Super Bowl XLIX has come and gone, but it’s still making headlines with everything from a shocking ending that included an on-field brawl between the two teams to Katy Perry’s insane halftime performance. All of that and more made this year’s big game the most-watched television broadcast of any type according to the Nielsen ratings with 14.4 million viewers from beginning to end, 2.2 million more than last year. While some may say the two dancing sharks were the halftime showstoppers, others may offer up that title to Missy Elliott - that is, if they even know who she is. Elliott’s performance left much of the Internet taking to social media to express either confusion of who the early 2000s queen of hip-hop was or excitement over her unexpected return. Either way, according to Billboard, the performance bumped Elliott’s catalog from 6,000 downloads the week ending in January 25th to 70,000 …show more content…
downloads the week ending in February 1st - a 1000 percent increase that is expected to continue to grow. With a previously very successful artist having taken center stage yet again, it may make you wonder where some of her other forgotten Top 40 radio counterparts are today. Brush up on Elliott’s status and that of others who are no longer in the peak of their careers: Number Five: Missy Elliott. At the Super Bowl XLIX halftime show, Perry’s “California Gurls” faded into the unmistakable beat of “Get Ur Freak On” as the former, more or less, became a hype girl, dancing around as Elliott worked her way through her biggest hits: 2001’s “Get Ur Freak On,” 2002’s “Work It” and 2005’s “Lose Control.” However, before the big Super Bowl performance, she was essentially flying under the radar. “Lose Control” came from The Cookbook, which was her last full-length release other than the greatest hits album, Respect M.E., in 2006. Elliott made appearances on several shows like Extreme Makeover (2007), My Super Sweet 16 (2008), America's Best Dance Crew (2008) and Behind the Music on herself in 2011 and on Aaliyah in 2012. When it comes to music, Elliott has been rather scarce. Since her last full-length in 2005, she has been featured on songs by artists such as Keyshia Cole, Danity Kane, the Pussycat Dolls, TLC, Ciara, J. Cole, Fantasia Barrino; she most recently joined Sharaya J on Faith Evans’ “I Deserve It” this past summer. As far as original material, she contributed two new tracks, “Shake Your Pom Pom” and "Ching-a-Ling,” to the Step Up 2: The Streets soundtrack in 2008 and then released “Best, Best” as a single for her forthcoming album, Block Party. The album has not yet been released, but Elliott put out two more tracks featuring Timbaland (“Triple Threat” and “9th Inning” in 2012) supposedly as part of Block Party, which is now 8 years in the making. Number Four: 'N SYNC. While the majority of their peak falls in the mid to late 90s, 'N SYNC went strong until their break-up/hiatus (whatever you want to call it) in 2002 following a tour to promote 2001’s Celebrity, which is their third and final full-length. With no official announcement, the only indication of the split came from Lance Bass’ 2007 autobiography, Out of Sync, where he cited Justin Timberlake’s desire for a solo career as the major tipping point, which makes sense given his solo debut, Justified, dropped the same year the band slammed on the brakes. The group reunited at the 2003 Grammys for a tribute to the Bee Gees, and again ten years later when Timberlake was slated to accept the Michael Jackson Vanguard Award at the VMAs. As a part of his 15-minute performance, he invited all four members to join him for a medley of “Girlfriend” and “Bye Bye Bye,” but Bass later crushed any hope of further reunion activities. While Timberlake’s whereabouts are pretty clear with several solo albums, many movie roles and his marriage to actress Jessica Biel, with whom he just announced he is expecting his first child, the rest of the four members have remained relatively quiet. Chris Kirkpatrick got into voice acting, most notably in Nickelodeon’s Fairly OddParents as singer Chip Skylark from 2002 to 2005. Kirkpatrick then hosted the Miss Teen USA Pageant in 2002 and competed in Gone Country, a show about turning celebrities into country singers, in 2008. Other than that, he has remained relatively unnoticed and out of music besides cameos in videos for Good Charlotte’s “Lifestyles of the Rich and Famous” (2002) and A