Privacy for balcony, garden and terrace
The outdoor season begins in the spring: the balcony, garden and the terrace are the haunt and another room in the open. To be exposed in the sunny spot not the views of neighbors and passers-by, a screening is essential.
He should serve not only as a privacy screen, but can be used at the same time as wind protection, Sun protection, room dividers and even decoration.
What kind of privacy makes the most sense, depends of course of the desired function and, how are balcony, garden or terrace. The vision protection element should indeed protect views and create intimacy, but not overly restrict the views of nature or the City events.
Privacy, wind protection, Sun protection, and so on are available depending
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The room dividers decorated with patterns wallpapers, which are protected behind glass, so the screen sometimes withstand a rain shower.
On the rooftop, no plants or cloth, often range to shield the wind, which are up slightly more whistles. The fence of branches tied together is a suitable wind and also privacy. Together with the wooden floorboards and a casual furnished lounge area, terrace retains its natural Bohemian flair.
If you feel observed on the balcony of not only people, but also neighbors, creates a private seating area with a plant construction that protects from curious glances from the same height. Combined with a colorful fence bring the hedge garden feeling on the urban balcony.
A high stone wall makes it possible perfect vision and wind protection. This is only recommended if this no views will be lost. Less repellent acts the stone wall, if you grow tall plants or small trees. Bamboo is a plant that grows very tall and radiates a sensual Zen-like atmosphere.
The wooden slats of the high garden fence intimacy in the corner of the garden and can be still openly work the privacy. The natural Douglas fir wood is weather resistant without chemical protection for many
...lling device, which was opened up usually in the summertime, the ceiling however was covered in fabric from wall to wall.
...t in outlook. By using such an evocative word as “seductive”, Tsukiyama appeals to the readers’ emotions and convinces them that the garden’s beauty was able to distract Stephen from the initial loneliness of his situation.
It is also the result of the belief of the architect that the building should not oppose the environment. By constructing the same material in a more environmentally efficient way, the building is light in appearance but it doesn’t in functionality. The titles of some books on this architect who lead a new Australian domus in the form of a long and narrow, light-weight, roof work, comparable in its sheltering function to the bower of a tree or, in more morphological terms, to the turned up collar of an overcoat that shelters from the wind while subtly opening its front towards the sun , reveal the stubbornly prudent aesthetics of lightness: Leaves of Iron , Touch this Earth Lightly , Feathers of Metal
First, Cancun has gorgeous hotels. The architecture of one representative hotel is fabulous. Walking into the entrance of the hotel is like walking through a breezeway because there are no doors. Upon entering, the visitor is mesmerized by the colossal tropical floral arrangement that’s so stunning and full of vibrant color that her mouth drops in awe. Soon, she realizes, after the initial shock, that she is walking on marble floors that look like mirrors reflecting rays of dancing light. Indoor waterfalls accompanied with lavish foliage engulf her; every sense is stimulated. Happily greeted and escorted to her hotel room, she is delighted to see that the hotel’s beauty continues throughout every part of it. Posh describes the room exactly. The bathroom floors, counters, and the shower walls are polished stone, native to Mexico. Surprised, she looks over the balcony to see the S-shaped pool with a floating bar and the bar’s roof covered in bamboo. Walking through the hotel lobby, through the fresh gardens, through the pathway to the pool are picture-perfect peacocks flaunting their beauty, and, indeed, they are very beautiful. Every minute detail of the Grand Hotel is designed to give her an unf...
