What are the possible functions that have been proposed for the Ife heads? The Ife head exudes naturalism, it is characterized for its large stature, as well as being the most elaborate finished part of a typical figural sculpture. Portrait like realism displays the importance of the head for the Yoruba culture of southwest Nigeria. “One of the fundamentals of this worldview is that the visible head (ori ode) is no more than an enclosure for the inner, spiritual head, called ore inu, which localized the ase that empowers the physical self.”(501) Essentially, the heads from Ife is associated with motions, emotions and earthly being, all necessary functions in basic existence. A free standing brass head, the Ife is believed to represent the Ooni, or ruler of the Yoruba. The Ife head represents power, it is the vessel of decisions and guide in seeking the Yoruba people …show more content…
“Because African approaches to portraiture often substituted idealism for realism, images of rulers carved within a particular stylistic tradition tended to look very much alike.” Perhaps the most prominent similarity is the attention to detail in the facial features, even in Nok portraiture, and understanding of basic structural layout is evident. Another contributing factor is the idealized beauty for that culture, each has different qualities they register as beautiful, thus placing increased emphasis on that attribute. The Ndop is representative of a particular king and recognizable by an item of significance placed in front of them, thus modeled of an individual and not a generalized portrait. The Ife represents Ooni, a significant ruler for the Yoruba people, essentially both are representative of
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
Information from the textbook and Hays’s article help illuminate the events depicted and their significance in culture and art of the New Kingdom, and how the style ties into the art of the time.
For members of the Ibo tribe, being submissive and respectful to your elders and culture is the only accepted way to live, yet the son of one of the greatest men in Umuofia seems to defy this ideal. Nwoye, the son of Okonkwo, one of the most majestic warriors and farmers in their small village, has never really been attracted to the manly nature and attitudes expected of him. Never being fond of blood and fighting and not wanting to participate in any of the hard work in the household has left Nwoye with a more feminine personality. Not only does he reject the ideas of the Ibo culture, he also accepts those of a white man and lives life like a Westerner. In Chinua Achebe's novel Things Fall Apart, Nwoye defies traditional Ibo values by emphasizing the importance of not killing Ikemefuna, highlighting the fact that it is acceptable to convert to Christianity, and not living up to be the manly hero his dad want him to be.
The Ancient Egyptian sculpture, “Statue of Nykara and His Family”, was sculpted during the late fifth dynasty. The sculpture is a depiction of Nykara, his wife, Nubkau, and son, Ankhma-Re. The statue is in poor condition with pieces of limestone missing and chips on the three subject’s faces and bodies. The painted limestone shows the conventional colors for the male and female subjects. There is a clear discoloration among Nykara and his son’s bodies. The brownish red color they once were has eroded to a light yellowish color, which resembles the purposeful color of Nykara’s wife. The hieroglyphs on Nykara’s seat insinuate that the sculpture is meant to be viewed from the front view. This is also evident by the way the three subjects are facing forward in frontal view. There are hieroglyphs on both the chair and base of the statue near Nykara’s wife and son’s feet.
Compare and contrast the imagery of the Egyptian Palette of Narmer with the Akkadian Stele of Naram-Sin. How do they represent their respective kings, as rulers and also as human figures? How are the other figures represented? How do the artists approach the narrative (storytelling) process?
I learned about many significant artwork and artists in this class. This class provided me with a better understanding of the history of the world of art, but also helped me understand the development of art styles. However, among all of these precious pieces of artwork, there are two special ones that caught my attention: The Chinese Qin Terracotta Warriors and The Haniwa. Each of them represents the artist’s stylistic characteristics and cultural context. Although they represented different art of rulers, historical values, and scenes, there were visible similarities.
The Warka Vase is a uniquely large piece that was laboriously built, and carefully decorated. The images on the Warka Vase are significant and have iconographic meanings unique to the Uruk people and the cult of Inana. The images reference common practices in cuneiform and iconography of the time and place the Warka Vase was made and can be cross compared with other pieces from the time to understand the symbolism of this brilliant piece of art. To understand who is in the images, what they are doing and how they relate to one another may bring unique insight to the practices of the cult of Inana.
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
Nigerian Ibo culture in the village of Umoufia. Like the Ibo, many other nations are strongly rooted to
The figures, both seated and standing are depicted according to traditional Egyptian conventions. Nebamun is painted as the largest figure in the painting because he is the most significant . He is standing in perfect balance with a youthful, well proportioned and defined body. The artist has painted Nebamun in a way that emphasises what the Egyptians believed to be the most important parts of a man’s body. Teeter expands upon this.
Another important aspect of the Narmer Palette are the carvings and what they symbolize. According to Dr. Amy Calvert, some have interpreted the battle scenes as a historical record of the initial unification of Egypt under one ruler, supported by the general timing, as this is the period of the unification, and the fact that Narmer sports the crown connected to Upper Egypt on one face of the palette and the crown of Lower Egypt on the other, this is the first preserved example where both crowns are used by the same ruler. Other theories suggest that, rather than an actual historical representation, these scenes were purely ceremonial and related to the concept of unification in general
Before the arrival of the Europeans, Achebe did a excellent job portraying how the life of Igbo was before they were forced to oppose their own culture. To support this theme, Achebe included detailed descriptions of social rituals within each family, the justice system, religious practices and consequences, preparation and indulgence of food, the marriage process and the distributing of power within the men. Achebe shows how every man has an opportunity to prove himself worthy to achieve a title on the highest level, based merely on his own efforts. One may argue that the novel was written with the main focus on the study of Okonkwo’s character and how he deteriorates, but without the theme that define the Igbo culture itself, we would never know the universe qualities of the society that shaped Okonkwo’s life. The lives of the Igbo people was no different to the actual lives of the Ibos people back in the early days of Africa. Just like in Things Fall Apart, in actual African tribes there was never a ruler. “Very interesting thing about these villages is that there is no single ruler or king that controls the population. Decisions are made by including almost everyone in the village” (AfricaGuide). Using the theme, Achebe educated readers on by mirroring real African life in her
middle of paper ... ... In a conversation with Olunde, Jane confesses her confusion of the Yoruba culture, “It has to be more than that. I feel it has to do with the many things we don’t really grasp about your people. . . ” (38).
Yoruba is one of many tribes located in Africa and is one of the largest ethno- linguistic groups. Majority of the native people of Yoruba are a part of Southwestern Nigeria and Benin. However, a great percentage of Yoruba is populated by modern day Nigeria. Moreover, the Yoruba culture was an oral tradition, and majority of the people were native speakers of the Yoruba language. The native name of the Yoruba language is ‘Ede Yoruba’. The language originated through the Yoruba people because they were believed to be descendants of Oduduwa. Oduduwa, was the son of a powerful God named Oludumare. And the Yoruba people referred to themselves as ‘Omo Oduduwa’ meaning Oduduwa’s children. The Yoruba language is the pride of the Yoruba people and over 22 million people speak it. The Yoruba language had been spoken within other languages in neighboring countries such as Benin and Togo. Other traces of the Yoruba language has been spoken in Sierra Leone, where it’s referred to as “Oku” and Cuba known as “Nago”.