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November 2nd, 2004 was a difficult evening for me. Having helped stage protests against the invasion of Iraq, having urged friends to support the HRC and the struggle for gay marriage, it was difficult to watch the election returns come in, making it seem as though all I had done had been futile. One of the things that got me through was Arundhati Roy’s CD, Come September, which I’d left in my car’s CD player. Driving home from the grocery store I heard her read an excerpt of her article, “The End of Imagination,” in which she offers a skeptical friend another way of dreaming:
The only dream worth having, I told her, is to dream that you will live while you’re alive and die only when you’re dead. “Which means exactly what?” she asked, a little annoyed. I tried to explain, but didn’t do a very good job of it. Sometimes I need to write to think. So I wrote it down for her on a paper napkin. This is what I wrote: To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never to forget.1
When I think about it, the words are rather trite, easily imaginable within a pop song or a greeting card. These words, however, were being spoken by Arundhati Roy, and in the car I, like many others who have drawn inspiration from her words, from Howard Zinn, to Judith Butler, to Ani DiFranco, felt a little more able to go back in my house, unpack my groceries, and face the next four years.
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...d from the CD version of “Come September.”
9 When I first wrote this paper, I wrote it as a presentation. I took this quote off of an article found on Lexis Nexis and did not mark down the information. I have since been unable to find my print out or log on to Lexis Nexis, as it has to be through a university computer. A final version of this paper will include the citation. Sorry, folks.
10 Taken from Singh’s interview, available online at http://www.narmada.org/archive/tehelka/eh100200arundhati1.htm. Seen Works Cited for complete citation.
11 Taken from Bunting’s article, available online at http://www.commondreams.org/views02/0307-01.htm. See Works Cited for complete citation.
12 Taken from the interview with Howard Zinn following “Come September.” See first footnote.
13 Taken from the interview following “Come September.” Please see first footnote.
What we hope for is not always what we need. This is prevalent in the novel “Their Eyes Were Watching God” by Zora Neale Hurston where the characters have his or her dream crushed for the sake of fate. This is especially true for Janie who strives throughout the novel to have her dream of “the pear tree” realized, and Hurston shows this using a variation of metaphor, imagery, and personification.
She gets to the point and proves that in our current world we tend to say more than we should, when just a couple of words can do the same. In her writing, it is evident that the little sentences and words are what make the poem overall that perfect dream she wishes she were part of.
56, No. 3 (1989), pp. 543-569. The Johns Hopkins University Press. JSTOR. Web. 24 April 2014.
(30) My thanks to Profs. Otfried Höffe, Karl Ameriks, David Solomon, and audiences at the University of Tübingen and the 1998 APA Pacific Division Meetings and my commentator there, Mark LeBar, for helpful comments on earlier versions of this paper.
The cool breeze stroked my skin as I flew through the cozy clouds. I was flying above rocky mountains, vast oceans, and colossal skyscrapers, but when I opened my eyes, I was in a classroom chained to a sturdy desk, hearing my second grade teacher give a lecture about American history. While humans tend to anticipate for the day their dreams will become their reality, most people will struggle to accept the way their lives are because their most treasured dreams will only be alive in their fantasies.
In the speech “I Have a Dream,” presented in the Lincoln Memorial, August 28, 1963, Martin Luther King Jr talks about his American Dream. This speech is recognized as one of the best speeches ever given at the Lincoln Memorial. As King gives his speech the reader would notice how the second half of the speech is what the world would see as the American dream. The first half consists of the actual reality, nightmare, of the world the constant state that seems never to change. Throughout the speech a person can hear one of the primary themes, dream, repeated constantly eleven times to be exact. Although King acknowledges the metaphor of reality, he explores the archetypical metaphor of a dream.
Newsweek. 128.4 (22 July 1996): 31. Infotrac Web: Expanded Academic ASAP. Gale Group. 31 Oct. 2000 <http://web5.infotrac.galegroup.com>.
... middle of paper ... ... The. N. p. : University of Chicago Press, 2009.
New York Times. 21 Nov. 1995, New York, NY: A1. ProQuest. George Mason University, Fenwick Library. 22 Nov. 2004.
Through the book, Night, the author conveys the idea that the desire to reach a dream can allow an individual to overcome all their adversity. Whereas, when there is a loss of hope, there is a loss of a goal. Keeping faith and holding on to their dreams are beneficial, for they provide individuals with the strength necessary to keep carrying on all the weight of their pain and sufferings. The desire to succeed is essential if an individual hopes to achieve any dream, whether that dream is as small as passing an exam or as large as surviving in a concentration camp. The power to overcome every adversity lies deep within every individual; one must simply reach inside and grasp it.
4 # Stein, Burton (2001), a History of India, New Delhi and Oxford: Oxford University Press. Pp. xiv, 432, p.222
Tragedy is an ever present part of life, whether it be illness, inability, death or anything else, it takes its toll on everyone. A very common tragedy found in literature and daily life is the loss of dreams, in Langston Hughes’s poem “A Dream Deferred” Hughes poses the question of what truly happens to a deferred dream: “What happens to a dream deferred? Does it dry up… Or fester like a sore… Does it stink like rotten meat? Or crust and sugar over...Or does it explode?” The outcome of lost dreams differs for each individual and their attitude. This is seen throughout America and also in The Sound And The Fury by William Faulkner and The House On Mango Street by Sandra Cisneros.
...dreams – not through her own fault, but because of the colossal vitality of his illusion.”
Siva, Manu. Difference in Cultural Values. India Today (20) 3. 45-48 Retrieved April 03, 2006