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African american theatre today essay
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I entered the theater building very excited about the play, “Intimate Apparel”. When I entered the theater, I was amazed by the set. I could not take it all in at one time, so I quickly found my seat and just looked at everything. I was so excited to see the play and glad to have time to sit and just enjoy myself. “Intimate Apparel,” is a play set in 1905, Lower Manhattan and the story of Esther, a thirty-five-year-old, Africa- American seamstress that makes intimate women’s apparel. She lives in a women’s boarding house where she dreams of marriage and opening a beauty parlor for African-American women. She has saved money for years and keeps it in her crazy quilt. Mrs. Dickson, the owner of the boarding house, tries to interest Esther in …show more content…
There was a warm, low glow over the stage area, that begged the audience to observe the period details. The use of revelation of form lighting on the stage devoted to George’s time in Panama created a three-dimensional tent at the beginning of the play and in a later scene, the tent looked two dimensional. It was incredible that with lighting the tent could appear to change form and the illusion of nature lighting to depict moonlight was equally impressive. The lighting for the silhouettes of Esther and George and Mayme and George was very dramatic. During the play, there was a soft pink glow which softened the scenes and added to the mood. The camera flash, sound, and antique picture projected on the cloth was very realistic and impressed the audience. Using selective visibility lighting to light specific rooms on the stage worked to isolate the different scenes. I realize looking back, that my attention was focused only on the lighted areas. My favorite use of lighting was the scene where Esther, Mrs. Van Buren, and Mayme were under spotlights talking to each other after Esther’s wedding night. It was a very powerful scene.
The period music prior to the play, during the play, and during the intermission added to setting the mood and era of the early 1900s. The actress portraying Mayme did an excellent job “playing’ the piano with the music. The sound effects combined with the moonlight
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What an amazing performance, I was so invested in the characters and even though I had read the play before I still hoped George would not be cruel to Esther. When I read the play, I pictured Esther as a very shy woman, but in the performance, she was not as shy and stronger. Esther’s character could have been portrayed as pathetic but she is very likable and endearing. There was a sense of optimism that Esther would rise again. I also enjoyed the humor that the actors used during several scenes, that did not really come out in the reading for me. George and Mr. Marks’ accents were terrific and all the actors are talented and brought dimension to the characters. I fell in love with all the characters except for George, just because his character was such a scoundrel. The actor portraying George did an amazing job and his transition from the George in the letters to the unkind George was seamless. Mrs. Dickson had attitude, sass, and a wonderful stage presence. She developed a relationship with the audience. I think Mayme was my favorite, she was completely into her character and she had amazing stage presence as well. She played her part to perfection. Mrs. Van Buren was adorable and I really felt for her struggle and unhappiness. Marriages during that era were basically for the benefit of males and Mrs. Van Buren is a casualty of that period. Mr. Marks was so loveable and easy to like. The actor playing his character did such a great
The setup of the stage was very simple. It was the living room of a home in the early 1980’s. It looked like a normal household, and it had small things such as crumpled up pieces of paper lying around the wastebasket. It also had a couch, circular class table and a recliner in the living room. The dining room was to the left side of the stage and only had the dining table and surrounding chairs. There was a door in the back of the set where characters entered and exited through. Beside the door was a table and stool where Willum presumably worked on his blueprints for the hotel. The lighting design was great; it put you into the atmosphere of the
Not knowing what this play was about, I went to go see it Wednesday after noon at Holyoke Community College in the Leslie Phillips Theater. I had many mixed emotions about this play. I thought some parts were very funny, but others were a little uncomfortable because of some racia...
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
The beat and resonance of the music is very slow and soothing. It immediately sets up a sad mood. The music also manages to create a lonely and sympathetic atmosphere, which carries on throughout the play. The music only plays at significant times in the monologue as the tone of music needs to fit the mood and subject of which Doris is talking about at that moment, i.e. when Doris reminisces on the good times the music becomes lighter; but when she talks about the death of John the pace of the music slows and becomes duller. The use of music alone can form an overwhelming sympathy if appropriately used.
The Music Man made interesting use of the technical aspects of theatre. Sound was used appropriately, as music from the monitors did not overpower the voices of the actors. Lights, however, did not leave any sort of impression on me. Hardly any lights were utilized to enhance the mood were present. This caused for less emphasization on spectacle than what would be expected of such a dramatic play. Although, intricate costumes and set made up for the dull lighting techniques.
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
The lighting played a major role in setting the tone for both the theatre performance and the movie. In both the film and play, the lighting was dimmed and the non-important elements, such as background elements, were often hidden in the shadows. In the film the murky lighting also hid Todd in the shadows, in order to increase the suspense and further emphasize his intimidating demeanor. In the play,
This theme is evident in the doubling of stockings with the girl’s natural black legs. The red stockings, which represent sexual, material desires, are contrasted with the natural, elegant beauty of the legs of the black girl. The stockings highlight only the legs, separating them from the girl as a whole and allowing for easier objectification, specifically by young white males. However, the girl knows this, as she has put the stockings on and is being told so by the narrator, who represents the black community. The narrator also clearly recognizes the girl’s beauty, and her beauty is further highlighted in the fact that she is clothed in silk, which relates to royalty and comfortability.
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
Besides the fact that I didn't like this play, the actors did do a pretty good job with their acting and memorization of their lines. Couple times Marisol hesitated with her lines but it wasn't too bad. I like the accents they were using. It wasn't to hard to understand what they were saying, but once again there were those times when their accents did effect a little on their pronunciations and my understanding on what they were saying. Overall, I don't think they were too believable with their characters. They didn't reach me.
Though its primary function is usually plot driven--as a source of humor and a means to effect changes in characters through disguise and deception—cross dressing is also a sociological motif involving gendered play. My earlier essay on the use of the motif in Shakespeare's plays pointed out that cross dressing has been discussed as a symptom of "a radical discontinuity in the meaning of the family" (Belsey 178), as cul-tural anxiety over the destabilization of the social hierarchy (Baker, Howard, Garber), as the means for a woman to be assertive without arousing hostility (Claiborne Park), and as homoerotic arousal (Jardine). This variety of interpretations suggests the multivoiced character of the motif, but before approaching the subject of this essay, three clarifica- tions are necessary at the outset.
... music to set the mood. When times were depressing, there would be dark and sad music playing. One example is when Tom accidently broke one of Laura’s glass figures. Laura was astonished and disappointed which made Tom feel horrible. Another example was when Laura and Mr. O’Connor were dancing, there was waltz music playing.
I found the concept of the play to be quite interesting. I learned new things about Martin Luther King such as his smoking habit and that he was a womanizer, both of
When you first enter the theater, you are immediately in awe of the strongest aspect of this production: the set. The stage features a life-sized enchanted forest with “tress” as tall as the ceiling and a lit-up backdrop of a twilight sky. The tress would move around throughout the performance to make way for different scenes. In front of your very eyes, an enchanted forest would turn into the outside of a charming house with a lit porch and a well. The twilight sky would turn to a starlit sky and a soft spotlight simulating moonlight would compliment the faint sound of crickets. Suddenly the house and tress move around and you’re in a town with a little cart selling baguettes, or a lush dining room with Victorian wallpaper, a chandelier, and china displayed on the walls. The world shakes once again and now you’re in, inevitably, a ballroom. A white Victorian gate opens up to become the walls of the ballroom, and a white marble bridge and staircase appear for the outside of the castle. Adults and children alike were in awe of the craftsmanship and technology.