Day to Remember’s “2nd Sucks” (2010). Joey Fatone jumped into acting with the 2002 comedy My Big Fat Greek Wedding and several less notable roles. He also tried his hand on Broadway, debuting in Rent in 2002, and other shows such as Little Shop of Horrors, The Producers and 42nd Street. Like Kirpatrick, Fatone also got into hosting in 2007 with NBC’s The Singing Bee. He then teamed up with Lisa Rinna to replace Melissa and Joan Rivers as hosts of red carpet pre-shows in 2007 and 2008. Fatone placed second on Dancing with the Stars in 2007, was the announcer on Family Feud in 2010 and earned second runner-up on Rachael vs. Guy: Celebrity Cook-Off in 2012. Most recently, Fatone continued with hosting duties on Rewrapped, a cooking competition show that had its first two seasons last year. Lance Bass moved to Russia while still in 'N SYNC in pursuit of a seat on a Soyuz space capsule. Despite certification by both NASA and the Russian Space Program, his plan to join the TMA-1 mission was ruined when financial backers dropped in late 2002. He later dabbled in acting with roles in I Now Pronounce You Chuck & Larry (2007), Tropic Thunder (2008) and most recently Kevin Hart’s Real Husband’s of Hollywood. Like the others, he went on the reality show route with Hollywood Squares in 2004 and Dancing with the Stars, where he won third place in 2008. In 2006, Bass graced the cover of People magazine, revealing his homosexuality and elaborating on it in his aforementioned autobiography, Out of Sync, in 2007. His film production company Bacon & Eggs- formerly A Happy Place— was responsible for 2001’s On the Line, which starred both Fatone and Bass, and 2007’s Lovewrecked starring Amanda Bynes. In 2013, Bass became an executive producer on Showtime’s Kidnapped for Christ, a documentary about a reform school in the Dominican Republic. Bass married painter Michael Turchin in December 2014 where all but Timberlake— who was on tour at the time— were in attendance. E! filmed the festivities and will air Lance Loves Michael: The Lance Bass Wedding this Thursday, Feb. 5th. JC Chasez also tried the solo route, but unlike Timberlake, it wasn’t as successful. Chasez’s first single, “Blowin' Me Up (With Her Love),” appeared on Nick Cannon’s Drumline soundtrack in 2002 and later on his first and only solo album, Schizophrenic, in 2004. Chasez parted ways with Jive Records in 2007, and in turn, halting production on his second full-length, The Story of Kate. Chasez devoted his attention to writing/producing for artists like David Archuleta and the Backstreet Boys. He also lent vocals to songs for both artists as well as A.J. McLean’s solo project and McFly in 2010, Cady Groves and the Rock of Ages soundtrack in 2012, and on Smokey Robinson’s Smokey & Friends in 2014. From 2008 to 2012, he was a judge on Randy Jackson’s now defunct MTV competition show, America’s Best Dance Crew. Chasez tried judging again by holding auditions for an all-girl group, which eventually became Girl Radical, a seemingly scarce act since their inception. The last project Chasez was attached to was a role in the 2014 tour of Jesus Christ Superstar alongside Destiny Child’s Michelle Williams; however, a lack in ticket sales led to its cancelation. Number Three: Destiny’s Child. While 1999’s “Say My Name” may perhaps be the trio’s most popular song, they still bled into the 2000s with major success, particularly with 2001’s Survivor. This album brought the world “Independent Women,” “Survivor,” and “ Bootylicious.” The band released a Christmas album that same year before entering a hiatus meant to allow the members to pursue solo careers. They reunited for their final full-length, Destiny Fulfilled, in 2004, but in June 2005, while on a tour promoting the album, the band officially announced on stage in Spain that they would be breaking up. Obviously, much like 'N SYNC and Timberlake, Beyoncé was the standout with acting in several flicks, releasing many successful singles/albums, and becoming a power couple with husband Jay-Z and daughter Blue Ivy. Destiny’s Child would not reunite for a performance until 2013 during Beyonce’s Super Bowl XLVII halftime performance, and again musically, on Beyonce’s self-titled surprise album in December 2013 on “Superpower.” During Destiny Child’s hiatus, Michelle Williams released a solo gospel album, Heart to Yours, in 2002, becoming the best selling gospel artist of the year. Williams then