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How women are portrayed in Shakespeare plays
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The mindset of the unequal genders in the past is thought to have influenced the way playwright William Shakespeare portrayed females in his plays. Shakespeare exemplified this in his revenge tragedy Hamlet, written in 1601 with one of the most significant characters, Gertrude. She is central to the plot due to her relationship with the main character, Hamlet, being his mother. However, not only is she the mother to the tragic hero Hamlet, she is also widow to his laid father, King Hamlet Senior, and also newly wed to Hamlets uncle, Claudius. In this tragic play, we witness not only the downfall of women of the play in general, but specifically the falling out of Gertrude as a mother to Hamlet, as a wife to the new King Claudius, and as a woman herself.
Gertrude is the Queen of Denmark and has experienced significant life changes in the last few months. She buries her husband and has remarried her brother in law. This rapid transition to a new marriage does not bode well on her son, Hamlet. Hamlet discusses his distaste in this situation and reflects on this as he tries to overcome the grief of losing his father. Of course it does not sit well with grieving Hamlet that his mothers new marriage has created a lust-filled environment, and that Gertrude has portrayed herself as a very sexual character. At the beginning of the she play she also continuously takes Claudius’ side over Hamlets. An excerpt from Rebecca Smith’s A Heart Cleft in Twain: The Dilemma of Shakespeare’s Gertrude analyzes Hamlet’s first soliloquy in the first act where he voices his disgust for his mother and his shame for her and women in general. In Rebecca’s passage, she states that “Hamlet's violent emotions toward his mother are obvious from his first ...
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...her in order to obtain his wife (Gertrude) as well as the crown to the kingdom. William depicts the females in the play less than positively, and as a result, lead to their own demise. Through the play, Shakespeare illustrates the fallout Queen Gertrude creates for herself as a mother, a wife, and a woman herself through the sacrifice of her own happiness and wellbeing.
Works Cited
Bierman, David. “Women In Hamlet.” Frailty, Thy Name Is Woman. UCSC. 2004.
Shakespeare, William. Hamlet. Don Mills, ON: Oxford UP, 2011
Smith, Rebecca. The Woman’s Part: Feminist Criticism of Shakespeare. Champaign, IL: U of Illinois P, 1983
Hamlet is one of the most controversial characters from all of the Shakespeare’s play. His character is strong and complicated, but his jealousy is what conduces him to hate women. He sees them as weak, frail, and untrustworthy. He treats Ophelia, the women he loves, unfair and with cruelty. Similarly, he blames his mother for marrying her dead husband’s brother, who is now the King of Denmark. Hamlet’s treatment for women stems from his mother’s impulsive marriage to his uncle who he hates and Ophelia choosing her father’s advice over him.
The Role of Women in Hamlet in William Shakespeare's Play Gertrude and Ophelia, the only two women in Hamlet, reflect the general status of women in Elizabethan Times. Women were suppressed by the males in their lives (brothers, fathers, and partners) and were always inferior. Ophelia and Gertrude have little or no power due to restricted legal, social and economic rights that were found in Elizabethan society. The male characters in Hamlet reflect this sexist view point, represented by Hamlet’s judgement that “frailty, thy name is woman”. This view was not uncommon in Shakespeare’s time and heavily influenced Shakespeare to present women the way he does in Hamlet.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
At times it seems that Gertrude does not know or pretends not to know why Hamlet is so angry with her and with Claudius ('What have I done, that thou dar'st wag thy tongue/ In noise so rude against me?'). At other times she seems to know exactly what is troubling him ('His father's death and our o'er-hasty marriage', II.2.57). But Hamlet, too, does not come clean directly. He does not confront her with the murder, but rather sets out 'to wring her heart' (III.4.35), and plays upon her emotions rather than on her reason. Instead, he shows her two pictures, and compares at great length his father with his uncle (55 ff.). In this long speech, the son touches on many matters so delicate that critics can be forgiven for detecting more than a whiff oedipal sentiment in Hamlet himself. He plays on his mother's sense of shame, even bringing her eroticism or lack of it into play, and culminating in a vision of his mother making love in a bed stained with semen - not a pretty sight:
Oddly, it appears that Gertrude possess more significance to Hamlet than one first anticipates. Her swift call to matrimony leads Hamlet into a spiraling quarry of depression and grieving. This mirrors the Oedipus complex. Gertrude sexually commits herself to Claudius causing Hamlet to feel a sense of jealousy and disappointment. In retaliation, he expresses his repressed desire of love through his unruly comments. He even goes as far as to say that the love is incestuous. Furthermore, in Act 3 scene 4, Hamlet confronts his mother directly in a closet. Addressing concern over her sexual actions, he exclaims “In the rank sweat of an enseamèd bed, / Stewed in corruption, honeying and making love / Over the nasty sty” (III.iv.104-106). Not only does this quote show that Hamlet disapproves his mother’s marriage, but also that he believes Claudius is a wicked criminal. Aligning with the Oedipus complex, Hamlet strangely obsesses over his mother’s love life while viewing his uncle in
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
The power that the men have over the women in the play provides for the comparison between the two genders. The women are portrayed as weak and submissive, so when Hamlet is accused of becoming a “woman,” it greatly offends him. Because revenge and violence drive the play it revolves around the men.
