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Current theoretical approaches to creativity and creative learning in early childhood
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Creative arts in early childhood is active play in the areas of drama, movement, dance, visual arts and music. When using different art forms with the children we see that the possibilities of for them to use their imagination is endless. When a child is taking part in creative arts there is two types of processes they experience, first stage can be described as ‘incubation’. During this process the children are gathering ideas in their minds and holding onto them. This is the child becoming aware that they want to create something. However, this process can take a long time to develop as children form new ideas in their heads from what they see in the world around them. The second stage begins when the child is comfortable with their
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This art form allows children to create clear links between their real world and their imagination. By using this art form children can reflect, organise and express their real-life experiences, thoughts and feelings in a physical form. The visual arts come in many forms such as, painting, drawing, photography, light and many more. Art helps children communicate with other people and it shows what their understanding if the world is. It also helps to develop their cognitive, emotional, social and sensory skills (Anon., 2013). A child portraying a picture can help express what they are feeling or thinking. Children who don’t have language or have speech delay can often communicate with imagery, drawings and much more. This is a way that gives them a voice. Adults play a huge role in visual arts for children. It is important that we supply the children with the materials and accessories that they need. As practitioners we should also create an environment for the children that allows them to use creative arts and develop their …show more content…
It highlights how children learn and develop, and how relationships and working together have a huge impact on their learning (NCCA, 2014). Aistear has many links with the workshops that I have completed with the children and they connect with the principles and themes within aistear. In Aistear it has four main themes which are, well-being, communication, exploring and thinking and identity and belonging.
In these themes, aistear emphasises the importance of play. By participating in the workshops, the children have learned to become confident which affects their well-being. The children have expressed themselves creatively through the arts and through play. By allowing them the freedom, the children have developed a sense of who they are, and they have created their individual identity. By doing the workshop on the doctor drama we talked about our hands and the different bones in it. This made the children appreciate their unique features and made them realise that everyone is different. Throughout the workshops they were able to show an awareness of their own abilities and strengths and work together and help each other. During both workshops they communicated with each other verbally and non-verbally. They used facial expressions, a range of vocabulary and body movements. While reflecting on the workshops the children were able to share their feelings and thoughts with
Do you ever just sit back and wonder how many images run through your brain everyday and thinking back on that how many of those were images from our society’s pop culture? With our ever growing technology and media of our society, children are constantly being exposed to visual stimuli. Paul Duncum, a professor of art education, studies how these stimuli not only affect our students and children but also how we can incorporate them into the art classroom in an effective way. In this paper I will illustrate to you the life and work of Paul Duncum. I will be talking about Duncum’s contributions to art education, his teaching philosophy, and how I can use his beliefs and teachings in my future as an art educator but first I would like to give you some background on Paul Duncum.
Early Childhood is marked by a time in children’s lives when they develop “a confident self-image, more effective control over their emotions, new social skills, the foundations of morality, and a clear sense of themselves as boy or girl” (Berk, Kauffman & Landrum, 2011, pg. 45). According to Erik Erikson, early childhood is a period of “vigorous unfolding,” one where children have a sense of autonomy and a new sense of purposefulness or initiative (Berk, Kauffman & Landrum, 2011, pg. 45). Play is a means for children to learn about themselves and they begin to adopt the moral and gender-role standards of the society in which they live (Berk, Kauffman & Landrum, 2011). A negative outcome of early childhood is the guilt children feel as a result of excessive punishment and criticism by the adults in their lives (Berk, Kauffman & Landrum, 2011)....
A child’s development and learning commences from the earliest days of their lives. The unique identity of each individual stems from the relationships with people who provide love, care and emotional support. These relationships can be within the home environment, school playground or with extended family members and friends. Children respond to stimuli which in turn form the ‘internal working model’ (K101, Unit 5). This can be described as how we view ourselves and others within society; it influences what we expect and how we respond to situations.
More specifically, imaginative play is very important during this stage of development because it serves as a means of understanding the world. For example, imaginative play allows the child to comment and try to understand reality via an imaginary world that the child can control and manipulate. This in turn, allows the child to express their feelings in a pretend scenario without receiving the same responses if expressed in reality. As a result, this assists the child in the understanding of emotions and perspective thinking because during imaginative play, the child expresses strong emotions and must empathize with each other’s ideas and feeling (Davies,
The article uses photographs as a way to bounce information between the child and the researcher. This is a good example of children using meaning-making and narrative to make “sense of the world and of experiences” (Wright, 2012, p. 18).This allows the adult to see “through the eyes of the child” (Wright, 2012, p. 18). This helps the adult gain information about what is engaging and challenging about the children’s learning environments from the child (Smith, Duncan, & Marshall, 2005) to then make a difference in the children lives to make it more engaging and challenging. This is also seen in Childhood studies where children are seen as rights holders. Children need to have the opportunity to express their opinion and voice their thoughts on any subject/experience that interests or provokes them. It’s the role of the adult to be able to understand what the child is saying and advocate for them. The documentation approach is making the children’s learning visible (Clark & Kinney, 2006). It’s seen in the article where the children’s learning is visible through photos and through their interpretations of those photos. At the core of the documentation approach is the belief that “children should be at the centre of decisions about their learning and development” (Clark & Kinney, 2006, p. 4). This approach allows children’s voices, views and understanding (Clark & Kinney, 2006, p. 4) to be heard helping adults to better understand the children to help make the right change/difference in the children’s lives. The Mosaic approach is about enabling children to “explore their perspectives” (Clark & Kinney, 2006, p. 9). This approach embraces children as social actors who are social beings in a social world who’s “interaction[s] make a difference”
