Insanity and the Necessity of Madness in King Lear

1871 Words4 Pages
bulb-icon

Recommended: Flaws of king lear

The Necessity of Madness in King Lear

At the beginning of “King Lear,” an authoritative and willful protagonist dominates his court, making a fateful decision by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeare’s ironic solution is to allow Lear’s progressing madness to be paired with his recognition of truth, thereby forcing Lear to shed his persona, and simultaneously persuading the audience that Lear is worthy of pity.

Lear is initially consumed by what Burton would refer to as the human appetite,[1] and exhibits traits indicative of someone dominated by the choleric humor: he is prideful, yearns for authority, and bullies others when he doesn’t get his way. After Cordelia refuses to dote on him in the first scene, he goes into a fit of rage:

Let it be so; the truth then be thy dower…

Here I disclaim all my paternal care,

Propinquity and property of blood,

And as a stranger to my heart and me

Hold thee from this for ever.

(I, i, 110-118) [2]

Lear’s fury, however, only masks the fact that he is really a very needy person, consumed by an insatiable appetite for power and attention. As Bloom says, “Lear always demands more love than can be given.”[3] Lear proves this to be true when he repeatedly rejects those who love him most, banishing both Cordelia and Kent, who would protect him from his other two daughters’ impending betrayal. D...

... middle of paper ...

...say (Trans.). The Republic of Plato: The Wisdom of Socrates as Recounted by His Pupil Plato. New York: E. P. Dutton & Co., Inc., 1957. p.171.

6-Bloom, p. 482.

7-James Hutton (Trans.). Aristotle’s Poetics. New York: Norton & Company, Inc., 1982. p. 51.

8- Bruccoli, Clark, Layman “Aristotle,” in Bood, (ed.). Dictionary of Literary Biography: Ancient Greek Authors. Vol. 176 (1997), pp. 55-76.

9-Wilson Knight. “The Lear Universe” in The Wheel of Fire. London: Oxford University Press, 1930. p. 201

10- A.C. Bradley. Shakespearean Tragedy. London: Macmillan & Co. Ltd., 1961. p. 239.

11- Knight, p. 203.

12-William Shakespeare. As You Like It. New York: Signet Classic, 1998. p. 44.

13- T.S. Eliot. “The Love Song of J. Alfred Prufrock.” The Norton Anthology of English Literature. Vol. II (New York, WW.Norton, 19860. pp. 2174 ff.

14-Bradley, p. 242.

Show More
Related

  • Human Suffering in Inferno and King Lear

    1552 Words  | 4 Pages

    Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...

    Read More

  • Comparison: Marriage, by Gregory Corso & The Love Song of J. Alfred Prufrock, by T. S. Eliot

    2128 Words  | 5 Pages

    Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. of the year.

    Read More

  • Disobedience in William Shakespeare's King Lear

    1686 Words  | 4 Pages

    Lear, like any king, Pagan or otherwise, would have been seen as the godhead on earth and therefore a man of exceptional power who implemented the gods' will on earth. Such a figurehead should surely command absolute respect and obedience. Yet Cordelia displeases her father, and Goneril's and Regan's actions following Lear's abdication can only be described as shocking, even to a contemporary and more liberal-minded audience. Act one, scene one represents the first emergence of filial disobedience, starting with Lear's vanity demanding that his daughters say how much they love him in a meaningless ceremony. Cordelia, his youngest and favourite daughter, will not be drawn into this.

    Read More

  • Personal Identity And Love In Shakespeare's King Lear

    1290 Words  | 3 Pages

    In his kingdom Lear was practically a god, but he was a god that knew nothing of morals, humanity, personal identity, or love. Lear forces his daughters into open displays of verbal affection for the sole purpose of flattery. Lear’s self-centered mindset is amplified in his speeches to Cordelia after she refuses to participate with hyperbolic love. In his rage Lear says, “he that makes his generation messes / To gorge his appetite, shall to my bosom / Be as well neighbored, pitied, and relived / As thou my sometime daughter” (I.i.130-134). Lear feels closer to Satan than his own daughter since the cannibal that feeds on his children is Lear himself. Lear’s daughters are reduced to the status of food; they do not exist beyond the feeding of his ego. Lear continues with his tirade as he proclaims “I loved her most and thought to set my rest / On her kind nursery” (I.i.137-138). To Lear love is synonymous with being a caretaker. Lear does not understand love beyond utility. Before his tragic

    Read More

  • The Pitiful Prufrock of The Love Song of J. Alfred Prufrock

    1314 Words  | 3 Pages

    T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.

