companionship. Victor’s monster also suffers isolation from society, but not of his own accord.
His “alienation from human social relations begins at the moment of his birth” (Petsche 98), as Victor rejects him just after he has been made. This leaves the monster to fend for himself. When he awakes, he finds himself“half frightened...instinctively,” because of his “desolate” surroundings (Shelley 91). The monster has only just awoken, and yet he has fear of being alone. Shelley demonstrates the necessity of the company of others, and “suggests that the presence of others may be as natural and pressing a need for a newborn as food and warmth” (Yousef 197). Though the monster has no preconception of being in the company of others, he recognizes the loneliness of his position. Shelley presents the idea that we always need other people around us. Unfortunately for him, the monster’s alienation continues, and becomes worse. He gets rejected by everyone he comes across because of his grotesque looks. The monster becomes “irrevocably excluded,” and because of this he loses his “benevolent and happy”(87) demeanor. After the family of cottagers that he’d been admiring from afar reject him, the monster becomes hardened and angry. He realizes that“none among the myriads of men that existed who would pity or assist” him, and thus he decides that he should not “feel kindness towards [his] enemies”(125). Eventually this anger leads to the death of William and Henry and Elizabeth. Perhaps if the …show more content…
monster had not been rejected, these tragedies could’ve been avoided. Shelley uses the monster’s characterization to show how isolation can hurt someone and cause them to do terrible things. Other than characterization, Shelley employs allusion and diction to fully exemplify the effects of isolation and alienation.
The monster references Satan when musing about his situation. At first, he relates to Satan, stating that he considers Satan “as the fitter emblem of my condition, for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me”(119). But he then becomes upset, and notes that while “Satan had his companions,” the monster’s reality consists of being “solitary and abhorred” (119). Shelley uses allusion to demonstrate just how alienated and alone the monster he feels. He thinks that even Satan has a better position than him, and this makes him feel even worse. Shelley also uses diction to stress her purpose. The monster uses words like “despondency and solitude”(119) to describe his situation, showing that the alienation from society depresses him. Later, once the cottagers have rejected him, he has a much angrier vocabulary, with words like “bitterness and horror,”(129) “revenge and hatred,” and “injury and death”(127). The monster’s strong word choice illustrates how deeply the rejection has hurt him, and how bitter and angry it has made
him. In conclusion, Shelley employs various literary devices to exemplify her theme of the harmful effects of isolation and alienation. The characterization of both Victor Frankenstein and his monster shows the ways alienation can hurt one’s state of mind, whether it causes them to become unhinged or full of rage. The diction Shelley selects and the allusion she includes further emphasize this point. Mary Shelley’s Frankenstein serves as both a chilling story and a warning for alienating someone because of something they can’t help, or choosing to isolate yourself from society. This novel details the importance of having the companionship of others.
In Volume 2 of Frankenstein, the Creature’s repeated experiences of rejection unleash the “monster” in him and lead to the destruction of the De Laceys cottage. Through the portrayal of the “monster” inside the Creature, Shelley argues that loneliness caused by lack of human relationships will drive an individual to do harmful actions. Throughout volume 2, the Creature had been secretly living alongside the De Lacey family. He grew attached to them the more he spied. The creature finally decides to reveal himself to the De Laceys. As he does that, the family runs away in fear. After all that happens the creature says “My protectors had departed and had broken the only link that held me to the world. For the first time, the feeling of revenge
As the monster carries on with his life, he understands that he is not in control of his future, and in his mind, the De Lacey family are, "Superior beings who would be the arbiters of my future destiny" (Shelley 115). He has acknowledged his disengagement and comprehends his dismissal, which compels the readers to feel pity and remorse for the Creature, inevitably making his fall into abhorrence more sensational and shocking. " When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned? I cannot describe to you the agony that these reflections inflicted upon me. I tried to dispel them, but sorrow only increased with knowledge." (Shelley
In Frankenstein, by Mary Shelley, the Creature executes extreme and irreversible acts due to his isolation from society. Although the Creature displays kindness, his isolation drives him to act inhumanely. The Creature, pushed away from his creator because he is an abomination, and indicates his isolation as the only one of his species. As the Creature gets more comfortable with the De Lacey ’s, he approaches the old man as his children are gone but before he can explain himself, the children come home and see the Creature, “Who can describe their horror and consternation on beholding me?
