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Nature in american literature
Importance of nature in american literature
Roles of nature in literature
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Being extremely optimistic and imaginative are the most definitive aspects of my approach as an intellectual explorer. In others, I’ve seen how a negative outlook in education can make people deny the potential for incredible events to happen, or worse yet; deny their own potential to accomplish extraordinary feats. So, I strive to visualize the wondrous possibilities in everything, and tackle every situation with an attitude of “I can and will” rather than “I cannot”. Even when struggling with difficult concepts, I remain positive and find inventive methods to aid in reaching a higher understanding. Creating and becoming hands on with physical representations or tools is my most preferred method, because this is the manner in which I taught …show more content…
I tore apart the kitchen to find the ingredients for making alum crystals and baking soda and vinegar volcanos. Outside, I’d pretend to play paleontologist in the dirt, and be a botanist with the begonias. This was all much to the dismay of my dear parents, who were never too thrilled to find vinegar on the floor, or the mud I tracked in after an unsuccessful dig. Consequently, my parents devised a plan to curb my habit of getting dirty, but to encourage me to retain my love of educational exploration. For Christmas, I received a chemistry kit and a microscope from my parents. I promptly dashed their expectations for cleanliness when I began collecting plants, roots and all, to produce samples out of. My joy with the chemistry kit was as overflowing as a couple of the experiments I conducted, and my exasperated parents figured they could not have a child that was both intelligent and tidy. Although I later learned how to stay organized, my enthrallment with science never waned. My early tools aided in establish my life-long appreciation for the sciences, with a particular fondness for …show more content…
Reading has always been a favored past time of mine, but my tastes in literature rarely strayed from non-fiction. After being exposed to the southern gothic genre in my AP English course, I developed a deeper appreciation for classical prose. In the works of William Faulkner and Flannery O’Conner, the similarities between the examples of antiquated southern culture and the traditions present in my community were palpable, which struck a chord with me. The depressing light cast over fictional southern towns also inspired an improved gratitude of my home town, as unfavorable aspects seemed lesser in comparison. When I ventured into the genre on my own, I came to also appreciate the works of Eudora Welty. Welty’s novel “The Optimist’s Daughter” is one of my favorites, as many of its themes resonate with me on a personal
Southern gothic is a type of literature that focuses on the harsh conflicts of violence and racism, which is observed in the perspective of black and white individuals. Some of the most familiar southern authors are William Faulkner, Flannery O’Connor, and Cormac McCarthy. One author in particular, Flannery O’Connor, is a remarkable author, who directly reflects upon southern grotesque within her two short stories, “A Good Man is Hard to Find” and “Revelation.” These two short stories are very similar to each other, which is why I believe that O’Connor often writes with violent characters to expose real violence in the world while tying them in with a particular spiritual insight.
Perkins, Geroge, and Barbara Perkins. The American Tradition in Literature. 12th ed. Vol. 2. New York: McGraw Hill, 2009. Print
In Contemporary Fiction Writers of the South, edited by Joseph M. Flora and Robert Bain. Westport, Conn.: Greenwood Press, 1993. An appreciative summary of the work. 28 Apr. 2011 Magill, Frank N. Magill's Survey of American Literature, Volume 5. New York: Marshall Cavendish Corporation, 1991.
Despite being one of the most renowned explorers in history, Christopher Columbus’ legacy remains controversial. The debate on whether Columbus should be celebrated has captured news headlines for decades. While many view him simply as a gifted Italian navigator who laid the seeds for the colonization of the New World, history paints a much more complicated picture. His journal entries and eye-witness testimony reveal Columbus to be a man of intolerance and indifference towards those deemed inferior to himself. Christopher Columbus’ treatment of Indigenous’ people, in addition to his ethnocentric worldview, allows for the conclusion that he should not be idolized as a hero in the modern age.
He then took me down to the garage and there, tucked in the corner, was a 4 foot tall wooden contraption. It was a can crushing machine that my grandfather built. I was a bit skeptical at first, but to my surprise, it worked perfectly. I went into this class with very little knowledge about the environment and the problems that plague it. After seeing how the environment is written about from many different points of view, I am realizing how important an issue it is.
