“Frailty, thy name is Woman”: Is Hamlet a misogynist by choice? Hamlet was published in 1603 by William Shakespeare. The play is the tragic story of Prince Hamlet's revenge against his uncle Claudius, who has murdered Hamlet’s father to seize his father’s throne. During the play, Hamlet has shown his cruel comments to his mother, Gertrude, and his love interest, Ophelia. For instance, he says “Get thee to a nunnery”. Why wouldst thou be a breeder of sinners?” (Act 3.1) to Ophelia, which expresses his disillusionment with women and labels him as misogynist. This essay will argue that his behavior is better understood as an optimal decision and a result of grief and betrayal rather than ingrained misogyny. There are three reasons for his unusual …show more content…
Therefore he can express his sadness, which is feminine. This is an example of gender role reversal in Hamlet. At the end of the play, Hamlet recognizes that he has to get rid of his sadness to avenge his father, then he starts attacking the woman within him. Once he eradicates it, he can get angry. Although Hamlet is not a soldier, he is given a soldier's burial, which restores his masculinity after exploring the feminine theme. Furthermore, we can see that Hamlet and Ophelia are virtually twins. They both have trouble with madness and are melancholy. Hamlet is the first son, so he has to take revenge on his father. While Ophelia is Polonius’s daughter, she has to obey her father’s orders. Hamlet and Ophelia’s identities are also tied to their sexualities, for Hamlet focuses on his mother's sexualities and Ophelia’s worth are tied to her virginity. They both experienced madness after their father’s death. However, the way they express their madness in different ways. While Hamlet feigns madness and becomes obsessed with revenge, Ophelia sings Valentine's Day song and commits
Hamlets misogyny is not something that was engrained in his culture but what his mother has engrained within him. Hamlet hasn’t always hated women as he does now, his harsh treatment of Gertrude and Ophelia are because of their betrayal of his love. Hamlet knows that even though she has made mistakes she has not stopped being a mother to him, apart from that he stills feels anger towards her and the hate that he now feels for Ophelia is just a displacement of his feelings for his mothers, “the total reaction culminates in the bitter misogyny of his outburst against Ophelia…Hamlet is really expressing his bitter resentment against his mother” (1199) towards the poor and innocent Ophelia. His hate for women is just his frustration for his mother and Ophelia blinding him and not truly him hating women because in Ophelia’s grave he tells Laertes “I loved Ophelia, Forty thousand brothers could not with all their quantity of love make up my sum.” (5.1.262) Hamlets repulsion against women is just him repressing his true love for the women in his life who have hurt him, “the powerful repression to which his sexual feelings are being subjected.”
There are many parents who are too strict and do not let their children do things that might embarrass them. Other times a parent may use their child to do certain things in order to gain social prestige. Polonius demonstrates a similar type of behavior in Shakespeare's Hamlet. Polonius is "a domestic tyrant wreaking on his son and his daughter revenge for his own spoiled life" (Bloom 111) and "is an elderly and longwinded courtier and chief counselor" (Dominic 96) to the king. Polonius is in a high position in the Danish court, and he has a problem with talking too much. He is only concerned about his reputation, not Ophelia, "the young and innocent daughter of Polonius . . . ("Polonius" Benet). The main character, Hamlet, is the son of Queen Gertrude and King Hamlet of Denmark. King Hamlet has recently died, supposedly from natural causes. Hamlet despises the fact that his mother has remarried his uncle, now King Claudius, so soon after the death of King Hamlet. Later Hamlet sees the ghost of his father and King Hamlet tells him Claudius murdered him by putting poison in his ear. The ghost wants Hamlet to kill the new king, but to not harm his mother. Meanwhile, Hamlet is in love with Ophelia, but Polonius refuses to let her see him. Ophelia believes this obedience to her father has caused Hamlet's madness. However, in order for Polonius to please Claudius, he uses her to figure out the cause of Hamlet's abnormal behavior. After Polonius' death, Ophelia dies, and her death was because of her father's selfishness and poor decisions in doing all he could to satisfy Claudius.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Ophelia is a beautiful disaster. She is simply two faced, wearing a mask on the outside to elongate her delicateness and niceness, yet on the inside, she has a dark and twisted beauty to her showing that she has everyone fooled and is very much sane. Submissive, naive, and disturbed, seem to represent Ophelia perfectly. She stands in marked contrast to the schemings and manipulations of the Danish court. Polonius, her father, has shielded Ophelia with his love and compassion. She tells her overbearing father, "I shall obey my Lord" (1.4.10) when he tells her she can no longer see Hamlet, her lover. Ophelia has been in love with Hamlet before any of Hamlet's numerous tragedies occur, yet her father comes first. She is obedient to him because she places family above others. Since she is naive and innocent, she is frightened and disillusioned by Hamlet's inexplicable behavior and persuaded by her father's urgency in the need for her to help establish what Hamlet's condition and motives are...
