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Iron man character study
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Iron Man 3
The movie Iron Man Three displays many examples of current popular culture themes and concepts from the class SOCI220 American Popular culture. Many different examples of popular culture themes are presented throughout the movie. For several decades MARVEL comics has been producing comics. This addition of Iron Man is a spin off of the original Iron Man comics with a modern day twist about it. American audiences have always sought out and have been inspired by superhero movies. Some of the examples of popular culture elements that are identified in this edition of the movie are wealth, power, class, gender, sex, race, and fame. These values are explained throughout the entirety of the movie.
The movie Iron man three opens with a
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Tony escapes captivity after the MK42 Iron Man suit arrives at a critical time. He then reunites with Rhodes when they both need to save the President and Pepper. Rhodes locates the president in a shipyard, and Tony tells JARVIS to unleash the House Party Protocol, which unleashes several Ironman suits, that are controlled my JARVIS to provide air support for confronting Aldridge Killian. Iron Patriot, also known as Rhodes, secures the president. While Tony is continuing to save Pepper he pins Aldridge Killian with the MK42 suit against the wall. Tony tells JARVIS to blow MK42 to hopefully kill Aldridge Killian, but since Killian has Extremis power it only set him back. Pepper comes running in glowing red affected with Extremis, she kicks an unidentified chemical at Aldridge and she takes the Iron Man hand and finishes the job. After the battle Tony mentions that he was a little scared and asks, who is a hot mess …show more content…
Iron Man is one of Marvel Comics most iconic characters and movies to ever hit the big screen. The basis of the Iron Man series is that throughout time we as people do not pick who we are. In today’s society, many Americans and people worldwide are attracted to the super hero movies and comic book legends. In this movie Iron Man describes himself as a billionaire playboy genius philanthropist. Everybody around him wants to be like Iron Man, and do the things that he does have the riches and the intelligence that he possesses. Iron is a symbolic American icon. This movie also embodies some of the social culture aspects of today. Tony Stark suffers from Post-Traumatic Stress Disorder in this movie. Since the movie takes place after The Avengers movie, where he almost died, he has a lot of issues. These are shown in the scenes where he has anxiety attacks and does not like to be surrounded by many people. The Military Industrial Complex and the War on Terror is also present in this movie. Not only does the movie have two villains, but it shows how Tony Stark’s business from the first movie has taken on a whole new level for everyone to include the United States as well as other enemies from afar. It suggests that a constant threat is prominent. As we see in the second movie, where war
In the end, Tony plays the role of both hero and villain. His wife, Marcela, represents both the whore and the virgin Mexican-American. The both prove unfaithful: Tony to America and Marcela to Mexico. Herein lays the schizophrenic world in which good and bad coexist across the borders of two emerging world countries struggling for control of land and culture. There’s a price to be paid for such human greed and unrealistic expectations. Ultimately it proves to be a place where virtue doesn’t remain intact and villains abound, even among the good guys!
The purpose of this paper is to analyze a movie and list five sociological concepts outlined in our textbook, Sociology A Down-To-Earth Approach, 6th edition by James M. Henslin, which was published by Pearson Education, Inc in 2015, 2013, and 2011. I have chosen the movie, “The Breakfast Club.” This is a 1985 movie directed by John Hughes. It is about five high school students that have detention on a Saturday for nine hours. The five students are played by, Emilio Estevez, Judd Nelson, Molly Ringwald, Ally Sheedy, and Anthony Michael Hall. These five students are deviant in their own particular ways and have different stereotypes. Eventually the students share personal information about their
He commutes with the dead; the dead asks him for blessings. Just who is this Tony person! You might not believe that this is only a seven year old kid, but he is the hero of Rudolfo Anaya's Bless Me, Ultima. Tony is valiant, and this courage sometimes reflects his curiously precocious nature. Precocious he is, he still is in constant mental ambivalence.When I say Tony is brave, I don't mean that he fights demons or kill dragons, but rather that he stands for what he believe is right and he is not afraid to go to extreme measures to protect the people he love. He shows that he is a "man of the llano" when he "does[n't] run from a fight" even when confronted with Horse, the notorious bully (37).
Tony Stark and Hamlet also have the ability to self-destruct. During the third Iron Man Tony Stark instructs J.A.R.V.I.S. to take him to a rural area because he will not have the power to make it home. This then lands him with a ten-year-old boy and a power suit with no power. This shows his self-destructive behavior because he into issues with the Mandarin people leading to not having enough power to make it back. He also had to rely on the young boy to make it back to California and to his girlfriend (Black).