Perhaps the vast array of seasons and weather patterns hold the town to a unique appeal. In the fall, the crisp and cool breeze wafts through the fallen leaves, blanketing the lawns and streets in a warm, orange hue. In the winter, icy gusts chill the terrain, followed by the gentle fall of snowflakes. With time, the town is coated in
The chickee house is made with cypress logs and palmetto palms that are intertwine together by vines or thin ropes. However, the chickee does not consist of any walls because living in the tropical, walls are not necessary. The chickee homes has large diameter posts to support the roofing with a flat wooden platform that is raised three to four inches above the ground (“Chickee”). However, if there was to be storm the occupants will use a tarps made of hide or cloth to cover the chickee mount or frame to keep themselves dry (“Chickee”). However, today the chickees are made in a matter of hours with the thanks of technology; also chickees are now used by entrepreneurs for profit ("Seminole Tribe of Florida - Culture,
Merchant elaborates on the extent of managing exotic gardens inside buildings particularly the mall to recreate a heavenly atmosphere. She considers the work that goes into maintaining these gardens to keep them pristine, from the expensive water works and pesticides utilized to keep the unclean and destructive nuisances from diminishing the aim for perfection in a desirable atmosphere (p.5). These gardens produce the atmosphere to make people happy and content. The greenery provides the feeling of being outdoors while truly being completely inside. She indicates mall landscaping is inspired by surrounding environments that are
Throughout the play the reader sees how 'fences' are used to protect the characters mentioned. Early on, Rose protects herself by singing, 'Jesus, be a fence all around me every day. Jesus, I want you to protect me as I travel on my way' (Wilson 21). By Rose signing this song, one can see Rose's desire for protection. To Rose, a fence is a symbol of her love. Her longing for a fence signifies that Rose represents love and nurturing within a safe environment. However Troy and Cory think the fence is a burden and reluctantly work on finishing Rose's project. Bono indicates to Troy that Rose wants the fence built to protect her loved ones as he says, 'Some people build fences to keep people out' and other people build fences to keep people in. Rose wants to hold on to you all. She loves you? (61). While reminiscing about the 'project', Bono asks Troy why he 'got to go and get some hard wood' (60) as he says, "Nigger, why you got to go and get some hard wood? You ain't doing nothing but building a little old fence. Get you some soft pine wood. That's all you need" (60). Troy choosing to use hard wood instead of soft pine wood shows the reader that Troy wants hard wood to protect him harder from Death and all of his problems. Although each character in the play interprets the concept of a fence differently, they all see it as some form of protection.
...of the house as a result towards the unconventional design. Nevertheless, in the landscape point of view, this residence is surrounding by the trees and it creates a complete sense of privacy around the suburban site (Gehry 1979,73).
As the first rays of the sun peak over the horizon, penetrating the dark, soft light illuminates the mist rising up from the ground, forming an eerie, almost surreal landscape. The ground sparkles, wet with dew, and while walking from the truck to the barn, my riding boots soak it in. The crickets still chirp, only slower now. They know that daytime fast approaches. Sounds, the soft rustling of hooves, a snort, and from far down the aisle a sharp whinny that begs for breakfast, inform me that the crickets are not the only ones preparing for the day.
Bring, Mitchell, and Wayembergh, Josse. Japanese Gardens—Design and Meaning. McGraw-Hill series in Landscape and Landscape Architecture. McGraw-Hill, 1981.
The poem itself is a technique Robert Frost uses to convey his ideas. Behind the literal representation of building walls, there is a deeper metaphoric meaning, which reflects people's attitudes towards others. It reflects the social barriers people build, to provide a sense of personal security and comfort, in the belief that barriers are a source of protection which will make people less vulnerable to their fears. Robert Frost's ideas are communicated strongly through the perspective of the narrator in the poem, the 'I' voice, who questions the need for barriers. The use of conversation and the thoughts of the narrator reflect the poet's own thoughts. In line thirty to line thirty-five, the narrator questions the purpose of a wall. He has an open disposition and does not understand the need to 'wall in' or 'wall out' anything or anyone.
fence or a locked door, but as distinct and scary as the high walls, thick bars
Wall" appears on the surface to be simple and plain. However, a closer study will reveal
Then this isolation is accentuated because of the weather, it is raining. The rain is part responsible for the fact that they have to stay in their room. Nevertheless, the rain has a symbolic meaning together with the description of the public garden. It represents as suggests the critic