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Ancient greek art ap art history
Ap art history greek quizlet
Ap art history greek quizlet
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A piece of artwork I find exceptionally fascinating and stimulating is the painting Bull Leaping. This art piece was originally created around the years of 1450 to 1375 BCE. The fresco happens to be one of Knossos most famous paintings depicting themes most prominent to Minoan art. Minoan painters worked on much larger scales; the murals would cover entire walls of rooms and would commonly have geometric borders, views of nature and scenes of human activity. Due to its significant age, there has been restoration; specifically the panel being restored from excavated fragments. “The pieces were painstakingly sorted and cleaned by restorers and reassembled. The areas with color have been used in the reconstruction to fill in the gaps, making it obvious which bits are the restored portions, but still allowing the viewers to have a sense of the original image” (Stokstad & Cothren 87). …show more content…
In the Bull Leaping fresco, one of the many items my eyes are instantly drawn towards is the border.
The border consists of squares and circles that line all four edges of the mural. I think the border consisting of squares and circles have an emphasizing effect on the mural by centering what is most significant. After I notice the border, my eyes are immediately drawn to what is inside the border. Having a strong, visible border makes it easier to focus on what it is that is being enclosed. The figures in the center of the painting are two women, one male and one bull. The women are both on opposite sides of the bull; one being in front of the bull and the other is behind the bull. The man in painting appears to be jumping or leaping over the middle of bull’s body. “Archaeologists and anthropologists have studied the Bull Leaping fresco for centuries. Many say that this form of ‘bull leaping’ is purely decorative or metaphorical. Some scholars say the fresco represents a cultural or religious event, and not a display of athletic skill” (Sue, “Bull
Leaping”). Bull Leaping has specific and distinctive physical characteristics, which is why the fresco is recognizable by so many people. Minoan artist commonly used human and animal figures to be the representations of their messages and stories. The use of a bullhead or bull figurine was symbolic for signifying vividness and individuality. Particular aesthetic qualities in the Bull Leaping are the use of different shapes for the border. There is an assortment of linear contour lines from the painter’s drawings. When I look at the fresco I see a symmetrical balance, every figure is placed in a particular area on the wall. The artist of Bull Leaping I think planned the composition of this painting out very well. I can say as a viewer of the painting, I enjoy looking at artwork that is composed well and has a finished look to it. If the figures in the fresco were placed anywhere on the wall, I do not think the same message would be conveyed. If there was no balance in the fresco I think the painting look chaotic and hectic with three humans and a bull. I feel that the painting, Bull Leaping is one of the most captivating and intriguing frescos I have ever seen. I constantly find myself thinking of new possible connotations for the painting. I also wonder what message the author is trying to convey between the connections of the humans to the bull. The Bull Leaping fresco is mesmerizing when you look at it, I could look at it for hours. The artist of this painting makes every individual viewer think of his or her own response to the image. There are numerous interpretations of this fresco and no interpretations can be wrong. Today, the Bull Leaping fresco can be found at the Heraklion Archaeological Museum in Heraklion, Crete.
Greece is famously known world widely for its spectacular artworks. People are familiarized with its sculptures, paintings, and mosaics, but not many know how its art has been transforming from time to time. An explicit example would be the drastic changes from Aphrodite of Knidos to The Old Market Woman.
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
My first piece of artwork that I found interesting is called “Portrait of a Collagist” by an African American artist name Benny Andrews in 1989. His artwork is mainly abstract impressionism and realism and the medium he likes to use and is using in the particular piece is oil and collage on canvas and stands roughly 92inx51in. In this piece his work is abstract and realism, as is most of his pieces. (Source?)
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
as well as the needs and urges of a bull. This is why in the painting
...though, today a current restoration project has been continuing in order to reconstruct the Parthenon and is almost finished.
It marks a point in time, where Picasso that took art by the hand and turned it around by 108 degrees. The art work shows five naked women, without a recognizable background. They are all making different poses, almost as if they were leaning against a wall. Some of the women have very abstracted faces, one of them looks as if she was wearing a mask. It portrays Picassos interest with African sculpture, and how he incorporated it into his passion for art. The way the women are drawn, with their bodies having sharp edges, shows how Picasso was starting to evolve the new style of cubism. It took Picasso months of revision to finally show this work in
This is his focus of the painting. The focus can be defined as the main point of a painting, the area
At first glance the mural can be a lot to take in at once. The paint covers every inch of a concrete wall. The wall is very long and it runs through one of the parking areas of
varied from designing coins, mosaics, gem engravings, architecture, pottery and sculptures. I’m also going to talk about what tools the sculptors used and the various methods used to make pottery and vases. The second part of my report will be about a day in the life of a Greek artist for example how they were treated were they considered middle class, upper class or were they looked down upon also what were their daily tasks, how did they would start their day and end it. The main reason I picked this topic is because art is a very important key to learning about a cultures history and beliefs. Greek art has influenced many other countries especially Rome most of their art and art from the Italian renaissance were copies of original Greek works of art.
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
“Picasso painted from a model who sat in front of him, facing him”. Thus, you are “in the position of the artist”. The unique element of the painting is that use of cubism, which allows for the painting to carry a form of mystery behind it, as it does not simply give you the image, rather, it provides the elements of a complete composition that then the viewer must piece together. What the image truly shows us, however, is that of a naked female playing a mandolin with us as the viewer able to see the profile of her face looking down towards the strings of the mandolin, while her body faces towards the viewer, giving a good usage of twisted perspective. “The colors in this painting are shades of light brown, tan, yellow, and olive green. They all seem close to each in color, and they are all muted or dull” with “no bright color standing out. These factors make the entire surface of the painting appear unified in color.” Thus turning the piece into more of a puzzle that the viewer mush piece together rather than merely a painting one could simply
The art piece I chose was a pottery that I found very interesting, not only the art itself but the story behind it. This was a red-figure archaic type of pottery; the name of the pottery is called a Terracotta hydria, which is also known as a water jar. This specific pot was made in Greece and South Italy, around 340-330BC. It was also found at Canosa before the year 1878. According to the MET museum “This pot was created by a group of BM F 308, the specific artist is unknown. However, the potter and art was produced in Greek, South Italy, and Apulia.”
Every country has their own culture, and like other cultures, Spain too has its own specific culture. Part of the Spanish culture revolves around the bull. Bullfighting and bull runs by many people are recognized as the only Spanish culture in the world, and because of its importance it always begins on time. Still many people view it as a crime. Me being a foreigner I have first hand experience with different cultures. A long time ago in India’s ritual would be to hunt and kill the Indian tiger. Over time the Indian tiger became endangered and now they have become illegal to hunt. When I saw my great great grandfathers hunting pictures he had two tiger heads. Both rituals of bullfighting and hunting tigers are an inseparable culture for both countries. Thus, the Spanish culture revolves around the bull and will continue revolving around the bull forever.
The Fragment of a Fresco is dated to 50-25 B.C., generally categorizing it into the Second Period of Roman paintings and placing its creation during the time of transition of Rome from a Republic to an Empire. This particular fresco was discovered in Pompeii, which is considered one of the leading sites of such pieces of art. While many Roman frescos throughout all four styles depict scenes of historical importance in both military and cultural aspects, this particular piece, Fragment of a Fresco, provides more of an architectural and interior design quality than that of other pieces from this time period.