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Explain the nature of the characters of the tempest
Imagery in the tempest
The significance of journeys in literature
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The imagination was used to create an alternative fictitious world in Shakespeare's play `The Tempest'. The imaginative journeys unraveled the mysteries of this imagined world but what really matters is the path of the journey not the destination. The journey ended with the opposite of what it began with, reality, and abandoning magic. The significant component of the play is the transition from illusion to reality, magic to veracity. The Tempest's imaginative journey can be divided up into sub-journeys, each with their own path and arrival.
The first sub journey is evident to both the characters and the audience. Prospero creates a magic storm that disrupts the order of the real world. It creates chaos on the ship and shows nature at it's extremes. The natural order and rank on the ship is disrupted, the boatswain command the noble rank to move out of the way and the noble rank now obey orders for a change, the boatswain order Alonso to "keep below... keep your cabins, do not assist the storm... silence." The unnatural strength of the storm reverses the roles and ranks of the people onboard. The extreme event brings out the extreme personality traits in the characters. Gonzalo's good nature is clear from the beginning when he accepts his fate and begins to pray. Antonio's and Sebastian's rude, abusive behavior is evident when they insult the people who are trying to save their lives by calling them "blasphemous, incharitable dog's." The imaginative journey for the audience is to imagine the intensity of the storm and the mayhem caused by it. They picture the extremes of nature and the disorder in natural ranks. The nature of the storm is then revealed to the audience by Propero, the audience immediately sees who is controlling...
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...f Oz the arrival is the same as the beginning but the journey taught her that home is where she wants to be. The other characters; Lion, Tin Man and Scarecrow; reach their destination, the Wizard of Oz, and realize that during their journey they acquired the object they were missing. For example Lion begins the journey wanting courage, he believes that by reaching the Wizard of Oz he will be given courage. But on the way he stands up for the group and learns to be courageous and brave through his experiences in the journey. The destination didn't matter because the journey gave him what he wanted.
In conclusion, the journey not the arrival matters because many journeys can have the same destination but the occurrence during a journey are unique. The things gained and experience are what matters, not where the journey leads to especially in imaginative journeys.
Both texts present varying ideas of journeys, as characters in both texts come to realisations about their true natures, reflect on their past choices and gain a deeper understanding into personal relationships. In both texts characters come to realisations in their journeys that create a deep understanding of many aspects of their
These timeless tales relate a message that readers throughout the ages can understand and relate to. While each of these tales is not exactly alike, they do share a common core of events. Some event and or character flaw necessitates a journey of some kind, whether it is an actual physical journey or a metaphorical one. The hardships and obstacles encountered on said journey lead to spiritual growth and build character. Rarely does a person find himself unchanged once the journey is over.
In the written text, Shakespeare emphasis's the hidden reality through the use of dramatic techniques of imagery and symbolism. There is a constant use of light and dark imagery which is used by the protagonist , MAC...
That journey means that every day is a new change or a new transformation of who she is, and where she is going. She also highlights the idea throughout the text that the journey is one that everyone must take in order to discover themselves. Thus, the essay or story is about self discovery at its most basic. Understanding this allows the reader to see the importance of curiosity, of asking questions, and of heading into the unknown without questioning the journey
Almost every story includes a physical journey, but how that effects the characters and the overall plot is what makes each story unique. Toni Morrison, the author of "Home", creates a nonstop, optimistic, and heartwarming journey for the characters in her book. Once the long journey is over, an unexpected home is found.
The Tempest, it is clear, features an experiment by Prospero. He has not brought the Europeans to the vicinity of the island, but when they do come close to it, he has, through the power of illusion, lured them into his very special realm. The experiment first of all breaks up their social solidarity, for they land in different groups: Ferdinand by himself, the court group, Stephano and Trinculo by themselves, and the sailors remain asleep. The magic leads them by separate paths until they all meet in the circle drawn by Prospero in front of his cave. There he removes the spell of the illusions; the human family recognizes each other, and together they resolve to return to Italy, leaving behind the powers of the magic associated with the island.
Shakespeare, William. The Tempest. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
11 Dec. 2011. The "Othello". Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht.
Davidson, Frank. "The Tempest: An Interpretation." In The Tempest: A Casebook. Ed. D.J. Palmer. London: Macmillan & Co. Ltd., 1968. 225.
Knight,G.Wilson. “The Shakespearean Superman: An essay on The Tempest.” The Crown of life: Essays in Interpretation of Shakespeare’s Final Plays. Oxford: Oxford University Press, 1947. 203-255
In Shakespeare’s The Tempest, the background characters hold great importance in the overall plot of the play. Characters such Sycorax establishes the setting of the play, providing the readers with background knowledge leading up to the play. Sycorax, in many ways, serves as a mirror image to Prospero. However, as Frey and Skura suggests in their literatures, The Tempest reflects much about the events happening in the real world (Frey, Skura). The life of Sycorax is a representation of what’s happening in the Old World as well as the New World.
Shakespeare, William. The Tempest. The Norton Shakespeare: Based on the Oxford Edition. Ed. Stephen Greenblatt, Walter Cohen, Jean E. Howard and Katharine Eisaman Maus. New York: W.W. Norton and Company, 1997. 3055-3107.
Illusion and Reality in Shakespeare's The Tempest. This essay will discuss the part that illusion and reality play in developing and illuminating the theme of Shakespeare's The Tempest. This pair of opposites will be contrasted to show what they represent in the context of the play. Further, the characters associated with these terms, and how the association becomes meaningful in the play, will be discussed.
The Tempest. Arden Shakespeare, 1997. Print. Third Series Smith, Hallet Darius. Twentieth Century Interpretations of The Tempest; A Collection of Critical Essays, Englewood Cliffs, NJ: Prentice-Hall, 1969.
Shakespeare, William, and Robert Woodrow Langbaum. The Tempest: With New and Updated Critical Essays and A Revised Bibliography. New York, NY, USA: Signet Classic, 1998. Print.