Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
There is life after death essay
Is there life after death philosophy essay
There is life after death essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: There is life after death essay
In the illustration, Death’s Door, published first in 1805 as part of The Grave, William Blake is depicting the transition from this life into the afterlife. (Blake, 2008) Blake represents this transition as going through the door old, sick and feeble and coming out the other side as he was at his prime, a young muscular vibrant man. The illustration is a strong reflection of the Christian idea of life after death or. Blake depicts the move from this life to the next as one which will bring happiness and pleasure to those who pass through it. This illustration depicts death, as something to be welcomed, rather than feared when the time comes. The image represents a positive image of what death can be like and what one can have to look forward to in the afterlife.
In this paper I will use Death’s Door as one way to answer the question, should we have hope for an afterlife after death in this world? I will discuss how the artwork supports the idea of life after death in a positive way. I will then look at some potential problems with this view of life after death. Finally, I will look at whether this illustration supports the idea of life after death and is well supported or the arguments against it are better to be believed.
The illustration shows an answer to the philosophical question, is there life after death? Death, as portrayed in this art reflects death as the end of existence in this life, but shows it continuing in another. When man dies in this world, he proceeds to another world. The representation of death and moving through a door to the afterlife is a strongly influenced by the Christian idea of what one can expect in the afterlife, if they have lived a good life. To be rejuvenated in a more youthful fo...
... middle of paper ...
...ife would not be able to bask in the glory of God’s light as displayed by the rays of light surrounding the glorified figure.
Works Cited
Blake, W. (2008, February 25). ebooks@adelaide. Retrieved from Illustrations to The Grave (1805): http://ebooks.adelaide.edu.au/b/blake/william/grave/
Davis, S. .. (2010). Traditional Christian Belief in the Resurrection of the Body. In S. Brennan, & R. J. Stainton, Philosophy and Death Introductory Readings (pp. 77-98). Canada: Broadview Press.
Edwards, P. (2010). Existentialism and Death: A Survey of Some Confusions and Absurdities. In S. Brennan, & R. J. Stainton, Philosophy and Death Introductory Readings (pp. 3-37). Canada: Broadview Press.
Epicurus. (2010). Letter to Menoeceus and The Principle Dotrines. In S. Brennan, & R. J. Stainton, Philosophy of Death Introductory Readings (pp. 163-171). Canada: Broadview Press.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
William Cullen Bryant wrote a poem regarding the passing of people from this world into the afterlife which he called “Thanatopsis”. The word Thanatopsis is actually a Greek word meaning ‘meditation on or contemplation of death’. It is the opinion of some readers that this poem expresses a traditional religious view of afterlife in heaven where as others who read it see it as a process that only involves our rejoining with nature. Bryant made references to heaven, nature and spirits which contribute to the discussion on both sides of the argument. Poetry, just like every other form of art, is subject to interpretation. After taking a closer look at Thanatopsis it will be easier to see just why these people cannot seem to agree. Bryant made
At the most basic level of subconscious thought, every living animal possesses a desire to stay alive. Usually, this instinct lays dormant, although in dire situations, we can be led to do unexpected things. In addition to this subconscious drive, there is a socially constructed motivation for fearing death. Thanks to the pervasive nature of religion throughout history, much of humanity has, at some point or another, feared the prospect of eternal damnation and torture during one’s life after death. Although not every religion has a negative aspect of the afterlife, or even any semblance of an afterlife at all, those religions which do contain some such construct receive much more attention in this regard. Throughout history, many academics have countered people’s irrational fear of the unknown by noting that there is no definitive evidence to prove the existence of such a postmortem experience. According to Lucretius, this fundamental fear of death is completely speculative, and wholly illogical; he argues that we have no reason to fear death because there is nothing after death. What makes Lucretius’ argument so significant, is not how he counters religion, but how he bases it upon his own revision of atomism. It is because of this foundation of logical thought that Lucretius’ writing on the nature of death can still be thought of as a sound hypothesis.
Thomas Nagel begins his collection of essays with a most intriguing discussion about death. Death being one of the most obviously important subjects of contemplation, Nagel takes an interesting approach as he tries to define the truth as to whether death is, or is not, a harm for that individual. Nagel does a brilliant job in attacking this issue from all sides and viewpoints, and it only makes sense that he does it this way in order to make his own observations more credible.
classicmoviescripts/script/seventhseal.txt. Internet. 4 May 2004. Blackham, H. J. Six Existentialist Thinkers. New York: Harper, 1952. Choron, Jacques. Death and Western Thought. New York: Collier Books, 1963.
Death, to the surrounding people, can often be seen as a horrible and depressing time in one’s life, while the same result may occur in the person going through the time period. One must remember, though, that no matter how the person has lived throughout their life, everyone must die eventually, for it is the circle of life. The playwright, Everyman, notes of the importance of having devotion and loyalty in Jesus Christ, for that is the only way to Heaven. Also, the play and The Sandbox greatly illustrate how a person near death is feeling and his emotions, while also describing the sympathy of others around him and their experiences.
Intro : Introduce the concept of death, and how the concept of death is shown to be something to be feared
The concept of human mortality and how it is dealt with is dependent upon one’s society or culture. For it is the society that has great impact on the individual’s beliefs. Hence, it is also possible for other cultures to influence the people of a different culture on such comprehensions. The primary and traditional way men and women have made dying a less depressing and disturbing idea is though religion. Various religions offer the comforting conception of death as a begining for another life or perhaps a continuation for the former.
Vermander, Jeane-Marie. "Celse et l'attribution a Athénagore d'un ouvrage sur la résurrection des morts." Melanges de Science Religieuse 35 (1978): 125-134.
Dahl E. "The Resurrection of the Body: A Study of First Corinthians 15." Journal of Bible and Religion (1963): 31-2. JSTOR. Web. 1 May 2014.
The center of the painting contains a pyramid-like shape. There are the bodies of the dead at the bottom that slowly lead up to the hopeful living. This pyramid is representing the rise from death to hope. Because of this, two intense moods are established throughout the work of art; hope and despair. Even though there are two prominent moods of the piece, the interpretation of the piece can be described as hopeful. Despite the bodies of the dead shown in the painting, the energy of the hopeful overpowers the death. Their will to live outshines the desperate feelings given off from the bodies and the
Frederick, Calvin J. "Death and Dying." Microsoft® Encarta® 98 Encyclopedia. © 1993-1997: Microsoft Corporation. CD-ROM.
I was very excited to take Death and Dying as a college level course. Firstly, because I have always had a huge interest in death, but it coincides with a fear surrounding it. I love the opportunity to write this paper because I can delve into my own experiences and beliefs around death and dying and perhaps really establish a clear personal perspective and how I can relate to others in a professional setting.
Death is the occurrence that everybody has to face; it is very traumatic experience that we are trying understand and art helps to process our feelings. In our Western society everybody is scared even thinking about death and everybody takes all measures to avoid dealing with dead, we all try to achieve the immortal life and the eternity.
At first, the connection between philosophy and death is not clear. However, as we unravel