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The story of an hour irony analysis essay
The story of an hour irony analysis essay
Situational irony
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Dee is a young, headstrong woman, who believes she deserves better than what her mother could ever give her. She reads to her mother and sister to show off the education her mother and church paid for. Dee doesn’t accept she came from, yet she’ll claim how proud she is of her heritage. this can be seen as situational irony, like when she wanted the quilts she didn’t want at college. Dee, is spoiled, hypocritical, and conceited due to her life experiences. Dee returns with her friend, Asalamalakim, and has converted to Muslim. She is ashamed of her name that has run in the family since the civil war. Her new name is Wangero Leewanika Kemanjo, yet she preaches to her mother about honoring their heritage. She loves the idea of a hard working family, but would never lower herself to that level, and looks down on that life. she came to visit her mother and tried to take the thing she wanted, not thinking her mother would stop her. She thinks she's smarter than her mother and stubbornly believes she knows best. She constantly gets what she want and has all her life. Dee is spoiled by her mother until this day, which her mother refuses to give her the quilts …show more content…
promised to Maggie, her younger sister who is very shy and was burned in the house fire. She claims Maggie will use them like the quilts they are, when they were made for that very thing. She's not really a bad sister or daughter just self-absorbed, and even though she seems to be mad at her mother she still loves her. Wangero, Dee, is spoiled, hypocritical, and conceited due to her life and all she was exposed to, unlike her sister who is soft spoken, shy, and latent due to the trauma she had and deprived life.
The quote "Maggie can't appreciate these quilts!" she said. "She'd probably be backward enough to put them to everyday use." develops situational irony. Wangero said Maggie will put them to everyday use, which is what they are made for, but she wants to hang them on her wall as relics. Maggie is the one who will appreciate them not Dee, who never wanted them before. Dee, unlike Maggie, never learn to quilt from Grandma Dee or Big Dee, their Aunt Dicie, and never liked the idea of hard labor. So how could Dee appreciate any of the “relic” she is taking to decorate her
home.
She showed favoritism to Dee a lot more than she should have. Dee always had things handed down to her and never did she once show a bit of appreciation; instead, we see what is most important to her, what motivates her that way, and how she changes through it all. Dee did not live with her family that much growing up. When she became of age Mama was able to send her away, so she could get a real education. I believe this gave Dee a push in the direction where she ended up.
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
... attempts to change the way Mama and Maggie perceive tradition by using the quilts as a wall display. Mama refuses to allow it, Dee was offered the quilts when she was in college and didn’t want them at that time. Mama gives the quilts to Maggie as her wedding gift to be used every day as they were intended, knowing how much Maggie appreciates them. I agree with Mama and Maggie for keeping family memories and objects in daily use. It is important to maintain your family history in your everyday life to preserve those special memories.
Dee is unappreciative and disrespectful to her own mother and eventually, as with nearly everything; enough is enough and Mama stood up for herself, completely transforming herself as a character. It is necessary in life to treat others the way that you would like to be treated. This seems to be a saying that Mama lived by, but her daughter didn’t reciprocate back to her. “Everyday Use” teaches the reader many lessons of the importance of a family and how easily individuals could be shaped by the world around
Many people show their appreciation for things in different ways. Dee appreciates the quilt for being her heritage. She can't express enough how she feels about it. She can't even imagine that the quilt was hand made with every stitch stroked in and out. As for Maggie, Dee believes she can't appreciate the quilt in the same way she can. "Maggie can't appreciate these quilts." Instead, she thinks that Maggie will use the quilt for about 5 or so years and it will turn into a rag. "She'd probably be backward enough to put them to everyday use." "Maggie would put them on the bed and in five years they'd be in rags. Less than that!" Dee doesn't feel Maggie deserves the quilt.
Another reason I had feelings of anger for the character Dee, was that she was uneducated. Not the usual education, such as in college, because she had that, but the education of her heritage, or past. The second statement to her mother was when her mother says "Dee", Dee replied saying her new name Wangero, followed by the statement that Dee is dead and that she could no longer bear the name of the people that oppress her. At no point during the story was Dee oppressed or even mentioned being oppressed in the past. Then she tries to track back where her name came from, to show her mother it was a slave name or something along those lines. Her mother tracked it back as far as she could remember and no such thing was pointed out. To move on to another situation where Dee made herself look foolish and uneducated is, when they are leaving, she tells her mother that she just doesn't understand.