In my readings of Hamlet, sexism was a immense element in the story. It is not fairly unambiguous where the incest comes in and who is involved, but the unorthodox relationships that have taken place shows how things were during the Elizabethan Age, or were they? My goal in this paper is to research the gender roles between the males and females in the story and to prove how women were treated during these times, and to determine who was involved in incest and sexism. The characters in focus will be Hamlet, Prince of Denmark, and son of the deceased King Hamlet; Polonius, counselor to Claudius; Laertes, Polonius’ son who has returned home due to King Hamlet’s death; Gertrude, Hamlet’s mother and Queen of Denmark; and Ophelia, daughter of Polonius and the sister of Laertes, also Hamlet’s girlfriend.
William Shakespeare incorporates many themes and ideas into his play, Hamlet. Of the multiple important ideas, one potentially overlooked is the role of women. Only two of the characters in the play are female. Their lines are scarce, but hold huge importance in relation to the progression and plot of the play. Ophelia, the implied lover of Prince Hamlet, and Queen Gertrude, his mother, do not appear significant, but their actions and characters allow for other events to unfold. Gertrude and Ophelia are manipulated and belittled. In their weak will, they end up betraying Hamlet. Observing their manipulation by other people, Hamlet is able to justify and go through with his actions.
The Shakespearean play of Hamlet, Prince of Denmark is easily criticized from a feministic perspective due to its pronounced gender roles and its pervasively patriarchal biases throughout every scene. The feminist criticism focuses on the relationships between genders and the malicious dominance men have over women both physically and psychologically. It examines the patterns of behavior, power, values, and thought between the sexes. The damage that male dominance has on the females in Hamlet is prominent when considering feminist criticism. It forces these women’s given situations to go from bad to worse. The societal viewpoint held hinders or prevents the female characters from attaining a true sense of identity. Without their own cultural
Gertrude influenced Hamlet significantly throughout the course of the play. Hamlet was very angered by his mother's remarriage. A few months after his father's death, Gertrude married Claudius, Hamlet's uncle. He was driven mad when his father's ghost appeared to him and revealed that Claudius was responsible for the death of Old Hamlet. Hamlet even termed the marriage as incest. Hamlet's fury is displayed when he throws his mother on the bed and says, "Frailty, thy name is woman" (Act #. Scene #. Line #). This shows his extent of anger because he makes a generalization that all women are weak. As a result of his mother's actions, Hamlet strives to seek revenge against Claudius for the death of his father. In order to marry Gertrude, Claudius kills his brother. Therefore, Gertrude is the driving factor for the whole setup of the play.
William Shakespeare’s famed tragic, Hamlet, is a story centered around sin, suffering, and death. This popular piece is a highly controversial work of interest for critics concerned in regards to gender rights. Hamlet is a play, written from a male-centered viewpoint, and that which primarily stresses the male characters and their experiences as a replacement instead of assimilating the views and impacts of the women as well. Gender inequality is a dominant theme in Hamlet, in which women are considered and labeled as feeble and submissive because control and manipulation use them, by male dominance.
Compared to Shakespeare’s Hamlet, Almereyda’s adaptation creates a new reading and highlights various elements more directly through a change in the characterization of Gertrude, Hamlet’s mother. The movie advances her position as a woman, making her a commanding and prominent figure throughout. This new reading of Gertrude from the movie reflects the changes in societal views regarding women, due to varying time periods, progressing the position of Gertrude as a woman, and exploiting ideas of incest, misogyny, and
In many of his plays, especially tragedies, William Shakespeare examines the relationships people have with one another. Of these relationships, he is particularly interested in those between family members, above all, those between parents and their children. In his play Hamlet, Shakespeare examines Prince Hamlet's relationships with his dead father, mother and step-father. His relationship with Gertrude, one of the only two women in the play, provides Hamlet with a deep sense of anger and pain. Hamlet feels that Gertrude has betrayed his father by marrying with his brother. Throughout the play, he is consumed with avenging his father's death and all the mistreatment the former King had suffered and still suffers after his life is over. Gertrude adds to the dead King's tarnished memory by not mourning and instead rejoicing in her new marriage. Hamlet is thus extremely angry with Gertrude and expresses this anger towards her directly and indirectly through his words, both to himself and to other characters.
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.