There is something supernatural going on through this ice cold snow town. In the story Grey Matter by Stephen King it starts off in a little convenience store called the Nite-Owl in the middle of a blizzard. The owner, Henry, is talking to his friends when a young man bursts into the store absolutely terrified, and it turns out his father is turning into a giant slug monster, from drinking some bad beer, Henry and the other two go to check on Richie, the boy’s father, with the intent of ending a terrible, human killing and eating monster that became of Richie, with a pistol in hand of Henry. The elements in this book are gloomy decaying setting, heroes, supernatural beings, and a damsel in distress. But how this all connects is the biggest, …show more content…
and scariest thing. In the book the way gloomy decaying setting is put into it is not through immediate imagery, but explanation and foreshadowing.
The explanation starts when the three men leave to bring beer to Richie, which is why his son, Timmy ran to the shop in the first place, though it was more to get help for his dad. It starts with Henry telling them that he wanted them to know just what was happening, fear on his face. The explanation was that Richie had some bad beer months back in October, which by this time it was mid winter, January or February. They were walking through the snow storm while talking and took their time going from the shop to Richie’s apartment. Richie had quickly fallen to do less work, just sitting in his chair watching tv, soon growing to hate the sunlight and covering the shades so he wouldn’t be blinded by it. By the time they were halfway there it turned into the point that grey goo, whatever it was, was seeping out of Richie, or more over covering him. It soon turned to broken light bulbs, boarded up windows, and a terrible smell, like fermented apples mixed with rotting bodies, all in a practically abandoned apartment building that was quickly becoming run down, and the two missing girls who disappeared one day in the winter. This all became true when the three men stepped inside to check the building out, planks nailed to windows blocking out light, lights broken and switches failed to turn it on, and the smell just as bad, and getting worse when they went to the basement to see Richie, or whatever was in his place. But there was Henry, and he was more than prepared to be the
hero. The hero of the story is Henry. He is the hero for taking Timmy into the back room to help him, telling the two other men the story of what was happening to Richie, and for grabbing the gun at the beginning to kill whatever Richie had become. The Henry had at the beginning of the book pulled Timmy into one of the back rooms of his shop to take care of him and make sure that he was alright. He told the two other men the story of what happened to Richie so they knew exactly what happened and made sure they were prepared to see what had become of Richie. He is heroic for grabbing the gun in the beginning and was ready to do what he had to no matter what, inevitably shooting three bullets after the other two had left, and that was it. Silence after the gunshots and no one knew what had happened to him by that slimy supernatural beast. The supernatural being in this book is Richie, or rather what he becomes. Richie was explained in the late beginning of the book to be a nice old drunk with a job he liked to get out of on a normal occasion. One day in October he had bought a case of beer and opened a can, though inside was a grey goo like substance rather than alcohol. Over the period of the story Henry was telling, Richie slowly got worse and worse, though drinking beer like always. He quickly began to lock himself up in his apartment and soon enough the grey matter took him over, he had a hatred to light, drank beer warm, ate small animals and soon enough teenagers, and soon enough just ended up becoming part of it, becoming a giant slug like monster and multiplying. All of this was too hard to watch for his son Timmy, who needed more help than anything to save his dad from what he became. Timmy is the damsel of the story. He is needing to get help from Henry and the others for what his father became of through this story. Timmy had gone nearly running to the store to buy alcohol for his dad, though really to get help for him since he had become that monster. Timmy had gone running to the store and soon enough had been in tears and grey matter covered money in hand having to explain though heavy breath and watery eyes what had happened to his father. After he had explained to the best of his ability, he had been offered to be taken care of by Henry's wife in their apartment while Henry and the others take Richie his beer. This all ties up into one book. The elements of gothic lit in grey matter are Gloomy settings, Heroes, Supernatural beings, and a Damsel in distress. This is all represented in the story told and how everyone in it acts or talks. The question though is how alcohol can change a person, for good or bad.
