Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dracula by Stoker essay
The gothic elements of dracula bram stoker
The gothic elements of dracula bram stoker
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dracula by Stoker essay
Importance of the Setting for Dracula
With castles, hidden streets, waterways, recurring rainy weather, interesting European architecture, and mystique, London is the perfect location for Bram Stoker's Dracula. London: The capital of Great Britain, and the center of attention in the nineteenth century, due to the many incidents that were going on at the time. The novel includes many daunting scenes, such as when Dracula heaves a sack withholding a deceased child before three female vampires. Stoker may have been influenced by London's numerous enticements; it is no surprise why he choose it to be the setting of his novel, London seems to be "exotic" and unknown. Stoker is obviously inspired by London's castles, hidden streets, and church yards. Because of all of these points, London is the perfect gothic setting for Stoker's Dracula.
London is recognized for its grand castles. Stoker may have been motivated to use these in his novel describing Dracula's estate in London, "Carfax" and also his castle in Transylvania. This is illustrated when Mr. Harker arrives at Dracula's home "up a great winding stair, and along another great passage great passage, on whose stone floor our steps rang heavily. At the end of this he threw open a heavy door, and I rejoiced to see within a well-lit room in which a table was spread for supper and whose mighty hearth a great fire of logs, freshly replenished, flamed and flared." (Stoker,13).
High small windows, arched ceilings and solid stone walls are also typical for the gothic architecture, these characteristics makes the building cold, dark and forbidding; for example, the text says about the castle in Transylvania that "The Count halted, putting ...
... middle of paper ...
...e empire, with all its important events. So Bram Stoker could not have selected a better gothic setting for his disturbing novel "Dracula."
Works cited:
-Wolffg., John. "Gothic" 2002. Online. 5-20-03 www.clc.edu/~wolffg/gateway/gothic.html
-Roumpou, Eleni. "Is Dracula a gothic novel?" 9-19-00. Online. 5-20-02. www.hausarbeiten.de/faecher/hausarbeit/anl/1106.html
-Jackson, Lee. "Victorian London-Architecture-Victorian Architecture" 2000. Online. 5-20-03 www.victorianlondon.org
-Halsall, Paul. "19th Century Britain" 1-30-99. Online. 5-21-03. www.fordham.edu/halsaall/mod/modsbook20.html
-Johnson, Jane. "19th Century London" 2001. Online. 5-21-03. www.Britannia.com
-Smith, Rebecca. "The Temperance Movement and class struggle in Victorian England" 1993. Online. 5-21-03. www.loyno.edu/~history/journal/1992-3/smith.html
This paper addresses the issue of portraying the main character, Ad Magic, using literary elements such as symbolism, contrast and imagery by Thom Jones, in his short story "A White Horse".
However, these thoughts are not always true all the time. Sometimes Hollywood makes films to show the audience the truth contained in the movie. In the movie “Girl, Interrupted,” the filmmakers have balanced the grim realism of the book with audience-pleasing elements of entertainment in order to make the film more comfortable. The graphic representation of mental illness makes audiences feel its realities, while the use of attractive actresses captures the attention of the audiences and makes it easier to relate to the story.
Because Dracula was harmed by holy items, it could mean that he was pure evil, which would be true in Stoker’s time. As a result, the main weapons the men had to fight against Dracula with was sacred matter; their struggle was like a fight was like a battle between the holy and satanic. The Count was invading London with the purpose of infecting humans with evil, similar to how religion was being criticized and scientific ideologies were ‘infecting’ citizens’ minds.... ... middle of paper ... ...
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Le Fanu uses gothic elements to intrigue and shock readers. This is clearly represented through vivid descriptions of isolated castles, abandoned churches, and mysterious woods. “… In the thick of the forest, overlooks the silent ruins of the town” (Le Faun Chapter I), “The castle is a ruin; the very village is deserted…” (Le Faun Chapter X). Le Faun uses this to create an eerie atmosphere. Through this, he manages to build suspense, forcing the readers to always be suspicious something is going to happen, but unable to determine how and when. This keeps the readers captivated. Similarly, by exploring the literature typified by ruin and mystery, Stoker explicitly exposes gothic tropes from Harker’s very first impression of the dilapidated castle. “The closed gates are of heavy old oak and iron, all eaten with rust” (Stoker Chapter II). As a result of this, Stoker is able to effectively convey the feelings of gloom, mystery and suspense. These are presented through the castle as it holds a lot of history, thus allowing Stoker to build up a haunting and ghostly atmosphere. This atmosphere is exaggerated through a sense of decaying which adds to the gothic convention in this context. “Hinges had fallen somewhat”, “wealth of dust’ and “dusty with age”, all indicating that the place is old, rusty and rather run-down (Stoker Chapter
Gothic literature has greatly influenced today’s horror and suspense genres. Edgar Allan Poe wrote many short stories, most of which were filled with dark elements and a deep awareness for the capacity for evil. The Fall of the House of Usher is a key example of gothic literature through the use of grotesque characters, bizarre situations, and violent events. All of these elements come together and express dark impulses and emotion.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
...gue of Vampirism. Stoker plays upon the irony of England, at this time one of, if not the largest, colonizing countries, being colonized, not by another country but by an intangible immigrant. Dracula’s intent is not of material wealth or power, but of controlling the people and using them as livestock. We can see this when Dracula tells Jonathan Harker that he “[has] come to know your great England, and to know her is to love her. I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is” (Stoker 19). Kane reaffirms this by contending that Dracula is an example of “invasion literature” acting upon the readers on England by playing with “a considerable variety of fears regarding the state of England and the English themselves” (9).
Bram Stoker’s “Dracula” was written the year after Stevenson released his book. Dracula follows Byron’s idea of being alluring and of magical ability, but differs in that he is unpleasant in ...
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
The Soviet Union’s collapse at the end of the Cold War left the United States without its major global rival. Now alone at the top, the United States’ strategic imperatives have shifted remarkably. The shift has been significant enough to prompt fundamental questions about the international order and whether this new “unipolar moment” will last. Indeed, since 1989, political scientists have clamored to define the United States’ status relative to the rest of the world. Indispensable nation? Sole super...
The term ‘Gothic’ is highly amorphous and open to diverse interpretations; it is suggestive of an uncanny atmosphere of wilderness gloom and horror based on the supernatural. The weird and eerie atmosphere of the Gothic fiction was derived from the Gothic architecture: castles, cathedrals, forts and monasteries with labyrinths of dark corridors, cellars and tunnels which evoked the feelings of horror, wildness, suspense and gloom.
on the difference between America and Europe's worldview's, and the historical reasoning behind the readjusting of the power balance between Europe and America. This includes analysing the affect of the Second World War and the Cold War which has lead to America's power being described as a Hyperpuissance' a term coined by the French Foreign Minister Hubert Védrine, to describe the power of America, which transcended that of a Super Power' (Kagan 2003 p.43).