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In cold blood essay introduction
In cold blood essay introduction
Critical analysis of cold blood
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In Cold Blood
Many people look at this crime as terrible, horrendous, and evenCapote explores the human side of two cold-blooded killers, Perry Smith, and Dick Hickock.
Perry Smith and Dick Hickock were charged with the homicides of a small town family. On November 15, 1959 they murdered the clutter family. It took place in a small town of Holcomb, Kansas. The victims of this senseless crime were Herbert Clutter, Bonnie Clutter, Nancy Clutter, and Kenyon Clutter.
These murders were indeed brutal. Herb lay sprawled on a mattress in the basement, stabbed, his throat slashed and a shotgun charge fired to his head. His hands were bound and his mouth was taped shut. Found on a couch in the adjacent room was his son, Kenyon, bound, gagged and shot in the head. Upstairs was Bonnie and Nancy. Bonnie was bound and gagged, Nancy was only bound. They had both been shot in the head.
Perry Smith: "'Am I sorry? If that's what you mean - I'm not. I don't feel anything about it. I wish I did. But nothing about it bothers me a bit. Half an hour after it happened, Dick was making jokes and I was...
The knife that served as the murder weapon was sourced from the kitchen. Their bodies, which were burnt quite badly, were found in their bedroom, which was upstairs. This crime scene was uncovered by fire officers who responded to a 000 call by a neighbor at approximately 3:34am, after Jeffrey had told him his parents and his brother were dead. At this point, Jeffrey creates his alibi that his brother Christopher is responsible for the murder of their parents and setting the bodies on fire, but it was he who murdered
In Cold Blood is a true account of a multiple murder case that took place in Holcomb, Kansas in 1959, written by Truman Capote. Capote’s attention to detail causes the reader to gain an extreme interest in the Clutter family even though they were an ordinary family. The suspense that is a result of minimal facts and descriptive settings was an elaborate stylistic technique that gave effective results throughout the book. His ability to make this account of a horrid crime more than just a newspaper description was a great success as a base of his many literary devices, not just is great focus to small details.
Dick and Perry, who were former employees of Herbert Clutters. Perry confessed to killing Mr. Clutter with the knife and the shooting of the rest of the family. Dick confessed that he couldn’t bring himself to do the killing.
Richard Mulcaster, a British instructor of English, once wrote, “Nature makes the boy toward, nurture sees him forward.” Mulcaster recognizes that both genetic and environmental factors determine the type of a person one becomes. Truman Capote’s nonfiction novel, In Cold Blood gives the reader an opportunity to see prime examples of how nature and nurture influence one’s character. Capote’s novel, In Cold Blood introduces the reader to two men; Richard Eugene Hickock known as Dick throughout the novel, and Perry Edward Smith whose lives of crime are almost identical; although both Perry and Richard come from very humble backgrounds, their childhood particularly their family life, has very little in common. It is not until later in their lives that we begin to see similarities between the two men. Despite their differences, Perry’s upbringing and Dick’s genetic disposition allow both men to share a disregard for life, which becomes apparent on the night they gruesomely burglarized and murdered four innocent members of the Clutter family.
He is the character that most sympathized with because of his past. He never had a connection with his alcoholic mother and siblings. His parents never gave him the love, direction, and the moral values that children need from their parents. This contributed to his behavior. While Perry was testifying, Dr. Jones characterized him with severe mental illness. He mentions that Perry has “paranoid orientation toward the world,” (Capote 297). He goes into further detail by mentioning that Perry “is suspicious and distrustful towards others, tends to feel that others discriminate against him, and feels that others are unfair to him and do not understand him,” (Capote 297). It is completely understandable why Perry would think like this. He was treated horrendously by the nuns in the orphanage and when he lived with his family. Since Perry never had anything good happen to him growing up, he feels like he has to take out his frustration on people who are good. Vengeance for what he did not receive. While in court, Perry mentions why he killed the Clutter family, “It wasn’t because of anything the Clutters did. They never hurt me. Like other people. Like people all my life. Maybe it’s just that the Clutters were the ones who had to pay for it,” (Capote 290). Dr. Jones diagnosis Perry as a paranoid
Perry was born on October 27th, 1928 to two rodeo performers who would later separate when he was still a child. Perry would be raised by his mother who would battle with an addiction with alcohol his entire childhood. Before Perry could reach the age of adulthood his mother would die leaving him in the hands of a Catholic Orphanage. Where Perry was constantly abused both physical and emotional for wetting his bed, while would become a lifelong problem. In his teens Perry would go to live with his itinerant father. Within these years two of Perry’s sibling would end up killing themselves while his only living sibling would cut off all contact with Perry.