Isolation in Mary Shelley's Frankenstein Mary Shelley's novel, Frankenstein, has several themes imbedded in the text. One major theme is of isolation. Many of the characters experience some time of isolation. The decisions and actions of some of these characters are the root cause of their isolation. They make choices that isolate themselves from everyone else.
On page 81 of the novel, the monster is thinking to himself as he said, “My thoughts became more active, and I longed to discover the motive and feelings of these lovely creatures…” (Shelley 81). It is distinct in the quotation how the monster is seeing his humanistic abilities—he has feelings and he has motives. He is beginning to understand the relationships the human population has with one another and he would like to be able to experience a humanistic relationship with someone who is similar to him. The ethos in the quotation is distinct because the monster’s desolate emotion could incite and emotional response from the audience—the audience could become empathetic to his situation. On page 85 of the novel, the monster was discussing his life to date as he said, “But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing. From my earliest remembrance I had been as I then was in height and proportion. I had never yet seen a being resembling me or who claimed any intercourse with me,” (Shelley 85). The monster has the knowledge of his psychical difference in comparison to the human population. The ethos in the quotation is distinct because
In Mary Shelley’s Frankenstein, there are many themes present. One prominent and reoccurring theme in the novel is isolation and the effect it has on the characters. Through the thoughts and feelings of both Victor and his monster, Frankenstein reveals the negative effects of isolation from society. The negative effects that Victor faces are becoming obsessed with building a monster and becoming sick. The monster faces effects such as confusion about life and his identity, wanting companionship, and wanting to seek revenge on Victor. Victor and the monster are both negatively affected by the isolation they face.
Isolation is often a result of choosing to seek refuge in solitude, however, in many cases, it is a result of brutality from a surrounding environment. In Mary Shelley’s Gothic novel, Frankenstein,a gruesome and painful story serves as a cautionary tale in order to prevent another from a similar downfall. Although Victor Frankenstein is the narrator for the majority of the novel, the audience learns of the destruction that has followed his decisions as well as the forced estrangement upon those he has encountered. In Frankenstein, Shelley uses relatable characters that reflect the harsh superficial aspects of society.
Shelley’s allusions display the creatures anguish of being alone in the world and how it causes him to feel: “ Like Adam, I was apparently united by no link to any other being in existence… I was wretched, helpless, and alone.” (93-94), this allusion is crucial because it shows the reader just how awful the influences of solitude are on the creature and how his circumstances have caused him to become grieved and destitute. Another illusion similar to before take place when the monster compares himself to Satan: “Many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me.” (94), the monster now resents the people of the cottage because they are able to converse and associate with others while the creature is forced to stay secluded from all contact. Allusions such as these enforce Shelley 's purpose of depicting the calamitous effects of solitude on the mind. By now the reader should understand that men need to be around others like themselves because all creatures desire to have a group into which they
Monsters embody brutality, twisted morality, and irrationality—the banes of human existence, yet the children of man’s inner demons. Monsters are, in short, projections of man’s wicked id. The term creature may suggest monstrosity, and Frankenstein’s creation in Mary Shelley’s novel may be perceived as a personification of the Freudian id. In this case, however, the creature also mediates between its neurotic creator and societal values, just as the Freudian ego, conditioned by the reality principle, mediates between external reality and inner turmoil through practicality. The ego is the psyche’s driving force and, arguably, the real protagonist of Frankenstein. But in the fierce tug-of-war within the ego between the id and its law-abiding opposite—the superego—lies the true battlefield of Shelley’s novel. For ironically the man of science embodies an ego-ridden id, a man-monster, but creates a monster-man that embodies his counterpart: an id-ridden ego. In the wake of his mother’s death, Frankenstein’s tinkering with reanimation unconsciously shapes a symbiosis between himself and his creation—between two tortured halves of one neurotic mind. In fact, Shelley’s novel sinks deep into the crevices of Freud’s psychoanalytic theory, oozing into pits of neurosis, repression, parapraxes, dream symbolism, and the Oedipus complex.