bounced from gospel (2004’s Do You Know?) to pop (2008’s Unexpected) and back to gospel (2014’s Journey to Freedom). “Say Yes” was released as a single this past summer, reuniting her with Beyoncé and Kelly Rowland as guest vocalists. Williams also ventured into the world of acting with Broadway productions of Aida (her debut in 2003), The Color Purple (2007) and Chicago (2009), as well as reality TV stints as a judge on Gospel Dream (2009) and contestant on Strictly Come Dancing: It Takes Two (2010), which is the U.K. version of Dancing with the Stars. Outside of her continuing music career, Williams is occasionally a co-host on The View. Kelly Rowland has released four full-length albums since Destiny Child’s hiatus and eventual break-up: Simply Deep (2002), Ms. Kelly (2007), Here I Am (2011) and Talk a Good Game (2013). Rowland also worked on “Dilemma” with Nelly in 2002, winning a Grammy for Best Rap/Sung Collaboration. She got into acting with Freddy vs. Jason and American Dreams in 2003, and she later appeared in Think Like a Man (2012) and Real Husbands of Hollywood (2013). She got Punk’d in 2007 and was a judge on The X Factor (UK) in 2011 and The X Factor (US) in 2013. In early 2014, Williams revealed she had begun work on a fifth full-length album. Number Two: Mandy Moore. Moore jumped on the bubblegum pop train in the height of its prominence in 1999 with her So Real debut, which was followed by the equally as bubbly, I Wanna Be With You in 2000. Her 2001 self-titled release gave the world tracks like “Cry” (which is also on the soundtrack of A Walk to Remember, a movie she starred in) and the more rock-influenced “Crush”— at least when it came to the set of her music video, where there was a real-life backing band. Moore then released Coverage, which consisted of covers of artists from the 70s and 80s in 2003, Wild Hope (2007) and Amanda Leigh (2009). Moore debatably became more successful in the acting world than she did in music with roles in the aforementioned A Walk to Remember (2002), The Princess Diaries (2001), How to Deal (2003), Saved! (2004), Entourage (2005), Because I Said So (2007), Grey’s Anatomy (2010) and Tangled (2010) among others. Currently, she is starring as Dr. Erin Grace on FOX’s Red Band Society, a show in its first and final season since its fall cancellation. Moore’s only musical release since 2009 is what she sang as Rapunzel in Tangled, but she has also reportedly been working on her seventh full-length. A statement in July 2012 revealed a collaboration with husband Ryan Adams, and two years later, Moore told CBS News she planned to enter Adams’ studio to record what she considered a more dangerous and raw album. Moore announced last month that she was filing for divorce from Adams, so whether or not that affects the progress of the album remains to be seen. Number One: Outkast. The hip hop duo got their start in 1993, but it wasn’t until the 2000s that they began the rise to commercial success with “Miss Jackson” (2000) and particularly with “Hey Ya!,” “The Way You Move,” and “Roses” from Speakerboxxx/The Love Below (2003). The album won Best Rap Album and Album of the Year at the 2004 Grammy's. The album was essentially two packaged together, with Big Boi’s Speakerboxxx and André 3000’s The Love Below. Outkast only released one more album, Idlewild (2006), which was also the soundtrack of a Universal Pictures movie of the same name that both members starred in. Big Boi announced plans to release his debut solo album sans the Outkast name in the form of Sir Lucious Left Foot: The Son of Chico Dusty. Despite releasing its first single, “Royal Flush” featuring Raekwon and André 3000 (2007), the album didn’t become available until July 2010. Big Boi followed it up with his most recent release, Vicious Lies and Dangerous Rumors (2012), which featured verses by artists such as T.I., Ludacris, Kid Cudi, Kelly Rowland, ASAP Rocky and B.o.B. Big Boi also got into acting after Idlewild with 2007’s Who’s Your Caddy?, a guest appearance on Law & Order SVU in 2008 and as the voice of a character in Grand Theft Auto V in 2013. André 3000 got into remixes in 2007 with Unk’s “Walk It Out,” and Jay-Z’s “30 Something.” He continued remixing throughout the years on tracks by Ciara, Chris Brown and Kesha before starting to contribute original verses as a feature credit in 2011 for artists such as Beyoncé, Lil Wayne, Drake, B.o.B, Jay-Z, Frank Ocean and T.I.