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
One situation in particular that Mama brings up is the time when she offers to Dee to bring some of the ancestral quilts with her to college. She claims, “I had offered Dee a quilt whe...
exactly what's going on and begins to resent Wangero even more. The quilts themselves are symbols in the story, interpreted in different ways, by the narrator, the author, the reader, and Wangero. Again, Walker uses the narrator's simplicity to her advantage. While Wangero sees the quilts as a symbol of her heritage, the narrator. sees them only literally, as blankets to be used, not saved for. cultural posterity.
Dee, the older sister, wants to hang the quilts on a wall and view her culture from a distance. In fact she even seems ashamed of her family situation. In a letter to her mother Dee says, " . . . no matter where [they] choose to live, she will manage to come and see [them], but she will never bring her friends" (87). She even goes as far as to denounce her name because she claims, " I couldn't bear it any longer being named after the people that oppress me" (89). However, her mother states that she was named after her aunt and grandmother, the very people who made her beloved quilts. She makes it apparent that her idea of appreciating her culture is to leave it alone, especially when she says, " Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use"(91).
Walker's view is very clear at the end of the story. By Dee wanting to hang the family heirloom on the wall to look at from a distance, she is alienating herself from her family heritage. That is exactly what Walker thinks is the wrong thing to do. Walker would prefer the quilts to be used and integrated into daily life, like Maggie and her mother prefer. The same idea applies to all of the other household items that Dee has her eye on: the churn top, the dasher, and the benches for the table that her daddy made. They all are a part of life for Maggie and her mother. Walker believes that the only value that they hold for Dee is that they would be good trinkets to show off in her house. By using the quilts in this symbolic way, Walker is making the point that family heirlooms can only have meaning if they remain connected to the culture they sprang from - in essence, to be put to "Everyday Use."
Dee was part of the educated culture of African Americans that were promoting their freedom. When Dee went to visit her family she wore a long dress, long gold earrings, and her hair standing straight up on that hot summer day. Dee is not dress like everyone else, she’s in her “African” attire. (Hoel) Dee is no longer the child her mother raised; Dee is a completely different individual with a completely new life style, even a new name. Dee has changed her name to Wangero Leewanika Kemanjo. With this name change she believes it make her closer to her heritage and relieves her from her oppressors. Dee knows very little about heritage. Heritage is defined as something that is handed down from the past, as a tradition. (Dictionary) The name Dee is the name or nicknames of many women in the family. Dee’s name can be traced back to the civil war and beyond but Dee does not understand the importance behind the name she believes her oppressors gave the women in her family. Yakima-Barber is Dee’s Muslim friend that 's visiting mama with Dee, Mama believes he might be Dee’s boyfriends husband. Yakima-Barber claims the Muslim faith but is unwilling to commit to their hard labor principles. Dee and Yakima-Barber are two individuals with misapplied assumptions of that
Dee is shallow and manipulative. Not only does her education separate her from her family identity and heritage, it prevents her from bonding with her mother and sister. If Dee could only push her arrogance aside, she would be able to develop a deep connection with her family. While connecting with her family, Dee would also develop a deeper understanding of her heritage. Maggie and Mama did not give in to the “whim of an outside world that doesn’t really have much to do with them” (Farrell par.1). In the attempt to “fit” in, Dee has become self-centered, and demanding with her very own family; to the extent of intimidation, and
When Dee finds out that her mama promise to give the quilts to her sister, Dee gets very angry and says that she deserves the quilts more than Maggie because Maggie would not take care of them like she would. Dee feels that she can value and treasure heritage more than her sister Maggie. Dee does what she wants, whenever she wants and she will not accept the word no for any answer. “She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her.” Maggie is used to never getting anything. Throughout the entire story, it says that Maggie gives up many things so Dee can have what she needs or
her own” (120). How Dee offends not only her mother, but her family, is when she claims