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Love in literature essay
Love in literature essay
Love in literature essay
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Joyce Carol Oates's “Where are you going, Where have you been?” tells the story of a young girl's journey to find her own identity. Along the way she uses her beauty and sexuality to create, in her mind, a feeling of maturity which ultimately becomes her downfall. She believes that by spending her summer days in the mall, dressing in a way that is different than what she would wear at home, and flirting with older boys, while finding pleasure in ignoring boys she knows, she is being her own person and is creating her own identity—one that is different from that of her mother's or sister's. It is not until the end of the story, when Arnold Friend comes into her house, that she begins to realize what is truly important. The title of the story comes into play at the end when she is leaving with Arnold. She does not recognize the town outside; she does not know where she is going. She realizes that all of the time she spent worrying about appearances was meaningless; she could not say where she had been, because her journey was only just beginning. In the beginning of the story we meet Connie, a fifteen year old girl living with her parents and older sister. Right away we see that Connie has a habit of checking her looks in mirrors and watching other people to see if they notice her and her good looks. “she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right.” (Oates) From this sentence we can see that Connie spends a lot of time thinking about her own appearance. It soon becomes apparent that she does this with the appearances of others as well, first shown when her mother is described. “Her mother [...] hadn't much reason any ... ... middle of paper ... ... him to the other boy, taking her time.” (Oates) The way she guards her words to sound as if she is uninterested and looks past him to the other boy in the car, show her trying to control the two boys with her disinterest. She uses her looks to control boys, and we see here that she is unable to control these two because they both are wearing sunglasses. “The driver's glasses were metallic and mirrored everything in miniature.”(Oates) Through the sunglasses everything is distorted and Connie has no control. The driver introduces himself; "I wanta introduce myself, I'm Arnold Friend and that's my real name and I'm gonna be your friend, honey” (Oates) Throughout the conversation Arnold tries to convince Connie to take a ride with him in his car, but she shrugs off all of his advances. Works Cited Oates, Joyce Carol "Where are you going, where have you been?"
The depiction of Arnold Friend runs parallel to the common conception of the Devil. Many aspects of his outward appearance, as well as his behavior, contribute to this by portraying him in a sinister manner. His nose is "long and hawklike" and he has a "slippery smile." His "greasy" boots don't fit him right, "as if his feet [don't] go all the way down." The stereotypical Beelzebub is often seen with hooves. When he draws 'his sign' – the sinister letter X – in the air, it "stays there, almost still visible," as if he supernaturally burnt it into the air. The numbers appearing on Arnold's car, 33, 19, and 17, exclude the number 18. The 18th letter of the alphabet is "r", and removing that letter from his name presents "an old fiend". Arnold knows about Connie's family, where they are at that moment, and what radio station she is listening to. This can be explained logically by the fact that that he is a stalker. As an allusion, the Devil is omniscient. Arnold also promises not to enter Connie's house unless she picks up the phone. This exemplifies the classic adage, "The Devil won't come into your home until you invite him in." Finally, the fact that Arnold is preying on someone nearly twenty years his junior (physically inferior and easily overpowered) and the methods he uses to finally convince her to come with him (threatening her family and her home) portray him as a genuinely despicable character, worthy of the epithet "Devil," if not its lit...
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
Oates, Joyce C. "Where Are You Going? Where Have You Been?" Compact Literature. By Laurie G. Kirszner and Stephen R. Mandell. 8th ed. Boston: Wadsworth, 2013. 505-16. Print.
"Her name was Connie. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right" (1). This quote shows the reader an astonishing truth about Connie. It shows her true insecurity that is rarely demonstrated to the outside world. Although she does not necessarily show this to the average bystander, by taking a closer look at her premature idea of acceptance, it also shows her constant yearn for approval from others to help boost her ego. At only the young age of fifteen, she is already attempting to prove her maturity and show that she can be independent. She does this by showing off her sexuality and strutting around. By showing off her
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
Oates, Joyce Carol. Where Are You Going, Where Have You Been? Backpack Literature. Upper Saddle River, New Jersey: Pearson Education, 2010. Print.
A mysterious car pulled into Connie’s driveway and the driver proceeds to get out of his vehicle, showing that he belonged there, not recognizing the car Connie opens the door to her house and leans out it. “She went into the kitchen and approached the door slowly, then hung out the screen door,” (2). Without even knowing who or why this person has come to her house, Connie opens her door and leans out to possible talk to the driver, who would turn out to be Arnold Friend and wants to take her on a “date”. Connie’s ignorance towards Arnold and his arrival almost immediately puts her in a vulnerable state without her even realizing it, this vulnerability would be the first event to foreshadow Connie’s inevitable kidnapping. After greeting and talking to Arnold for a little, he proceeds to ask Connie if she wants to go for a ride in his car. Instead of turning down the offer since she barely, if at all, knew Arnold, Connie somewhat debates it. “Connie smirked and let her hair fall loose over her shoulder,” (3). Though she lacks any information about Arnold, Connie kind of debates taking up his offer to go for a ride, further letting her ignorance towards the entire situation usher her into an even more vulnerable
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
Throughout the story, Arnold Friend is portrayed by Oates as a creepy, provocative stalker. When Friend is first brought to the attention of the reader, it is when Connie is out with friends. As she walks by Friend’s car, he “wags a finger” and says “Gonna get you, baby.” This also displays how underdeveloped Connie 's psyche is. This first notion sent by Arnold Friend should have startled Connie, but she payed no attention to it, she was too concerned with the moment of attention she was receiving from Eddie and all the people around her. Arnold Friend comes to Connie 's home, knowing she was alone and attempts to persuade her to get into his car to go for a ride. This is the first time Connie has ever talked to Arnold Friend, but he already knows everything about her. He knows where she lives, where her parents are, who her friends are, and what her interest are. Connie questions how he knows all of her personal information and he replies with “I know your name and all about you, lots of things. I took a special interest in you, such a pretty young girl, and found out all about you” (Oates). This quote is a clear indication that Arnold Friend is a threatening, menacing stalker. All of these scenarios show Arnold friends underdeveloped psyche. He is somewhere around thirty years old, and does not know what is right and what is wrong. From Oates description of Arnold Friend and his
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
In Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” Connie, a fifteen-year-old woman, is introduced as pretty, daydreaming and curious about men. In the course of the story, Connie loses her pretended self-confidence in public and simultaneously regrets that she has provoked men's sexual desires when she realizes her still apparent unstableness and sexual immaturity in the presence of Arnold Friend. Unfortunately, her insecurity finally enables Arnold to change Connie’s pretended self-confidence into a defenseless attitude. Consequently, Connie is a girl in a woman’s body: First, Connie is narcissistic and only concerned with her outer appearance in public and her effect on men. Second, Connie is an immature young woman, based on her understanding of a relationship with a young man. Third, Connie behaves as an anxious child because she is not able to handle Arnold Friend's appearance and to call for help.