He teamed up with Beyoncé again to cover Amy Winehouse’s “Back to Black” for The Great Gatsby soundtrack in 2013. A few months later, after being spotted in the studio with Mike Will Made It, a rumor started that André 3000 would be releasing a debut solo album, but one of his reps crushed those immediate dreams quickly after. The rapper got into a tad more acting than Big Boi with roles in Charlotte's Web (2006), Scary Movie 4 (2006), Fracture (2007), Semi-Pro (2008) and as Jimi Hendrix in Jimi: All Is by My Side (2013). He also dabbled in fashion in 2008 with his own line, Benjamin Bixby, but otherwise has remained generally hidden from the public eye, other than when Outkast reunited at Coachella in 2014 in celebration of their 20th
anniversary.
Kanye Omari West, rapper, producer, professional celebrity, and with an ego to match, has forced himself into the limelight of the music industry. Kanye West has made a lasting impression on all of those around him, whether it be a good one or bad. With seven full length albums, a multimillion record label company, and a successful fashion business all under his belt, it’s fair to say that Kanye has done his fair share of creating. Over the last twelve years Kanye went from a young Chicago kid just trying to get his flows off, to one of the most decorated musicians of all time. With over 20 Grammy’s and 3 of his albums ending up on the Rolling stones “500 greatest albums of all time”. He has continuously created, entertained, and spoken his mind for years. Whether it be “George Bush does not care about black people” or “Taylor imma let you finish, but Beyoncé had
It’s no question that Janet Jackson is one of the most iconic and influential artist of all time. She has sold over 100 million albums; her tours have had some the highest selling debuts of all time, not to mention the chart topping hits she has created over the past 30 years. Janet’s presence alone is iconic. She has left an unforgettable impression on the music industry as a whole. Her music has affected fans and music lovers all around the world. Her influence is simply not a question it is a salutation to a musical icon that has embedded her legacy into musical history.
Whitney Houston’s career truly took off in the mid-1980s after releasing her second album, Whitney, which includes her smash hit I Wanna Dance With Somebody. I Wanna Dance With Somebody is such an upbeat tune that includes a heavily edited and enhanced pop melodic line, synthesizers, and the notorious percussion and keyboard tease that begins the tune. Whitney Houston definitely brings this to life through her outstanding vocals that fully showcases her range, elastic vibrato, and precise musical abilities. Houston is most known for her voice that, in my opinion, is still considered extremely iconic and powerful. Houston’s chart-topping single also showcased the type of music that the United States enjoyed and cherished in the late 1980s. This song brings to the surface the anticipation, joy, and free-spirit that the 1980s culture presented to its people, and this hit ties in the importance of music, love, and dancing that stem from the core of Whitney’s pop-hit lyrics. The style of music portrayed in the 1980s consisted of many drum machines, synth-based styles of music, and electronic programming that twisted and manipulated the music into its reputable popular techno/rock characteristics. These characteristics are also seen in Gloria Estefan’s hit, Betcha Say That. Betcha Say That and I Wanna Dance With Somebody explicitly shows how popular energetic anthems were to the musical audience being catered back
Think about your favorite female MC album of all time. It could be Eve’s Ruff Ryders’ First Lady from 1999, Roxy Brown’s Broken Silence from 2001 or Queen Latifah’s All Hail the Queen from 1989, but whatever album you picked should make you think of MC Lyte for at least a quick second. If you enjoy listening to Eve, Queen Latifah, Trina, Missy Elliot or even Nicki Minaj you should know MC Lyte. MC Lyte made a huge impact in the world of hip Hop, so much that she is respected by men and women for being one of hip hop’s pioneers. MC Lyte made a great impact in the world of hip hop as she paved the way for all the female artists by making sure her voice was heard, while remaining true to herself.
... Popular Music Studies 23, no. 1 (2011): 19-39. Accessed April 28, 2014. Academic Search Complete.
But lets put that to the side for a second and talk about the show. With fans bellied up against the stage, Buell’s performance became a combination of a deadly backing band (She has stripped it down to a solid four piece) and her believable experience and self-confidence. Watching her grinding the mic stand, I could only wonder which icon was responsible for teaching her th...
