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Is The Merchant of Venice an Anti-Semitic Play?
The Merchant of Venice features a Jewish character that is abused and slandered by nearly every character in the play. Throughout the play the behavior of these characters seems justified. In this way, The Merchant of Venice appears to be an anti-Semitic play. However, The Merchant of Venice contains several key instances, which can be portrayed in a way that criticizes anti-Semitism. The first instance occurs in Act 1, scene 3 when the audience realizes that Shylock has every right to be extremely angry with Antonio. The second instance occurs when Shylock breaks out of his one-dimensional character form in Act 3, scene 1 in an extremely powerful speech that attacks the very foundations of anti-Semitism and shows his sorrow that Jessica ran off with Lorenzo. The third instance encompasses all of Act 4, scene 1. Although anti-Semitism is quite prevalent throughout the scene, it is clear that the characters persecuting Shylock are being extremely hypocritical by returning Shylock's malicious wishes with more malice of their own.
Shylock is characterized nearly throughout the play as an evil, murderous man. This image of him is supported by the excessive bloodlust that Shylock exhibits. The audience is made to hate Shylock early on. In Act 1, scene 3, Shylock tells the audience that he hates Antonio "for he is a Christian." (1, 3, 42) For an audience composed nearly completely of Christians, this was a line simply meant to provoke the audience to hate Shylock. Jessica relates how "when I was with him I have heard him swear / To Tubal and to Chus, his countrymen, / That he would rather have Antonio's flesh / Than twenty times the value of the ...
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... rather than a villain, by emphasizing the speech that he makes to Lorenzo and Tubal and by making Portia's cruelty in Act 4, scene 1 especially evident. Because of this notion, The Merchant of Venice is not innately anti-Semitic. It can either be anti-Semitic or an aggressive criticism of anti-Semitism, or anything in between? It depends on how it is interpreted by directors and by actors and how the audience receives it.
Works Cited and Consulted:
Danson, Lawrence. Anti-Semitism in "The Merchant of Venice." New Haven: Yale University Press, 1978.
Granville-Barker, Harley. "The Merchant of Venice." Shakespeare: Modern Essays in Criticism, Leonard Dean, ed. New York: Oxford University Press, 1967.
Shakespeare, William. "The Merchant of Venice." The Complete Works of William Shakespeare. Oxford: Shakespeare Head Press, 1998.
Shakespeare, William. The Tragedy of Othello, the Moor of Venice. New York: Bantam Books, 1988.
Shakespeare, William. The Complete Works of Shakespeare, ed. David Bevington. Sixth edition. New York: Harper Collings, 1998.
Shakespeare, William. The Norton Shakespear. Othello. Dir. Grenblatt, Cohen, Howard, and Eisaman Maus. (second ed.) New York. 2008.
Shakespeare, William. "The Tragedy of Othello: The Moor of Venice." The Signet Classic Shakespeare. Ed. Alvin Kernan. New York: Penguin Putnam, 1998.
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
Shakespeare, William. "Othello". The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton & Company, 1997.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.
When Antonio exudes his prejudice ideals towards Shylock, he finds himself staring into the eyes of death. Antonio, along with many other civilians of Venice view the Jewish civilians as inferior; therefore, they do not treat them equally but project their predisposed, biased ways upon Shylock and the other Jews. Shakespeare begins his play by giving the reader a skeptical feeling about Antonio’s arrogance and prejudice actions. For instance, if Antonio respected Shylock then he would not have “spat upon [his] Jewish gaberdine.” Antonio’s inability to see Shylock as an equal suggests that Antonio’s prejudice beliefs are going to cloud his
Some of the audiences in the 16th century, believed that Jews were at a lower stage than them, and they only believed this because the Jews were a different (“different” referred to as “wrong “for Christians who lived in the 16th century), religion they believed they were not people, like them. The play Merchant of Venice shows the evil side of the Jews. The character’s name is “Shylock”. He is the character of evil doing; he is also the character that Shakespeare chose to represent a Jewish character. As a Jew, he represents the race as being wicked, evil etc.
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is evidenced clearly in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impenitent of that distinction. If he had been more daunted by Christian influence, he might have been forgiven, as Jessica is subjectively exonerated. He is not contrite and it is believed that his appalling birth cannot be absolved (Bonnell).
Shylock is no more greedy than Bassanio begging for money or Lorenzo accepting Jessica’s gifts. Shylock is a loving father who wants the best for his only daughter. This love is expressed by his distress after he finds she has left him and through Shylock’s concern about Christian husbands during the courtroom scene in Act 5 Scene 1. Although Shylock showcases benevolent characteristics, like any individual he possesses faults. Shylock occasionally has moments of great acrimony in which he expresses his displeasment in the society. A strong proclamation of Shylock’s displeasment with his environment is when Shylock cries, “what 's his reason? I am a Jew. Hath not a Jew eyes?”
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
Shakespeare, William. The Merchant of Venice. 1967. Ed. W. Moelwyn Merchant. The New Penguin Shakespeare. London: Penguin Books, 1996.
During the sixteenth-century there was a very prominent existence of anti-semitism. The English audience had a very clear prejudice towards the Jewish people because of the deep-rooted concept of anti-semitism. This mindset carried from everyday life to plays and productions of the time. This ill will towards the Jewish people spawned from political and religious disputes that were unresolved. The portrayal of Shylock as a villainous Jew is a logical move for the sixteenth-century playwrights because of this common belief. When walking into a production of The Merchant of Venice during this ear, one must keep in mind the predisposition towards the Jewish people as well as the cultural beliefs at that time.