Welty, Eudora. "A Worn Path." The Collected Stories of Eudora Welty. New York: Harcourt Brace Jovanovich, 1980. 142-49.
Tennessee Williams described Sothern Gothic literature as a style that captured “the underlying dreadfulness in modern experience” (Hemmerling). The literature intended to reveal the social issues surrounding the time period. Features of this literature, “includes situations and places as well as unsavory characters that are often racist, religious fanatic, egotistical or self-righteous” (Kullmer). This description of Southern Gothic literature also fits other genres of post Civil War American literature. Works by authors such as Mark Twain, Charles Chesnutt, Sui Sin Far, Henry James, Kate Chopin, Zora Neale Hurston and Earnest Hemingway also contain characters, situation, and places revealing similar social controversies displaying racism, sexism, and egotistical behavior.
“Women in Literature” Prentice Hall, Englewood Cliffs, New Jersey, 1988. Print Ben Forkner and Patrick Samway, S.J. “A Modern Southern Reader” Peachtree Publishers, LTD. Atlanta, 1996. Print.
Tate, Linda. "No Place Like Home": Learning to Read Two Writers' Maps // A Southern Weave of Women. Fiction of the Contemporary South. The University of Georgia Press, Athens, Georgia & London, 1994
Flannery O’Connor emerged as a crucial and contemporary innovator of southern gothic literature. Southern gothic literature is defined as a subgenre of gothic fiction, which originated in the United States during the 20th century. The southern gothic genre employs similar literary elements, which its “parent” genre had established. These elements include the employment of macabre, psychological and isolationist dimensions; except now in southern gothic, these elements were used to examine the values of the American South. Mary Shelley and Flannery O’Connor both emerged as two prestigious figures of Gothicism through their combination of psychological and isolationist aspects, in order to create memorable works in the Gothic tradition. The influence of Shelley on O’Connor’s work is clearly evident when examining the reoccurring gothic theme of isolationism, found in both Frankenstein and Wise Blood.
Samuels, Gertrude. "Even More Crucial Than in the South." Mays, Kelly J. The Norton Introduction to Literature. New York: W.W. Norton & Company, Inc., 2013. 1543-1546. Print.
Now we have examined three stories written by two well distinguished authors known for their Southern Gothic Literature and found many similarities in each story. Each story has its form of the grotesque we have Miss Emily, the Misfit, the Grandmother, and Marley Pointer and let’s not leave out Helga. The characters of each story has some form of cringe inducing quality, meaning some kind of attitude about themselves that gets under ones skin. Then as we can see from the stories they all are Southern based each story is in a Southern setting. And the final thing we look for in Southern Gothic literature is tragedy which all three stories possessed.
Sothern gothic literature that include Works like Flannery O’Connor’s “A Late encounter with the enemy” incorporates the idea of “investigating madness, decay and despair, and the continuing pressures of the past upon the present, particularly with respect to the lost ideals of a dispossessed Southern aristocracy and to the continuance of racial hostilities.”(Marshall 3). These ideas all share a common theme that O’Connor brings to the table in “A Late Encounter with the enemy, along with “The American South serves as the nation’s ‘other,’ becoming the repository of everything from which the nation wants to disassociate itself” (Marshall 3–4). But in true Gothic fashion, the horrors of the past continue to dominate the present.” (Marshall 12). Flannery O’Connor gives readers insight into the life of the granddaughter Sally Poker Sash and how she heavily relies on her families past lineage to shape her present and future in this southern gothic horror (O’Connor 87).
Southern Gothic literature is a group of words bonded together to set a mood, message, plot, etc. Overall Southern Gothic Literature can be interesting and creepy at the same time, its style has been practiced for many years by southern writers which are located in the American South. Its popular writings have grew from generation to generation and is now a world wide genre. Works Cited Alice, Petry. A Rose for Emily.’
Many don’t realize that the road to success isn’t so much a road as it is a winding,