In William Shakespeare’s Hamlet, the question of sexuality and the role of women becomes a substantial component in analyzing Hamlet’s character and behavior. The motif of misogyny occurs intermittently throughout the play shown largely through Hamlet's relationships with both Gertrude and Ophelia. Clearly hurt by Gertrude’s marriage to Claudius so soon after his father’s death Hamlet becomes cynical of women and surmises that they are all immoral creatures. He develops a particular obsession with female sexuality and incestuous relations. Hamlet forms a connection between women and immorality, thus using his his mother’s incestous actions as a basis to surmise that all women are deemed unworthy and morally corrupt. By forming this archetype to suit all the women in his life, Hamlet allows himself a means to project his anger onto others. Therefore Hamlet’s preoccupation with adult sexualty and incest is not only the cause of his sadness and nausea, but is also a means to project his emotions and express the disgust and grief that has been caused by the women of the play and their betrayals.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
Hamlet could not acknowledge what had happened, so he made a guarantee to retaliate for his father’s demise by killing Claudius. The soliloquy exhibited by Hamlet, requesting that whether to be or not to be, is one of the speeches in the play that draws the audience. This is something that the audience can identify with it, and they can expect what is to come and see the advancement of the characters. There is additionally the case of Ophelia, who ends up insane on account of the demise of her father Polonius. Ophelia winds up troubled, crazy, and confused while the other characters start to see her madness when her father is killed. She is one of the characters that move toward becoming seen as a prattling fool all through the play in light of the crazy disturbances she has. This exposition will demonstrate that the Elizabethan audience is targeted by Hamlet through the study of the characters Ophelia and Hamlet. In particular, it will be analyzed; Ophelia and Hamlet's craziness, and the play's connection to regular day to day
If this is looked at through the feminist lens, we can reflect on Hamlet’s misogynistic attitude through his view of his mother. He is shown through this statement to associate women with weakness and frailty. This can further be connected to how women are viewed as weaker than men in
The mindset of the unequal genders in the past is thought to have influenced the way playwright William Shakespeare portrayed females in his plays. Shakespeare exemplified this in his revenge tragedy Hamlet, written in 1601 with one of the most significant characters, Gertrude. She is central to the plot due to her relationship with the main character, Hamlet, being his mother. However, not only is she the mother to the tragic hero Hamlet, she is also widow to his laid father, King Hamlet Senior, and also newly wed to Hamlets uncle, Claudius. In this tragic play, we witness not only the downfall of women of the play in general, but specifically the falling out of Gertrude as a mother to Hamlet, as a wife to the new King Claudius, and as a woman herself.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
Incest and Sexism What role incest and sexism play in Shakespeare ’s play Hamlet? This complex play exhibits themes such as incest, sexism, death, revenge, and love. The two that we will be focusing on are incest and sexism.
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
William Shakespeare’s famed tragic, Hamlet, is a story centered around sin, suffering, and death. This popular piece is a highly controversial work of interest for critics concerned in regards to gender rights. Hamlet is a play, written from a male-centered viewpoint, and that which primarily stresses the male characters and their experiences as a replacement instead of assimilating the views and impacts of the women as well. Gender inequality is a dominant theme in Hamlet, in which women are considered and labeled as feeble and submissive because control and manipulation use them, by male dominance.
My knowledge about US gangs was very poor, but what I understood after the assigned reading for this class and this module in particular, modern gang problem is absolutely structural, because of it's members seeking the gathering for a particular reasons, like protect of their territory, neigborhood, etc. As quotted in Short (1998) “Status threats can be conceptualized as threats to control balance, for groups as well as individuals. (...) status considerations between ethnic groups clearly are at issue in the violence of hate-motivated gangs, crowds, and mobs (see Cummings, 1993;Jenness and Broad, 1997;McCall, 1994) Here reserchers confirms that gang gathering is for the principal reason status issue. And for me status belong to the gang's
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.