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
In this paper I will offer a structural analysis of the films of Simpson and Bruckheimer. In addition to their spectacle and typically well-crafted action sequences, Simpson/Bruckheimer pictures seem to possess an unconscious understanding of the zeitgeist and other cultural trends. It is this almost innate ability to select scripts that tap into some traditional American values (patriotism, individualism, and the obsession with the “new”) that helps to make their movies blockbusters.
many trends in the movies and novels societies that are portrayed in our society as well.
Most avid comic book fans would agree that they were less than enthused when Marvel Studios decided to reboot the Spiderman movie franchise in 2012 – just 11 years after the quasi-successful run of the original trilogy (Proctor). As one of the aforementioned avid comic book fans, Marc Bernadin, writer for “io9” (a technology and lifestyle website), rightfully questioned this decision by stating, “in this day and age, does Spidey have to be a white guy?” (Bernardin). This question fueled an Internet phenomenon that forced creators and fans alike to re-evaluate the way that they see the characters they love so much in terms of their race. Media makers and content creators have an ethical responsibility to “represent the many facets of humanity” (Petrou, Jan. 27). ‘Race-bending’ is when a content creator dresses a character as someone of a different race, or changes the race of the character entirely from one race to another (Ibid). In this paper, I aim to explore the influence of social media on race-bending, as it applies to comic book culture and its meaningfulness to the fan community. My principle arguments will draw from an examination of the Marvel comic universe, the #donald4spiderman campaign and the “Amazing Spiderman” movie franchise in order to show that through the power of social media, we are changing the way we root for heroes regardless of their race or ethnicity– moving society forward as a progressive culture.
Tony saw through the prejudice though, he loved one of the PR's and when the Jets found out, they were ashamed. Tony's love for Maria was so real, he didn't care what happened. He died.Prejudice plagues this world now and forever, as long as there is a difference in people there will discrimination and prejudice.
During the assault, the Avengers meet two of Hydra’s experiments, twins named Pietro and Wanda Maximoff. Pietro has superhuman strength, and Wanda is able to manipulate minds. The raid is successful, and the team returns to Stark Tower to celebrate. After experimenting on the scepter, Stark and Banner discover that the scepter contains an artificial intelligence. Stark believes that this AI is the key to his idea of a global defense program. Stark begins to activate the AI, and when it activates, it reacts differently than Stark expects. With the mission of protecting the Earth, the new AI, named Ultron, believes that humans are Earths greatest threat. Ultron attacks the Avengers, and escapes to the old Hydra outpost to create a robotic body for
of influence in both the characters and gender roles of people in our society. The films have brought about the shaping of morals, behaviors and characters of not only children, but also adults in todays society, through engaging them in a constant series of unthinking consumption. In addition, most of the films in Disney bring out many different gender roles and people who grew up watching them have been influenced greatly by the content in the films (Blum 13). This paper will involve the various roles played by the characters in the films and how their roles have influenced the society at large.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
After his parents dying, Batman, or Bruce Wayne, have promised himself to get rid of the evil in the city. He spent most of his childhood training his intellectual and physical abilities in order to defeat the villains. As a result, Batman is considered one of the most intelligent superheroes around. According to Caleb Hu, “[Bruce Wayne] is cited to have an IQ of 192 and is considered to be a polymath” (Quora). Due to the fact that he have started traveling when he was just a teenager, he have learned about many subjects, such as “physics, math, chemistry, engineering, etc.” (Quora). Because of the loss of his parents, he have become driven to continue and push his limits in order to learn more about the elements of the criminal mind. On the other hand, Iron Man has a different type of intelligence. Before Tony Stark’s parents died, he have been sent to MIT at the age of 15 to study the numerous scientific fields, such as physics, engineering, and computer science. After his parents have died, he have acquired the family business, which was the Stark’s Industries. His intelligence have outperformed most of the superheroes. In addition to his intelligence, “ Stark was once called the world’s most adept multi-tasker by Reed Richards, due to his ability to compartmentalize his mind into three separate yet independently operating sections” (CBR.com).
Tony and Elizabeth Jordan thought they had it all – a beautiful daughter, great jobs, the best cars, and their dream house, but looks can be deceiving. Behind closed doors their marriage is falling apart, and they are constantly fighting, pushing away from each other and hurting their daughter emotionally and mentally in the process to the point where she says to her friend ¨I wish I lived at your house, my parents are always fighting.¨ Tony and Elizabeth are typical churchgoers who have become self-righteous and, in Tony case, even hostile towards the God who created him for his glory. Elizabeth is a real estate broker, and Tony is a salesman who is always traveling. While Tony relaxes in his professional success and flirts with temptation,