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
On November 13, 2010, R&B’s present and future performed in Las Vegas, NV at the Mandalay Bay for Usher’s OMG Tour. New vocalist Miguel, with the success of his “All I Want is You” single, warmed up the audience. But Trey Songz, aggressive sex pop hits from his new album: Passion, Pain, & Pleasure, made the crowd start to sizzle. The talent demonstrated in the opening acts got the audience hyped up for the main attraction…Usher! This concert gave the audience the ability to take it back to 1997 with songs “You Make me Wanna” and “Nice and Slow.” Songs like “Lil Freak” and “DJ got us Falling in Love” keeps the audience in the present and of course, dancing. Usher, still being one of the leading artists in R&B for the last 16 years, proves his talent of singing and dancing during this tour. Evidence that Usher deserves to stay on top can be visualized in this concert, especially with the fans begging for an encore. Usher’s latest tour definitely leaves the audience saying “OMG!”
Following one’s hometown team or childhood NFL team through the regular season, playoffs, and hopefully, the Super Bowl has become a staple of today’s culture. Whether or not their favorite team makes it to the big Super Bowl game, they still find themselves cheering on one of the teams competing. This is even the case for non-football fans.... ... middle of paper ... ...
On the 11th annual Rock and Roll Hall of Fame, Mariah Carey was given the chance to induct Gladys Knight and the Pips who were a soul and R&B family group into this Rock and Roll Hall of Fame. She gave a heartwarming speech on how Ms. Knight was a huge impact. Some words she said were, “ thank you so much for being a constant influence on me.” Mariah Carey was also inspired by different genres of music like Jazz, Gospel, R&B, Soul, Pop, Dance, soft rock, hip hop, and country. To add on, Mariah Carey was blessed with the opportunity to perform with the queen of soul, Aretha Franklin. They performed on live television singing Aretha Franklin’s hit song, “Chain of Fools.” Aretha and her met at the Grammy’s and became good friends. Mariah Carey is often referred to as our generation Aretha Franklin and is often compared to Whitney Houston and Celine
Hip-hop and rap music are commonly criticized for its anti-feminist lyrics and degrading exploitation of women in music and music videos. (Sharpley-Whiting ) Many feminists have taken action against the music industry, which produces these messages in the music they release. However, in the hip-hop genre there are plenty of successful female rappers promoting feminist views, artist such as Queen Latifah and Mary J. Blige have made the choice to condemn the derogatory culture towards women. (Oliver, 382–384) However others female hip-hop artist, such as Lil Kim or Rihanna, have decided to provide no resistance towards the deleterious depictions of women in their music and in turn sometimes exploit themselves. Due to her extreme fame, success, and controversial image, at the front of this discussion is female rapper Nicki Minaj. Nicki Minaj is challenging the common view of women in hip-hop by proclaiming feminist ideologies through the art of reclaiming the genres negative undertones towards women and by providing an opportunity for women to be seen as equals rather than objects.
Popular music’s worth tend to be determined according to values of authenticity, truthfulness, and no concern for commercial success. Thus, artists who perform their own songs are critically acclaimed and recognized as better than performers whose material is written by others. However, there is a grey area of sampling and covering. Many artists who do a lot of sampling, in particular DJ Danger Mouse and Kaye West, are not only critically acclaimed, but also can be credited to changing musical history. Sampling greatly complicates the black and white rules of authenticity, and rightly so.
Rihanna, from her very first music videos has compelled public eyes as an effigy, an icon and a statement of music lifestyle. Her independent outlook, badass attitude mixed with a Caribbean accent has undoubtedly confined not only music but the whole popular culture of our time. Diamonds, We Found Love, Bitch Better Have My Money and S&M are some of the top songs by this epic singer. Songs that today rule bars, dance clubs, parties and of course her numerous fans.
For years, society has struggled with encouraging positive influences on the youth through the media. Young girls and boys are exposed to the corruption of social media and the web. The song, “Run The World”, by Beyonce, hits on the issue of how women of power are portrayed in the media when viewed using a feminist lens. We have come such a long way as women to become equal to a man, which is how it should be. While Beyonce’s song may seem like women empowerment, it is actually causing the feminist movement more harm than anything else.
Anne-Marie enjoyed a U.K. hit in 2016 with alarm but most U.S. listeners are hearing her for the first time. The 25 year olds biggest thrill? hearing Paul say her name at the start of the song. ‘I was going to set it as my ringtone said Anne Marie “Rockabye” has 230 million Spotify streams since October 2016, and gives Clean Bandit its second top 40 hit. “People are hearing the message,” says Anne-Marie, “appreciating single moms, saying