Larry McMurtry's "In a Narrow Grave: Essays on Texas," with a new introduction by Diana Ossana, Liveright, 2018, provides us with an exploration of Texas and the role it has in shaping American history. With McMurtry's hand full of essays, he delves into the soul spirit of Texas, giving us the identity and the interconnectedness that it has to broader national historical developments. Over the course of this essay, we will explore three essays from the book: “Hud in Your Eye,” "Cowboys, Movies, Myths, and Cadillacs," and "Eros in Archer County." Within these essays, we will examine the themes of transition and adaptation, reflecting how the developments of the twentieth century are connected to the larger historical developments, and being …show more content…
Example of this is on page 90 “During the filming of Hud several prominent citizens of the panhandle were dismayed to learn that amongst Californians it occurs quite frequently in light conversation” (McMurtry 90). The reason they were dismayed is because the people in the panhandle don’t cuss regularly because of their traditional views and hearing about California doing it regularly surprised them. This essay glosses over the national discourse of sexual liberation and the changing of gender roles in the twentieth century. As Texas engages with the issues of sexual freedom and expression, it mirrors the national dialogue on these types of problems. Changing attitudes towards sexuality in Texas is not isolated, but is part of a broader national trend towards the personal freedom and autonomy. The three essays "Hud in Your Eye," "Cowboys, Movies, Myths, and Cadillacs," and "Eros in Archer County" all have a central theme of transition as well as adaptation in Texas, causing it to mirror the broader historical developments of the twentieth …show more content…
Texas, with all its rich history as well as its unique identity, helps serve as a microcosm of the United States, by reflecting the evolution that the country went through during the twentieth century. Firstly, we talked about the transition from the cowboy to the oil man, discussed in "Hud in Your Eye," which embodies the national shift from the agricultural to the industrial economy. The oil industry’s rise in Texas shows the national trend of industrialization and urbanization. As Texas was vast cattle ranchers it changed into the lead of the oil industry, this shows a parallel of the national shift towards the huge success of industrialization and urban growth. Secondly, we discussed the abuse of the myth of cowboys, which was talked about in "Cowboys, Movies, Myths, and Cadillacs," which shows the national trend with mythmaking and abuse of cultural identity. The Hollywood effect of portraying cowboys in films caused the rest of the nation to perceive them as if they are in films. This myth caused a ingrained of what cowboys are not in the national consciousness, in return causing a shift of false perceptions of identity in America both domestically and
When we see Texas, we remember today mainly for its BBQ, Football and Black Gold, Texas tea. However, there is much more than just the usual itineraries that we find in most other states as well. Molly Ivins in her essay “Is Texas America” categorically states that, “Here's the deal on Texas. It's big. So big there's about five distinct and different places here, separated from one another geologically, topographically, botanically, ethnically, culturally and climatically” (Ivins). This is a true belief from Molly Ivins of how huge Texas was and how the demographics changed in each geographical location in Texas. The population of Texas and the demographics are two essential factors that include many important parameters in deciding the history of any state. The presence of many ethnic groups further adds to the diversification of
The books “Fertile Ground, Narrow Choices” by Rebecca Sharpless and “The Path to a Modern South” by Walter L. Buenger paint a picture of what life was like from the late 1800’s to the 1930’s. Though written with their own style and from different views these two books describe the modernization of Texas through economics, politics, lifestyles and gender roles, specifically the roles of women during this era.
Desert Immigrants: The Mexicans of El Paso 1880-1920 analyzes and discusses the Mexican immigrants to El Paso, Texas. The most western city of the vast state of Texas, a city in the edge of the Chihuahuan desert; a place too far away from many regions of the United States, but as Mario García explains a very important city during the development of the western United States. He begins explaining how El Paso’s proximity to different railroads coming from México and the United States converged there, which allowed El Paso to become an “instant city”, as mining, smelting, and ranching came to region. (García 2)
Calvert, Robert A., Arnoldo De Leon and Gregg Cantrell. The History of Texas. 4th. Wheeling: Harlan Davidson, Inc., 2007. Print.
Texas prides itself on a strong heritage and history. Events that happened when Texas fought to gain independence will forever remain preserved and idolized in the heart of every true Texan. One of the most famous events that occurred during the fight for independence happened at a place that was not well-known and did not hold much importance at the time, but because of the events that occurred there, it will forever be a place of remembrance and pride. This place is known as The Alamo. This paper focuses on the articles written by Brian C. Baur, Richard R. Flores, and Paul Andrew Hutton over The Alamo.
John Ford’s classic American Western film, Stagecoach (1939) shows many examples of political life and social behavior during it’s time. The plot is about nine travelers onboard a stagecoach from Tonto, Arizona to Lordsburg, New Mexico Territory. In the beginning, the passengers of the Stagecoach are unfamiliar with each other. However, their relationships grow as they get to know each other during their journey. Each character claims a different social position.
"Texas Politics - Texas Political Culture." Welcome to Texas Politics. University of Texas at Austin, 2011. Web. 15 Mar. 2011. .
When looking at the vast lands of Texas after the Civil War, many different people came to the lands in search for new opportunities and new wealth. Many were lured by the large area that Texas occupied for they wanted to become ranchers and cattle herders, of which there was great need for due to the large population of cows and horses. In this essay there are three different people with three different goals in the adventures on the frontier lands of Texas in its earliest days. Here we have a woman's story as she travels from Austin to Fort Davis as we see the first impressions of West Texas. Secondly, there is a very young African American who is trying his hand at being a horse rancher, which he learned from his father. Lastly we have a Mexican cowboy who tries to fight his way at being a ranch hand of a large ranching outfit.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
22 March 2014. Texas Political Culture - "Texas Political Culture" 2009.
...is own. In an overall assessment of this book, Martin comes to the conclusion that “Campbell has succeeded in providing a thoughtful, very readable, and eminently useful survey of a fluid, exciting, and fascinating period of United States and Texas history through the lens of the life of the greatest Texas hero of them all” showing that Martin as well as Campbell seemed to be very fascinated by the heroism of Sam Houston (The Journal of Southern History, 60, November 1994, 796).
When one thinks of the United States of America, they probably consider our history, our culture, our media, our impressive cities and the extremely wide variety of beautiful wildernesses that we are lucky enough to still enjoy. We are lucky enough to have a melting pot of cultures in this country, and many different kinds of people. However, when thinking of an original, all-American figure, cowboys come to mind for many people. Our history and the settlement of the U.S. was unlike any other country, and the development of the country in the more western states came with the unique and fascinating time period referred to now as “The Old West”. The Old West was a crucial time in American history, and though it was a simpler time it also came with its share of excitement. Some of the most memorable details about the Old West were the characters that came with it, and some extremely interesting ones were the least conforming- the outlaws. Jesse Woodson James was one of the most notorious outlaws in American history. His name would go down in history as one belonging to a tough as nails and fearless bank robber who led a group of outlaws across the mid-west robbing banks and trains, and even murdering people. When we look at the big picture of what the U.S. has become today, The Old West certainly has had a large impact on our culture, and Jesse James certainly had a large impact on the Old West. Though most would argue that he was not a decent or moral person, one cannot argue that he was still a very interesting and unique icon of the west. So how did Jesse Woodson James change and leave his mark on the United St...
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
The cowboys of the frontier have long captured the imagination of the American public. Americans, faced with the reality of an increasingly industrialized society, love the image of a man living out in the wilderness fending for himself against the dangers of the unknown. By the end of the 19th century there were few renegade Indians left in the country and the vast expanse of open land to the west of the Mississippi was rapidly filling with settlers.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.