    Read More

  • The Israel-Palestinian Conflict And The Israeli-Palestine Conflict

    737 Words  | 2 Pages

    The Israeli-Palestine conflict is an event that has been well documented throughout the course of Middle-Eastern history. The conflict dates back as far as the nineteenth century where Palestine and Zionist, will later be known as Israel, are two communities each with different ideologies had the same overwhelming desire to acquire land. However, what makes this clash what it is, is the fact that both of these up and coming communities are after the same piece of land. The lengths that both sides went to in order obtain they believed was theirs has shaped the current relationship between the two nations today.

    Read More

  • Essay on Blame in Shakespeare's King Lear

    575 Words  | 2 Pages

    King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...

    Read More

  • Examples Of Bad Parenting In King Lear

    1755 Words  | 4 Pages

    After Kent delightfully brings the two together and Lear realizes who he is talking to, he begs for forgiveness: “Pray, do not mock me. / I am a very foolish fond old man, / Fourscore and upward, not an hour more nor less /....Do not laugh at me, / For as I am a man, I think this lady / To be my child Cordelia.“ (IV.vii.68-79). Lear has finally achieved self-awareness regarding his mistaken banishment of Cordelia, and proclaims to her in a surprising display of humility that he is just a “foolish fond old man.” Shocking the audience, Lear does not hold back his newfound sense of shame. He goes on: “Be your tears wet? Yes, faith. I pray, weep not. If you have poison for me, I will drink it. I know you do not love me, for your sisters Have, as I do remember, done me wrong. You have some cause; they have not.” (IV.vii.81-85). In another case of both humility and misjudgment, Lear believes that Cordelia no longer loves him due to his mistakes. Lear could not be more wrong because Cordelia 's love for her father is unconditional and still lives. Cordelia virtuously accepts his apology and assures him “No, sir, you must not kneel,” (IV.vii.67). Although the two do not live much longer, Lear intends to live out the rest of their lives being the best a father can

    Read More

  • Analysis Of The Love Song Of Prufrock

    1044 Words  | 3 Pages

    T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but

    Read More

  • Emotion in T.S. Eliot's The Love Song of J. Alfred Prufrock

    1454 Words  | 3 Pages

    Eliot, T.S.. "The Love Song of J. Alfred Prufrock." The Norton Anthology of English Literature. Ed. M.H. Abrams. New York: Norton, 1996.

    Read More

  • The Consequences of Decisions in King Lear by William Shakespeare

    1367 Words  | 3 Pages

    (Act I, Sc i, Ln 47-53) This is the first and most significant of the many sins that he makes in this play. By abdicating his throne to fuel his ego he is disrupts the great chain of being which states that the King must not challenge the position that God has given him. This undermining of God's authority results in chaos that tears apart Lear's world. Leaving him, in the end, with nothing.

    Read More

  • Transformation of Lear in Shakespeare's King Lear

    1682 Words  | 4 Pages

    The first stage of Lear’s transformation is resentment. At the start of the play it is made quite clear that Lear is a proud, impulsive, hot-tempered old man. He is so self-centered that he simply cannot fathom being criticized. The strength of Lear’s ego becomes evident in the brutal images with which he expresses his anger towards Cordelia: “The barbarous Scythian,/Or he that makes his generation messes/To gorge his appetite, shall to my bosom/Be as well neighboured, pitied, and relieved,/As thou may sometime daughter.” (1.1.118-122). The powerful language that Lear uses to describe his intense hatred towards Cordelia is so incommensurable to the cause, that there can be only one explanation: Lear is so passionately wrapped up in his own particular self-image, that he simply cannot comprehend any viewpoint (regarding himself) that differs from his own (no matter how politely framed). It is this anger and resentment that sets Lear’s suffering and ultimate purification in motion.

    Read More

  • Comparing Lear and Gloucester in Shakespeare's King Lear

    1980 Words  | 4 Pages

    Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:

    Read More

  • Shakespeare's King Lear - The Redemption of King Lear

    740 Words  | 2 Pages

    Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.

    Read More

  • Analyzing King Lear's Tragic Flaws

    862 Words  | 2 Pages

    The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...

    Read More

More about Insanity and the Necessity of Madness in King Lear

Open Document