Would you let a man with scissors for hands in your, that you found in a dark evil-looking castle? I know I wouldn’t, but a mom named Peg would. Peg, who is very empathetic, decides to go sell Avon to the evil mansion across the street, but then finds a boy with scissors for hands and decides to take him home. Edward seems to be doing fine in the community, but is soon seen as a monster because he is framed by a bully name Jim. The movie is Edward, the protagonist, trying to recuperate his innocence and he won’t stop until he does. Throughout the movie, director Tim Burton used the stylistic elements of juxtaposition and symbolism to show the character’s personalities and to show how some places in the story are opposites.
While Snow Falling on Cedars has a well-rounded cast of characters, demands strong emotional reactions, and radiates the importance of racial equality and fairness, it is not these elements alone that make this tale stand far out from other similar stories. It is through Guterson’s powerful and detailed imagery and settings that this story really comes to life. The words, the way he uses them to create amazing scenes and scenarios in this story, makes visualizing them an effortless and enjoyable task. Streets are given names and surroundings, buildings are given color and history, fields and trees are given height and depth, objects are given textures and smells, and even the weather is given a purpose in the...
In “Nightmare” from Out of the Dust, Billie Joe wakes up from a nightmare, trembling in fear from a nightmare about the dust storms and her inability to play the piano. The poem is filled with symbolism, used to build up anxiety and uncertainty, and for Hesse to elaborate on her thoughts. “Through a howling dust storm, my lowered face was scrubbed raw by dirt and wind” dramatically demonstrates a mood of panic and distress. As the suspense builds, Hesse uses imagery to exhibit uneasiness and describe the situation even further, “dust crept inside my ears, up my nose, down my throat.” Many instances of figures of speech are used, such as similes, personification, and metaphors. After trudging through the dust, not caring about anything but
Do you like creepy and somewhat scary stories? Well in the short story “Grey Matter” by Stephen King could actually be classified as a gothic lit. piece. The story would be a gothic lit piece because of the gloomy decaying setting, supernatural beings, heroes and intense emotions. The story has an example of gothic lit elements.
In the small, desolate town of Starkfield, Massachusetts, Ethan Frome lives a life of poverty. Not only does he live hopelessly, but “he was a prisoner for life” to the economy (Ammons 2). A young engineer from outside of town narrates the beginning of the story. He develops a curiosity towards Ethan Frome and the smash-up that he hears about in bits and pieces. Later, due to a terrible winter storm that caused the snow itself to seem like “a part of the thickening darkness, to be the winter night itself descending on us layer by layer” (Wharton 20), the narrator is forced to stay the night at Frome’s. As he enters the unfamiliar house, the story flashes back twenty-four years to Ethan Frome’s young life. Living out his life with Zenobia Frome, his hypochondriac of a wife whom he does not love, Ethan has nowhere to turn for a glance at happiness. But when Zenobia’s, or Zeena’s, young cousin, Mattie Silver, comes to care for her, Ethan falls in love with the young aid. Mattie is Ethan’s sole light in life and “she is in contrast to everything in Starkfield; her feelings bubble near the surface” (Bernard 2). All through the novella, the two young lovers hide their feelings towards each other. When they finally let out their true emotions to each other in the end, the consequence is an unforeseen one. Throughout Ethan Frome, Edith Wharton portrays a twisted fairy tale similar to the story of Snow White with the traditional characters, but without a happy ending to show that in a bleak and stark reality, the beautiful and enchanting maiden could become the witch.
Throughout the film, Stranger than Fiction, director, Marc Forster conveys idealistic concepts through the use of symbolism and imagery. Alluding to René Magritte's Son of Man, the green apple was a prevalent symbol in the film -- often being held or eaten by Harold Crick. It exemplified the idea that the beguiling sight of that which is hidden by what is visible was sought after by Harold. This motif is portrayed when Harold abruptly stopped everything in pursuit of determining how he would die after hearing the narrator express that a small act “ … would result in his imminent death” (Stranger than Fiction), therefore becoming enmeshed in his efforts to see what is hidden by what is visible. In doing so, Harold disregarded the miniscule feats that could potentially change his fate, and only focused on that which he had no control over. Forster
Use of Allusion and Symbolism in Edward Scissorhands Nothing just happens in film. Directors all make certain choices in production in order to invite a particular response from the audience. The film, Edward Scissorhands is based around the introduction of a social outcast into a community and his attempts at acceptance. Although at first he is accepted whole heartedly and somewhat smothered, he later learns that despite how human he is, he cannot co-exist in the same world due to his differences.
