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Graffiti is art or vandalism
Graffiti is art or vandalism
Graffiti is art or vandalism
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Knitta is a group of eleven knitters. The Knitta members say: “We go beyond simply wanting attention. We prove that disobedience can be beautiful and that knitting can be outlaw” When they first started out they kept there selves unknown because they thought what they were doing was classed as graffiti than art. The knitters explain “our group is composed of people who don’t do illegal things, and we were worried about how people would react to what we are doing” (knit knit). Each member of the group brings a different skill to the group from an excellent eye for colour to writing letters. Put side by side graffiti and art, their work makes you think about the nature of knitting by associating itself with a stronger, male dominated art. ‘we go beyond simply wanting attention, we prove that disobedience can be beautiful and that knitting can be outlaw’(knitta).
I do class Yarn Bombing as making a political statement because they are being political about the less important objects in the environment. Many people see the whole thing as pointless. I think if you are a knitter or any kind of artist you would class Yarn Bombing as an art not graffiti. Many critics say “they should focus on knitting something useful like blankets for the homeless.”
Beryl Tsang addresses her political views of breast cancer which she got diagnosed with it eleven years ago. She took up knitting to help her through the trauma of losing her breast. She decided to knit herself a breast, many people commented on how good it looked in the bra. She knitted many for her cancer support group and then decided to make her website www.titbit.ca. As well as her website she realised she could support women with breast cancer through a blog. Beryl has a group of...
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...le all over the world, then sewn together to make a river that was over 200ft long. Charity knitting for free distribution is another common thing that has been happening in knitting groups knitting jumpers and socks for the soldiers in the war, often yarn companies supplied the patterns. Another successful project is the Chemo-Cap project which started in 2002 in Pennsylvania. It was to raise awareness of the women that died of uterine cancer. There are also many other projects like this now including a more resent Chemo Caps project where a girls little sister is diagnosed with CML and she wanted to make hats for the ward so nobody had a cold head, she says this on her blog “with this website I am hoping to raise awareness of the needs of people. I will provide crochet, knit and sewing patterns for chemo caps, blankets, slippers, etc. Anything that can help people
Chang, Jeff. "The Writing on the Wall: Why are graffiti and vandalism bad words in the left? " Colorlines 31 Jul 2002: ProQuest Social Science Journals, ProQuest. Web. 22 Apr. 2011.
In Style Wars, one sees how social marginalization affected graffiti writers in 1970s and 1980s New York. Firstly, Style Wars chronicles how the city government employed racist policing and propaganda to criminalize writers of color. Secondly, the documentary shows that newspapers and TV networks unequally privileged writers of higher socioeconomic status through front-page and prime-time coverage. Thirdly, the film depicts graffiti writers who conformed to masculine norms as disproportionately visible throughout the city. Although many writers featured in Style Wars minimized barriers against making art, legal racism, classist media coverage, and interpersonal masculinity limited recognition for certain writers.
Lerner, Barron H. The Breast Cancer Wars: Hope, Fear, and the Pursuit of a Cure in Twentieth-century America. New York: Oxford UP, 2001.
“This world is but a canvas to our imagination” (Thoreau). The world is quite literally a canvas for graffiti artists, and these two opinion editorials cover the desire for this medium of art to be appreciated and showcased. Eric Felisbret wrote “Legal Venues Celebrate Graffiti as an Art Form” which was published on July 16, 2014 in the New York Times. Felisbret’s article was about creating more legal venues to showcase graffiti. Kathy Grayson wrote “L.A. Graffiti Exhibition, ‘Art in the Streets,’ belongs in N.Y.C.,” which was published on June 26, 2011 in the New York Daily News. Grayson wrote her article to persuade readers that “Art in the Streets” belongs in New York. The articles were simultaneously the same and very different in their content. Even though the specific messages were diverse the purpose was to persuade the discourse community, who value law, education, and their community, into having graffiti displayed as art. These two
For example, to make people aware that breast cancer can affect even young women, thefaceofbreastcancer.com printed a poster portraying the faces of fifty different women all under the age of 41 who have been diagnosed with breast cancer. The words “Your sister,” “You,” “Your friend,” are highlighted sporadically throughout the poster. The phrase “Have a lump or pain? Regardless of age, CHECK IT OUT NOW!” is also highlighted in the midst of all the women’s ...