Dick Hickock stood motionless, watching as his companion, Perry Smith fired his shotgun into the heads of each member of the Clutter family, sending blood and brains splashing against the wall. What would drive a man to do this? With a cold-blooded fire in his eyes, Perry moved from one person to the next, splattering the country house with brain matter. This terrible
The detailed account of the killers’ childhoods makes the reader sympathize with the Clutter family’s killers Smith and Hickock. Should they reserve the death penalty? Did Truman Capote take a stand on the death penalty? By giving the reader a detailed account of Perry Smith’s and Dick Hickock’s childhood, Capote sets up the reader for a nurture vs. nature debate on the death penalty. The question then becomes, do the effects (if any) caused by environment in childhood make for a trained killer or a natural born one?
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Perry Smith dreamed of seeing his stage-name “Perry O’Parsons” on newspaper headlines, wishing to attain fame and fortune through his great musicianship, as well as envisioned himself discovering sunken ships possessing chests full of diamonds, pearls, and gold. It is the year 1960, and Perry’s name is in newspapers all around America, but he is not being written of as a musical prodigy, nor is he being praised for uncovering lost treasure. Instead, newspapers are writing about Perry being on trial for committing a crime that is shocking people across the nation. On November 15th, 1959, Perry Smith and his partner-in-crime Dick Hickock murdered an innocent mother, father, and their two adored children. On the surface, these two criminals are
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.
He grew up in a different environment with a broken family with no apparent dreams. As a young boy his parents separated and he was forced to go with his mother. He later ran away to be with his father who turned him down and ended up being abandoned by his family completely. He then came to stay at a catholic orphanage, where he was abused by nuns and caregivers. His father finally decided to take him into his care and together they got away and traveled, ending his education before passing the third grade which bothered him as he became older. Perry joined the marines and army, then came back to relocate his father. Him and his father had a breakthrough over starvation, leaving Perry with no one else to turn to and therefore getting involved in committing crimes. Once he got caught and jailed, his mother had died and his brother and sister had both committed suicide. By all his experiences we can say Perry definitely lived a different life and his family portrayal was very different from the Clutters. After so much abandonment and abuse, we can understand why he almost feels nothing and how growing up has affected him. The American Dream for Perry might not have been a “perfect family” but may have been to find something with order, and control. The dream Perry’s family would be focused on is reaching a decent life as their past has been
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
This murder was one of the biggest cases upstate has ever seen. The gangland style killing of the Egan family rattled the police force in Watertown, New York for many years even after the case was closed. The murder victims were brothers Peter and Gerald Egan and Peters wife Barbra Egan. The triple murder happened on New Year’s Eve 1964. The only life left was a dog found in the car with the bodies of the Egan’s. The only man who was ever tried for the case was acquitted in 1970.
In Blood In Blood Out is a drama directed by Taylor Hackford, and starring Damian Chapa (Miklo), Benjamin Bratt (Paco), and Jesse Borrego (Cruz), produced by Hollywood Pictures. The film was based off everyday life in East Los Angeles, from the 1970’s through the 1980’s. Damian Chapa stars as Miklo in the film, a Mexican-American who wanted to be accepted, not by his skin but for the Mexican within him. Benjamin Bratt (Paco) was the older cousin of Miklo, who learned his lesson throughout the movie and changed his ways. Jesse Borrego (Cruz) is the step-brother of Paco who was a talent artist, who ended up turning to drugs because of back problems caused by a rival gang incident.