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Recommended: Approaches to genre
Can a medium be a genre? If we casually substitute genre for more general synonyms like category, class, or group, then the answer is “yes,” as demonstrated by the information architecture of online super-retailers like Amazon.com. Amazon subdivides its massive inventory first by medium, like “Books” or “Movies,” before incrementally working toward a finer degree of granularity. Taking books as our example medium, we can navigate by sub-genres to find a title in Books > Science Fiction & Fantasy > Science Fiction > Adventure. But this understanding of genre-as-synonym largely ignores the more formal identification process performed within the established field of genre studies. Frow (2005) provides several structural dimensions to use when identifying genre, which include considerations of formal features, thematic structure and content, physical setting, and situation of address. For longer-established genres, like the sci-fi adventure book, say, we could easily recognize several of these dimensions and codify common elements together into a genre. However, do these dimensions provide the same ease of identification for emerging classifications of digital media, like the viral video?
Popular misconceptions, especially online, are often quick to describe any collection of related artifacts as a “genre,” and the discourse of Internet phenomena appears to be no different. As articlecity.com contributor John Heritage attempts to explain:
Viral video is hard to define, but it is quickly becoming its own genre. I had a college professor once, in an attempt to define poetry, say this: ‘Poetry is like pornography. It’s tough to define, but you know it when you see it.’ Substitute ‘Viral Video’ for ‘Poetry’ and you have a definition o...
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...ipt mentioned in Pierce, D. (Feb 9, 2010). Shock and awe: Viral news is good news. Wired.com. Retrieved February 9, 2010, from http://www.wired.com/epicenter/2010/02/shock-and-awe-viral-news-is-good-news/
Burgess, J. (2008). “All your Chocolate Rain are belong to us?' Viral video, YouTube and the dynamics of participatory culture. In G. Lovink and S. Niederer, (Eds.) Video vortex reader: Responses to YouTube. Institute of Network Cultures, Amsterdam, pp. 101-109.
Frow, J. (2005). Genre. London: Routledge (New Critical Idiom series).
Heritage, J. (2009). Viral video quickly becoming its own genre. Articlecity.com. Retrieved February 5, 2010, from http://www.articlecity.com/articles/humor/article_315.shtml
Jenkins, H. (2009, February 11). If it doesn’t spread, it’s dead. Message posted to http://www.henryjenkins.org/2009/02/if_it_doesnt_spread_its_dead_p.html
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
Genre is the French word for 'type'. Type is the kind of text it is.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
There were several new concepts that were introduced to me this semester including the topic of genre. I found out that it was more than a classificatory tool. According to Bawarshi and Reiff, genre has changed into “a shaper of texts, meanings, and social actions”. In other words, genres are used to change and influence social interactions and to produce meaning-
In assessing the impact and effect of popular cultural forms like MTV, it is important to acknowledge the extent to which, rather than having them imposed upon us, we may instead appropriate or assimilate parts, whilst choosing to reject or ignore the rest. This, of course, has the consumer or viewer acting (or perhaps more accurately interacting) as opposed to simply passively receiving (Philo par 16).Even though critics of MTV stand strongly against the passive consumer, th...
Friedman, L., Desser, D., Kozloff, S., Nichimson, M., & Prince, S. (2014). An introduction to film genres. New York, London: W.W. Norton & Company.
The issue of the relationship between the mass media and the popular culture has always been a controversial issue in social sciences. The political economists insist on the role of the media industry in the creation of this phenomenon of the twentieth century. Though, advocates such as John Fiske, argue that popular culture is actually the creation of the populous itself, and is independent of the capitalist production process of the communication sector. Basing his argument on the immense interpretive power of the people, Fiske believes that the audience is able to break all the indented meanings within a media message. He also believes- by giving new meanings to that specific message they can oppose the power block that is trying to impose its ideology to the public. Consequently, this anarchistic activity of the audience creates the popular culture as a defence mechanism. Even when we accept Fiske’s ideas, we can not disregard the manipulative power of the media and its effects on cultural and social life.
Genres are ways of providing films with the intended associations. It is a convention in which people can refer to initially grasp the notion of a film, “for the vast publicity system that exists around filmmaking, genres are a simple way to characterize film. In fact, reviewers are often central in gathering and crystallizing notions about genres.” (Bordwell & Thompson, 2004: 110).
Music videos began to rise in the 1980 's and ever since then have had a long lasting effect on both the music and television industries. One of music videos most groundbreaking successes was that of MTV, which had a monolithic appearance in the cable TV industry and in American culture. However, MTV as a channel is now that of a dying one. The music video industry continues to thrive due to the developments, expansions, and improvements in technology over the years. In this Post-Network Era, different methods of distribution, for example, YouTube, has allowed there to be a much growth in regards to music videos. Music videos are no longer made by just big television network corporations. They are also made by regular people that can get their
In applying genre theory, I will proceed to analyse how the television series, The Big Bang Theory falls into the situation comedy as a genre. Firstly an understanding of genre is needed before an analysis can begin. ‘Genre derives from the French word meaning type’ (Bignell 2008: 116). Broadly used in, literary and media, more recently linguistics, to referring to a distinctive type of 'text'. (Chandler 1997). The term ‘Can be defined as patterns/ forms/ styles/ structures which transcend individual art products, and which supervise both their construction by artists and their reading by audiences.’ (Ryall, 1975: 28). Genres allow us to organise material into smaller categories, identify the ‘artistic product we want’ (Creeber, 2008). Having begun with the Greek philosopher Aristotle when he began to outline different works in to categories the term is still in use today and, now in television genres are used to differentiate a number of diverse television shows from each other, distinguish the comparisons between them in the content, style, and format of the show. Genre in television has become a sign...
Both articles have different purposes yet tackle the same ideology, which is genre. It is understood from analysis of them that we are slowly loosening ties on what a genre is and becoming a much wider concept. We assume that success means cultural importance however they are not a decent representation of the quality of consumption. Through the articles it can be assumed that both authors are uncertain to the way in which Genre specifics are headed and demand for awareness and further accuracy and thought when it comes to creating more labels under genres.
... been changing in movies and television to adjust for everything feeling “familiar”. Horror-spoof flicks and action, romance, comedy movies have been made because sticking to one genre would now bore people and would result in them walking out or changing the channel. The only question left is what will happen once people are bored with genre mixing. In other words, when the “strange” becomes “familiar” what will satisfy people’s appetite for entertainment? Maybe the emergence of the perfect genre will take over the market by stealing the best parts of all music and combining it to please everyone. The Internet Age is both a blessing and a curse when it comes to music. A person is able to create masterpieces by using other people’s music and blending various genres but one must not forget the Internet is what has caused people to crave creativity in the first place.
All these factors; tastemakers, communities of participation, and unexpectedness brings to one big question, “What does this all mean?” The three factors are characteristics of a new kind of media and a new kind of culture where anyone has access and the audience defines the popularity. Even one of the famous star, Justin Bieber got his start on Youtube by sharing his artistic talent as a musician. No one has green-light the ideas from ones who share their opinion, talent, or creativity. Now our community feel some ownership in this shared pop culture. Also, these are not the characteristics of old media, and they are barely true of the media of today, but they will define the entertainment of the future.
...ely available and accessible from everywhere. New media has introduced innovative platforms and ways to consume media products, they have been embedded into our social context that we are unaware of the different ways we are constantly relying on technology. This leads us to call for more contemporary studies towards new media audiences for a more in-depth analysis and how they have merged the different contexts of media consumption.