The creature was exiled from humans because they were incapable of interacting with him, due to the “breathless horror” of his appearance. The monster found comfort in watching the family of De Lacey, an old blind man. The creature learned social norms from the family by watching them over time, and De Lacey accepted the monster. Although the creature was very enthusiastic about learning about humans, his “increase of knowledge only discovered to [him] what a wretched outcast [he] was” (111). After stalking the family, he realized the blatant differences between himself and the humans. Unfortunately, even De Lacey abandoned the monster after being forced to leave the cottage by his children in order to escape the monster. The creature’s “protectors had departed and had broken the only link that held [him] to the world” (118). After being deserted by the only individual that accepted him, the creature realized he would forever lack a companion. The monster recalled that “[he] possessed no money, no friends, no kind of property” (100), and was agonized by his hideous and deformed appearance. Although the monster lived in solitude, he learned how to survive by himself entirely on his own, and becomes stronger. Additionally, the monster also suffers from a lack of care from his creator, Victor. He stated that “[his] creator, detest[s] and spurn[s] [him]” (81). The monster’s hunger for Victor’s attention is
This act leads to a long journey of guilt and desperation. He immediately regrets playing God, but he cannot tell anyone what he has done, for fear of being called a madman. He must suffer the fear of his creation alone. To emphasize this isolation, Shelley adds an excerpt from the Rime of the Ancient Mariner to the text: “Like one who, on a lonely road, Doth walk in fear and dread, And having once turned round, walks on, And no more turns his head; Because he knows a frightful fiend Doth close behind him tread” (57). Frankenstein first feels guilt as he faces the horrible reality of unleashing a monster into the world. He deems the monster dangerously unpredictable and fears it’s reckless
Victor, once at Ingolstadt, feels no desire to socialize with others, instead focusing solely on his project to create life. He goes into isolation “and the same feelings which made [him] neglect the scenes around caused [him] also to forget those friends who were so many miles absent, and whom [he] had not seen for so long a time”(pg 49). Victor is abnormal. He, unlike most, feels no desire to associate with any other than his former friends. He is consumed by his pursuit of knowledge, and on the path to attain it is willing, without hesitation, he separates himself from society. He completes, in his isolation, the monster, and then he scorns it. Through Victor’s completion of the monster in isolation, Shelley sends a warning about the effects of isolation. Out of the reach of society, awful things will happen. The monster, contrasting with Victor, has an insatiable desire for human contact. The monster, not by its choice, “[is] alone and miserable: man will not associate with [him]” (128). The monster goes to great lengths to achieve contact with man and to fit into society. He learns the language of man and man’s behavior through watching the DeLaceys, and while accepted by the blind man, is rejected by the rest of the family. He is rejected and forced into isolation by society. Finally, scorned enough, having gone mad through isolation, the monster goes on a rampage for revenge, committing the murders of Victor’s only connections to society. Through the rampage, Shelley once again illustrates the negative effects of isolation. Before his rampage, the monster is more human than Victor, in that he wants to be part of society and is alienated only because of his appearance while Victor, accepted by society already, because he resembles man, willingly leaves the company of man for a
Throughout Mary Shelley’s Frankenstein, isolation presents itself as a formative experience for both Victor Frankenstein and his Creation. Be it willingly, unwillingly, permanent or temporary, both characters find themselves in situations where they experience complete isolation from all of mankind. The effects of this isolation can be only seen as a destructive experience for both characters. During their respective experiences in isolation, hatred and violence embeds itself within them. The development of these emotions leads to the death of both characters, making isolation the driving force behind the destruction of both Victor and his Creation.
In “Frankenstein” both Victor and the creature face solitude but react to it in different ways.
But after reading Brannstorm pieces, I was able to understand how this was a huge part in Shelley's novel. Although the monster killed and tormented many, this was set in place because of the way he was treated by others. The creator Victor Frankenstein began as a relatively innocent character, with a curiosity for scientific learning, but later we discover how his inner daemon develops. Not only can the daemon be seen within monster, but in this society and its inhabitants as well. The society shames him, even though he was really a gentle and loving creature. Unfortunately, because of this the monster was left in solitude and a broken heart, being not only abandoned by his creator, but by the rest of the world. The cruelty that was placed on the monster doesn’t make him the daemon, but rather the people surrounding him throughout the story. Conflicting views and intolerance within a society brought hatred upon an innocent being, who was looking for love. Shelley does an incredible job of sharing how abandonment, intolerance and inner daemons all come from evil within, and can create a negative ripple effect on those surrounding such situations. Finding identity is extremely hard, as seen in the eyes of a monster. Sometimes thoughts become a jumbled, mixed-up pot, that people are forced to pick out of because they are not secure or comfortable with who they are. They have to deal with the cards they