In the book Winter Dreams by F. Scott Fitzgerald, the main character, Dexter Green, chases unattainable ambitions of success, wealth, and the “ideal” woman. Throughout the book Dexter struggles with his ever changing, empty dreams. Although at first glance the reader might assume Dexter is solely trying to pursue the ideal woman, Judy Jones, a more in depth look reveals that through the attempt to obtain Judy’s affection, Dexter is trying to achieve the greater symbol she represents. Judy parallels a vast symbol of being born into privilege, affluence, and the embodiment of the “American Dream.” Through use of numerous troupes including foreshadowing, metaphors, and symbolism the narrator suggests to the reader that all of Dexter’s
In Cormac McCarthy's 2006 play, The Sunset Limited, McCarthy gives the reader very vague information about the setting and surroundings of the conversation that is occurring throughout the entire work. In the opening stage directions, an essential prop to the play is the "door [is] fitted with a bizarre collection of locks and bars" (3). The image of the locks is referenced a multitude of times within the duration of the play, as the two men, Black and White, sit at a table and debate the ways of the world. This conversation stems from Black saving White from committing suicide the previous morning and ineffectively tries to keep White from leaving to end his life. Throughout The Sunset Limited, the locks and bars of the door represent the overarching
“We are in a remote country house, toward evening, a cold blizzard rages.” [Cite] The short, simple, and beautifully written murder mystery play The Blizzard, written by David Ives, begins in a somewhat cliché state. Inside the secluded house in a forest, with the predictably unfavorable weather outside, and no access to technology primarily no external communications. The starting leads to a feeling of unremarkability, that soon the play may become another no name story that hardly leaves a dent in your memory. This dreary beginning in part fits into the themes of the play and in some ways better compliments the more creative middle and end. Ultimately, The Blizzard is a meta play primarily referential to murder mysteries on a whole rather
Julia Alvarez. “Snow”. Portable Literature: Reading, Reacting, Writing. Ed. Lauren G, Kirszner and Stephen R. Mandell. 8th ed. Boston, Wadsworth 2011. 75-76. Print
In "A Good Man is Hard to find" by Flannery O'Connor, one is struck by the unexpected violence at the end of the story. However, if the story is read a second time, reader can see definite signs of foreshadowing that hints to the ending of the story. Through O'Connor's technique of strong imagery to foreshadow the people and the events in the story is very compelling. There are two significant times that she uses this technique. They are the description of the grandmother's dress and the graveyard.
In the book Paper Towns written by John Green, a girl named Margo Roth Spiegelman changes Quentin Jacobsen’s life forever. The fictional book focuses on the main character Quentin Jacobsen, nicknamed Q, who lives across the street from Margo Roth Spiegelman. Margo is an adventurous, risk taker that wants to get the most out of life, opposite of Q. One night Margo opens Q’s window and takes him on an all night mission to take revenge on those who deserve it. Then next day Margo doesn’t go to school, doesn’t show up the next day, or the day after that. Margo has disappeared, and has left clues for Q to find her. The three topics addressed in the captivating novel are foreshadows, symbols, and tone.
This tale begins in medias res as the weather is turning and the snow is melting. From there, symbolism is used by saying “Cars slushed by on the street outside, where it was getting dark. But it was getting dark on the
In Washington Irving’s short story “Rip Van Winkle” the setting takes place in the beautiful Hudson River Valley overlooking the Catskills Mountains which the author attributes a fairy-like vista, equating it to a mystical view, this can be seen as a foreshadowing of the importance of the mountains and the supernatural event that will take place there. “Every change of season, every change of weather, indeed, every hour of the day, produces some change in the magical hues and shapes of these mountains…” (Irving 471-472). Irving describes the old village as one founded by the early Dutch colonists with quaint homes but amongst these he describes one that stands out for the wrong reasons. “In that same village, and in one of these very houses,