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
In the performance of life, one cultural representation that captivates and entrances people more fluently and describes the human experience more eloquently is that of artistic expression. It imposes itself unto the face of society through the individual who creates it as a reflection of any one or combination of personal, emotional, or physiological effects society or one’s own environment has inflicted onto them to compel them convey their feelings to the public. The essential argument, is whether graffiti has a place in the grand context of society. One end of the spectrum paints it as a nuisance to property owners and city officials allow for a criminal perspective of the practice. While at another end you can view it as the artist in a sense blessing others with the fruits of their inner consciousness. An artistic expression no matter what the viewpoint of society, in an anthropological context graffiti is essential to modern society and its impact is one that cannot be forgotten or lived without.
The book begins with a narrative of cancer relating back to its history. Cancer in the book is discussed as a confusing, complex disease that was hard to decode by doctors for over a century. Mukherjee gives rich details about the way people assessed breast cancer in the nineteenth century discussing how radiation and chemotherapy were once used before modern times. Further, into the book, Mukherjee shares with personal experience working in the field of
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
Graffiti is a form of art that people use to express themselves and to convey various messages to people in a particular community. In the movie "Graffiti Verite':. One of the graffiti artist explained that his purpose in doing graffiti is that it allows him to "express his anger' on the wall. Another kid by the name of "Jipsie" said that graffiti is a "form of growth". There were several different explanations that artists shared as well as several different reasons why they like graffiti. The common theme among the graffiti artist and taggers was that graffiti is simply a form of self-expression (Bryan). At the end of the film one tagger made a comment and said, "graffiti is not vandalism, but it is a beautiful crime". This comment did not make sense to me. Committing a crime, a hideous act, is not a beautiful thing to do by any means. Graffiti does not mean people can go around and draw and spray paint on other peoples property. Regardless of what types of graffiti are being expressed by the tagger, this type of self expression is considered vandalism when people decide to draw, destroy, or violate any persons property without consent. As a result of taggers committing the crime of vandalism, property owners, concerned citizens, and law enforcement officers spend too much time, money, and energy trying to put an end to the unlawful act of vandalism.
Art is the expression or application of our thoughts, desires, emotions and feelings. Art helps us spread and share our thoughts with others. There are many different types of art and graffiti is one of them. Each person living in this world has their own definition of art. Some define graffiti as illegal because they believe that it abuses public property. Others believe that Graffiti should be legalized because they see it as not just another form of art but also as a useful form of political expression, a way to beautify scenery and as a potential source of income.
...p from the world they live in, a world of separation and indicate themselves with their own realities. Art is handed over into society’s hands, as in one movement it is suggested - to fixate what is real, live like you create and create like you live; in other – abandon media’s proposed ideas and take the leadership of life in our own hands.
Instead of just mere protesting, people would try and take up more of a physical approach to the message they were trying to convey. At the beginning of the era, graffiti was a rebellious phase when it came to the younger generation backed by the punk-pop scene. It was more of a socialising hobby rather than a means to express a view or opinion, but then there were certain individuals who used it as an artistic outlet. Banksy is the most notorious for expressing his political opinion with out actually saying a political party in specific. According to James Basset ,“Banksy is an avowedly anonymous graffiti artist who has managed to translate underground credibility into massive popular appeal.” (James Brassett 2009). He is the type of artist that shames but never names. There have been many occasion when artists that have tried to mimic what Banksy does but they are never quite as successful as he is at accomplishing it. In Banksy’s very own words he states that “Just doing a tag is about retribution. If you don't own a train company then you go and paint on one instead.” (Banksy
Breast cancer is a malignant tumor that starts in the cells of the breast. A malignant tumor is a group of cancer cells that can grow into (invade) surrounding tissues or spread (metastasize) to distant areas of the body. The disease occurs almost entirely in women, but men can get it, too (What is Breast Cancer, 2015). The purpose of this evaluation is to introduce the audience to breast cancer; discuss risk factors, symptoms, diagnosis; address the mind- body connection of breast cancer and suggestions for prevention and treatment; and provide an overview of breast cancer in social cognitive theory framework. Lastly, one alternative intervention for breast cancer will be highlighted in accordance with the social cognitive
Street art is understood to be a subculture of graffiti, but cannot be simply defined as one form (Hughs). “Street art, originally coined by Allan Schwartzman in 1985 (Lewisohn, 2008), is an all encompassing varied artistic expression against an urban backdrop, deriving directly from the graffiti revolution, in a two-dimensional or three-dimensional state” (Hughs). Street art has its own culture, style, archetypes, techniques and media that are completely different from the original graffiti that first appeared on the streets of New York City. Bombing is basically just tagging as many times as you can in a specific area.