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Stopping by woods on a snowy evening summary
Robert frost's imagery
Theme and symbolism in stopping by the woods on a snowy evening
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Recommended: Stopping by woods on a snowy evening summary
Robert Frost’s poem “Stopping by Woods on a Snowy Evening” and Christina Rossetti’s poem “Up-Hill” share a common dominant theme which deals with humankind’s passage from the cradle to the grave.
Additionally both works are examples of poetry which are;
Rich in imagery,
Highly effective in the use of figurative language, metaphors, and personification
Contain symbolism and allusions.
In both poems imagery is a dynamic element. Robert Frost paints a clear image of someone traveling in the woods and the dark night, by use of the opening line “whose woods these are I think I know”. (Frost 1) Frost’s opening line establishes an image of both location and the feeling of doubt which the speaker recognizes. The doubt is found in the words “I think I know”. (Frost 1) Christina Rossetti presents the reader with a clear view of a road winding up a long hill and a weary traveler. Her opening line “does the road wind up-hill all the way?” not only indicates a toilsome journey but it demonstrates the travelers’ fatigue as it sounds much like a child asking the question “are we there yet”.
Clearly both of these opening lines establish the location and give an indication of the impending state of mind of the protagonist. While the Frost poem offers a clearer view of the physical geography of the location in the forest through the statement “between the woods and frozen lake” (Frost 9) Rossetti gives the reader a sense of the emotional weariness of one asking “is there for the night a resting place?”(Rossetti 5) By use of imagery we clearly see the both the place and the condition of the travelers. In both works the imagery brings the reader to a level where figurative language can be understood.
The rich imagery in these two works b...
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...al and Critical Study, Boston, Roberts
1930. Print.
Frost, Robert. “Stopping by the Woods on a Snowy Evening”, Literature: Reading Fiction,
Poetry and Drama, Robert DiYanni, Sixth ed. New York: McGraw Hill, 2007. 767. Print.
Poirier, Richard, Paraphrased from the book Robert Frost: The Work of Knowing. Copyright ©
1977 by Oxford University Press, Web. October 5, 2011
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Rossetti, Christa, “Up-Hill ” Literature: Reading Fiction, Poetry, and Drama. Robert DiYann.
Sixth ed. New York: McGraw Hill 2007. 807. Print.
The New Oxford Annotated Bible, New Revised Standard Version with the Apocrypha, Michael
D. Coogan ,Marc Zvi Brettler , Carol A. Newsom, Pheme Perkins Editors, Third Sub Edition
et al. Oxford University Press, New York, 2001, print
William E. Cain, Alice McDermott, Lance Newman, and Hilary E. Wyss. New York: New York, 2013. 48-53. Print.
Selected Poems by Robert Frost, New York: Barnes and Noble, 2001 3.Graham, Judith, ed. Current Biography Yearbook Vol. 1962, New York: The H.W Wilson Company, 1993 4.Kesey, Ken. One Flew Over the Cuckoo's Nest, New York: Penguin Group, 1962 5.Weir, Peter. Dead Poets Society, 1989
The mood of Robert Frost's "Stopping by Woods on a Snowy Evening" is artfully set by saying "the only other sound's the sweep / of easy wind and downy flake" (11-12). These lines convey they beautiful tranquillity of solitude. Many critics argue that the dark woods of the poem symbolize death. It is equally as valid to say that the poet is describing the joy experiencing a peaceful moment to him; the relaxing mood of the poem as well as the realization that the traveler must move on provide evidence contrary to the interpretation that the woods symbolize death.
Robert Frost, an infamous poet best known for his original poetic technique, displays a reoccurring idea or theme of loneliness and isolation throughout many of his published works. The ways in which Frost represents and symbolizes ideas of solitude and desolation in poems are somehow slightly or very different. Loneliness and isolation are illustrated through Frost’s use of the dark night as well as depression in “Acquainted With the Night”, the objects the speaker encounters in “Waiting”, and the sense of abandonment and death in “Ghost House.”
Lentricchia, Frank. Robert Frost: Modern Poetics and the Landscape of Self. Durham: Duke University Press. 1975. 103-107.
Imagery is one of the most powerful tools in any writer’s tool box. Both Robert Frost and Walt Whitman were innovative poets ahead of their time. Whitman had invented “free verse” writing and pioneered naturalistic writing. He also used powerful imagery to depict the norms of everyday life, even in the times of the Civil War (“Vigil Strange I Kept”). Robert Frost used more traditional rhythm and meter, but also used nature to paint a literary picture for his readers to “see” the settings in his poetry and put his readers from the West Coast of America, or across the Atlantic in the United Kingdom, in the beautiful winter scene of New England (“Birches”). Both poets used powerful imagery in their own unique way while having completely different writing styles, and had different effects on how their imagery paints the picture and creates the focal point for the reader. Frost’s traditional writing style makes it easier for readers to interpret his works and can develop their own ideas on what the words of the poem mean. Whitman’s innovative free verse writings are more elaborate and do not have multiple interpretations, which allows Whitman to give the reader a focal point and creates a scene that all readers will see almost the same way.
Robert Frost uses metaphor and symbolism extensively in ‘Stopping by Woods on a Snowy Evening’, developing deeper and more complex meanings from a superficially simple poem. Frost’s own analysis contributes greatly to our appreciation of the importance of metaphor, claiming that “metaphor [is] the whole of thinking,” inviting the reader to interpret the beautiful scene in a more profound way. However, the multitude of possible interpretations sees it being read as either carefully crafted lyric, a “suicide poem, [or] as recording a single autobiographical incident” . Judith Oster argues, therefore, that the social conditions individual to each reader tangibly alter our understanding of metaphor. Despite the simplicity of language, Frost uses conventional metaphors to explore complex ideas about life, death and nature. The uncertainty, even in the concluding stanza, that encompasses the poem only adds to the depth of possible readings.
Pack, Robert. "Frost's Enigmatical Reserve: The Poet as Teacher and Preacher." Modern Critical Views: Robert Frost. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 10.
Robert Frost wrote poetry about nature and it is that nature that he used as symbols for life lessons. Many critics have been fascinated by the way that Frost could get so many meanings of life out of nature itself. Frost‘s poetry appeals to almost everyone because of his uncanny ability to tie in with many things that one is too familiar with and for many, that is life in itself. “Perhaps that is what keeps Robert Frost so alive today, even people who have never set foot in Vermont, in writing about New England, Frost is writing about everywhere” (294).
Kennedy, X.J., Dorothy M. Kennedy, and Jane E. Aaron. Bedford reader. S.l.: Bedford Bks St Martin'S, 2013. Print.
Frost, Robert. “The Road Not Taken”. The Norton Anthology of American Literature. 7Th Ed. Nina
Richardson, Mark. The Ordeal of Robert Frost: The Poet and His Poetics. Urbana: University of Illinois, 1997. Print.
Bloom, Harold, ed. Modern Critical Views; Robert Frost First Edition, New York et al, Chelsea House Pub., 1986.
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
...he last stanza the poem says “The woods are lovely, dark and deep”, this tells us that the speaker likes the woods and doesn't’ want to leave because of its beauty. Another literary device used by Frost is repetition. repetition is used on the last two verses of the poem. Both lines read: “And miles to go before I sleep, / And miles to go before i sleep”. This repetition is emphasizing a point and ,makes it clear that the speaker has a long way home and must leave.