One of the children (George) created a map, that did not look like a physical representation of the children outdoor area, when his partner asked what he was drawing he explained he was using his imagination. The ‘water represents the big children’s playground, our area is the island, the dotted line is where we have to find the word treasure, that’s hidden under the X!’ George’s partner Pedro looked puzzled and asked me why he was doing it wrong. I explained that George was not doing it wrong, it is his interpretation of his outdoor area, and this is how he imagines it. This allowed me to be reflexive and flexible as a researcher, and to ensure at all times the child’s voice was being heard, and that I was not shaping the research to the outcome I wanted. I also thought this was a lovely example of children’s imagination. The child’s outdoor area can represent a number of things to them as expressed through George map. As adults we will never think how children do, or how we once did (Christensen, 2004). Child lead learning and child participation is increasingly being valued, as reflected in the literature. The map-making activity was a superb way to extend the pupils critical thinking, contributing to their communication and language development. Examples from my observation reflect the impact the
One of the most successful and influential early childhood educational strategies that have been used to promote children’s social and cognitive development is scaffolding. Scaffolding generally refers to the process through which adults facilitate children’s learning by enabling them achieve a level of ability beyond the child’s capacity at the time (Scarlett, 2005). This essay will discuss how scaffolding facilitates and supports meaning making in children’s play. First, the essay will briefly introduce the concept of scaffolding and its importance in children’s development. The essay will then explore various early childhood educational theories that support or acknowledge the role played by scaffolding, the view of children as learners capable of constructing meaning and the importance of teacher presence in a play based curriculum. The essay will examine scaffolding through the theoretical lens of the philosophy of Reggio Emilia, the constructivist theories of Lev Vygotsky and Jean Piaget and Howard Gardner’s Theory of Multiple Intelligences. The essay will argue that all examined theories support the role of scaffolding in facilitating and supporting meaning making in children’s play and emphasize the importance of teacher presence in all areas of the curriculum, especially in a play based curriculum.
In this assessment I will be talking about the principles and philosophy of Frobel and Montessori, what they have in common and differences, there contributions to Siolta and my own thoughts in relation to early childhood education and their impact on the learning environment
The first experience (appendix 1) the practitioner was working with a group of children, the activity was reading a story from a book to which a discussion is formed. The aim of this activity was to promote the children’s thinking development. This type of thinking is from Matthew Lipman (1993) who uses a philosophical approach, it is known ‘stories of thinking,’ this can help to a...
Aistear is the Irish word for journey and is Ireland’s Curriculum framework for early childhood. It received this name as childhood is seen as the beginning of a lifelong learning journey (NCCA, 2009). Aistear recognises that early childhood forms the basis for future success; but emphasises that early childhood is a time of being rather than becoming. This framework allows for an emergent curriculum to emerge that is both challenging and enjoyable so that children can be “competent and confident learners within loving relationships with others” (NCCA, 2009, p.6). The Aistear approach is based upon a set of twelve principles which are divided into the following three groups; “children and their lives in early childhood”, “children’s connections with others”...
A child’s drawing can tell so much about what they are thinking and feeling about their surroundings. They see things differently from adults and teens because when they are drawing or doing some sort of art they are not told that it is a “bad picture” or what ever they are doing is “not right.” They don’t have a limit upon their thoughts and ideas, but when they grow up, they do. Starting from the first day of school, they are taught about the wrong things and the right things. As we grow older there are more classes that have right and wrong answers to a question like, for example, math.
This Essay will discuss and identify how Aistear’s four themes- well being, identity & belonging, communication and exploring & thinking- are represented in the Montessori and High/Scope pedagogical methods.
Creative activities help to form relationships with young people, as an intervention for young people. It is through relationship building that a social care worker performs the many tasks of care, teaching, learning, dealing with challenging behavior, managing stress. For the social care student, creative arts provides opportunities for self awareness since they have to express themselves in new and often challenging ways (Lyon 1998). For the purpose of this essay, we would be reflecting on the role of creativity and arts in the following areas; Music, Dance, Literature, Visual arts, Two And Three Dimensional Representations, Imaginative play and drama. The followings areas discussed are not primarily referring to the young adult or kids alone, the elderly ones in care homes to benefit from such
It shows how a child can have an outcome of social problems. Social problems from school can have an effect on their academic achievement such as skills and their work such as homework. In the article, “US schools can achieve more by doing less”, Lawrence Barnes explains, “The initiative, of an extended school day more homework, increased technology, and vigorous standardized testing, in vague for decades, have done little to enhance achievement, promote positive attitudes, or foster good citizenship” (Barnes, 2012).School is supposed to help you find self-discovery, but instead you are not finding different aspects of yourself. An example of symbolic interaction in school is homework. Homework is assign school that is required to do at home. Homework is use for improving academic ability. It’s helpful for a students as an individual to find out his/her strengths and weakness. But instead, school plans to give students too much homework and makes them forget or just not doing
Creative Arts in early childhood education refers to children’s participation in a variety of activities that engage their minds, bodies and senses (Sinclair, Jeanneret & O’Toole, 2012; Kearns, 2017); to inspire all children with the opportunity for creative and imaginative expression. Duffy (2006) and Sinclair et al. (2012) state that creativity is the process where children use their imagination to problem solve, develop new ideas, independence and flexibility to accomplish tasks. Furthermore, when educators foster creativity, they are assisting children in making meaning through play and developing their growing capacity to communicate, collaborate and think critically to meet the demands of life in the 21st century (Duffy, 2006; Korn-Bursztyn, 2012; Sinclair et al., 2012).