Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dramatic Irony in Oedipus Rex
Oedipus as classical tragedy
Oedipus as classical tragedy
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dramatic Irony in Oedipus Rex
Irony in Oedipus Rex Oedipus Rex, by the Greek playwright Sophocles, is, without a doubt, one of the greatest examples of dramatic irony. There are many instances where the audience knows so much more than the main characters, and Sophocles uses irony to point to Oedipus as Laius' murderer as well. Additionally, Oedipus is most definitely a tragic hero-he had a tragic flaw, namely that he was relentless and often rash in his search for the truth about Laius' death and his killer; this ultimately lead to Oedipus' own destruction. He also refuses to compromise or humble himself before others and stubbornly refuses to allow others to express different opinions from their own. Oedipus is so arrogant and self-confident that he challenges the will of the gods (hence, the entire basis of the play). One of the early examples of dramatic irony in the play is during the scene in which Oedipus accuses Creon of plotting against him with Teiresias, an old, blind prophet. Creon is a great friend to Oedipus, and Teiresias, by at first refusing to reveal the murderer is trying to p...
take the boy out and kill him when he was still a child. The kind old shepard
Within these two passages, Teiresias is explaining to Oedipus that the Prophecy admitted he killed his father. Oedipus is denying the fact that he killed his father and looking passed the problem. In the play Oedipus the King, written by Sophocles, Sophocles uses rhetorical devices to explain to the readers that Teiresias may be blind, but is seeing through the lie that Oedipus is living, while striking him the truth; this is explained through imagery, metaphors, an allusion, and ethos appeal.
Oedipus Rex, also known as Oedipus the King, is one of the most ironic plays ever written. Sophocles, the author, is a famous philosopher of the ancient times. The Play is about Oedipus, the king of Thebes, who unwittingly killed his father and married his mother. An oracle warned Laius, the king of Thebes prior to Oedipus, that his son would slay him. Accordingly, when his wife, Jocasta, bore a son, he exposed the baby on Mt. Cithaeron, first pinning his ankles together (hence the name Oedipus, meaning Swell-Foot). A shepherd took pity on the infant, who was adopted by King Polybus of Corinth and his wife and was brought up as their son. In early manhood Oedipus visited Delphi and upon learning that he was fated to kill his father and marry his mother, he resolved never to return to Corinth. Travelling toward Thebes, he encountered Laius, who provoked a quarrel in which Oedipus killed him.
Dramatic irony in Oedipus the King is evident throughout, which is similar to the latter play, but in a different form. In here, the irony is evident. Oedipus the King revolves around characters' attempts to change their destiny (which fails) - Jocasta and Laius's killing of Oedipus and Oedipus's flight from Corinth. Each time somebody tries to avert the future, the audience knows their attempt is futile, creating irony. When Jocasta and Oedipus mock the oracles, they continue to suspect that they were right. Oedipus discounts the oracles' power, but believes in his ability to uncover the truth, yet they lead to the same outcome. His intelligence is what makes him great, but it is also what causes the tragedy. When he ridded Thebes of the Sphinx, Oedipus is the city's saviour, but by killing Laius and marrying Jocasta, he is its affliction, causing the blight that strikes the city during the opening. Meanwhile, the characters, especially Teiresias, mention sight, light, darkness, &c as metaphors, while referring to `seeing the truth'. However, while Teiresias knows the truth and is blind, Oedipus can see all but the truth. When he discovers the truth, he becomes blind. Also, he does not just solve the Sphinx's riddle - he is its answer. His birth is mentioned throughout the play (crawling on `4 legs'), and he never relies on anybody but himself (`standing on his own `2 legs'),...
Sophocles’ use of symbolism and irony is shown in Oedipus Tyrannus through his use of the notion of seeing and blindness. This common motif is extended throughout the play and takes on a great significance in the development of the plot. In an effort to escape his god given prophecy, Oedipus tragically falls into the depths of unthinkable crimes as a result of the mental blindness of his character; thus never escaping his lot.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Dramatic irony is used commonly throughout the play: sometimes obviously, sometimes it is more subtle. By using it so often it makes the audience think about the subtleties moments and how they could be ironic, which is a very clever way to keep their attention. When Jocasta figures out that she is in fact Oedipus?s mother, she tries to stop him from finding out, and ironically, Oedipus gets offended and more motivated to figure out the truth, as he believes that she thinks he is the offspring of slaves. This example builds tension because it gives a guarantee that he won?t give up until he figures out the truth. ?Oedipus whose name is afar? says this in the beginnin...
the play, it seemed that Othello was the only one who didn't know the truth.
In the play "Oedipus the King" by Sophocles, the author presents us with several instances of dramatic irony. Dramatic irony occurs when the meaning of the situation is understood by the audience but not by the characters in the play. Dramatic irony plays an important part in "Oedipus the King", because it is used to describe Oedipus' character as arrogant and blind toward the truth. The audience is expected to understand Oedipus' history well before he does. In the first three episodes, Oedipus uses a lot of dramatic irony in his speeches.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
After word of the prophecy in Sophocles’ play Oedipus Rex, multiple occurrences of irony are present. This is evident when Jocasta doesn’t believe what the Oracle or the gods have to say but is found praying to the gods for answers. There is irony within both Oedipus and Tiresias, in which Oedipus can physically see but is blinded from the truth; opposing, Tiresias is physically blind but is the seer of all. Both Jocasta’s and Oedipus’ ironic inability to believe the prophecy lead to their postponed revelation of the killer of Laius. These instances reveal that the tragic irony of these characters is directly related to their own personal journey of revelation.
Oedipus is self-confident, intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout “Oedipus the King”. He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character says and what they mean. Both of these elements are used effectively to develop the tale of Oedipus.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
When Oedipus inquires “who is this man whose fate the god pronounces?” (1740) after this inquiry almost every statement made by Oedipus becomes ironic because he is referring to himself though he is yet to find out. The audience is aware that the more he looks into the murder of the former king Laius the worse it is going to be for him. Sophocles’ use of dramatic irony keeps the audience one step ahead of the protagonist so they are able to see the errors made by Oedipus. Because the audience has had time to figure what the mistakes are, they are more emotionally invested in how Oedipus will react when he finally understands all the mistakes he has made through the play. As the play progresses the audiences attitude about Oedipus starts to slowly shift; the emotions start to become deeper and we start to see that though he is guilty of murder empathize with
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.