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Essay on iago's character in othello
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Essay on iago's character in othello
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Iago's Manipulation of Othello in William Shakespeare's Play
Iago has previously taken the audience into his confidence and we know
what he is going to do. In Act 1 Scene 1, he uses animal imagery such
as "For daws to peck at", "Barbaryhorse", and "an old black ram is
tupping your white ewe"; and images of disease like "poison his
delight" and "Plague him with flies". These images add depth and
cruelty to what he says and provide amusement for the audience. He is
telling Brabantio in the worst possible away about his daughter's
relationship with Othello and he's bad mouthing Othello behind his
back. This makes the audience feel sympathy for both Othello and
Brabantio but the images are so obscene that they can be found funny.
Iago relates to the audience by doing this, therefore getting them on
his side early on in the play.
In Act 1 Scene 2, Iago shows diversity in the way he speaks to
different people and we see deeper into the real Iago; it is as though
he is changing faces. The audience has previously seen him speaking to
Roderigo with little respect and using cruel and racist comments
towards Othello. Now they are witnessing him deceiving Othello by
pretending to be loyal and honest whilst also deceiving Roderigo by
telling clever lies. The way that Iago manipulates Othello makes the
audience think and then realize that people believe him to be honest
because he is sly.
However, Othello proves harder to deceive than Roderigo and Brabantio
because he confident and proud. At the end of Act 1 Scene 3, Iago
starts to plot the downfall of Othello. Firstly, he gives instructions
to Roderigo and then, in a soliloquy, tells the audience his plan as
it comes to mind, "How? How? Let's see". By making Iago do this,
Shakespeare forms a relationship between the audience and Iago and
lets them know everything that's going through Iago's mind. He reveals
his motives to the audience, "'twixt my sheets he's done my office",
he believes that Othello has been to bed with his wife and wants to
character is illustrated is in Act 1 scene 1. He is willing to lose a
Throughout many literary works, authors use animals or their behaviour to mimic or represent ideas in order to signify certain aspects of the characters and setting. In the tragic play of Macbeth, William Shakespeare successfully uses animal imagery as a prominent symbol to foresee upcoming events as well to portray Macbeth's growing guilty conscience. Thus, Shakespeare effectively employs animal imagery as a symbol in order to reinforce and highlight Macbeth’s mental deterioration in this tragic play.
Iago’s Use of Rhetorical Strategies to Manipulate Othello in Shakespeare’s Othello. Rhetorical strategies are continually used to get a point across, or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical questioning, imagery, and sarcasm.
IN THE PLAY KING LEAR written by William Shakespeare a collection of images are used to express certain points. One reoccurring image was animals.Shakespeare portrays these animals when King Lear and many other characters in the play talk about Goneril and Regan. They are compared to tigers , serpents , and even monsters.These reoccurring images have an important idea behind them.When Lear leaves Goneril at the end of ActI , after she has sneered at him, he compares her to a “sea-monster”. He also comments on his daughters ingratitude using animal imagery when he said “How sharper then a serpents tooth it is to have a thankless child” (act15295-296). Lear is showing how he feels about how his daughters are treating him by comparing them to animals.Furthermore,after Lear has an argument with Regan,he uses animal imagery to show how his daughter r sinking to be like animals.They show this when both daughters lock him out into a stormy night.In conclusion, Shakespeare is showing that the sisters are sinking from the level of man to animals.
preparing us for the tragedy. I will be focusing on Act 3 Scene 1 and
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language towards the end of Act I.
Ways that Iago Manipulates Othello in Act Three Scene Three in Othello by William Shakespeare
In this essay I will explore how significant act 3 scene 7 is to the
Since the dawn of time, people have always manipulated others for their self-absorbed needs. Some did it to gain wealth, fame, or power and some for the sake of doing it. In William Shakespeare’s play, “Othello”, a character named Iago manipulates the people surrounding him for his twisted purposes of gaining higher status and for entertainment. He tries to convince Othello that his wife is cheating behind his back; he brands Cassio as the cheater, fools Roderigo into believing him, which leads to his death and finally, kills his own wife, Emilia. Iago’s motive for controlling these people is to plot out revenge for the enjoyment of doing so, making him a schadenfreude, and also to gain higher status.
The events that occur in the first half of Act 1 are all in anticipation of the lead character Othello who we are not immediately introduced too. We learn Iago’s name in the second line of the play and Roderigo’s soon after, but Othello is not mentioned by his name once. Instead he is referred to as ‘he’, ‘him’ and is frequently described as ‘the moor’ (1.1.58) he is also described as having ‘thick lips’ (1.1.67) and later as being a ‘Barbary horse’ (1.1.111) is continuously described by his critics, mainly Iago, as a ‘moor’, demonstrating Iago’s frequently concerning nature of race and also portraying Othello as something of an alien. From this reference we are able to immediately understand Iago’s true feelings and motives for Othello.
The Motivations of Iago in Othello Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncover Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Throughout Othello, Iago is the most prominent and perplexing villian in Shakespearean history. His redeeming qualies enables him to allure the characters such as Roderigo, Cassio and Othello through his morality. As an audience we are introduced to his contempt and his hunger for revenge despite his lack of proof. Iago symbolizes evil and brutality. So what makes him a crucial character in the play. His understanding of manipulation and his brilliance makes him an important role in the play since he's willing to to climb up the stairs to get his general, who he hates.
Manipulation is viewed in a negative light in society, but if used correctly, such as advertisement, can be quite effective. Despite the fact that Iago is considered to be Othello’s right-hand man, he uses conniving and manipulation to get revenge, shaping every odd occurrence and event to his own cowardly schemes. Iago gets inside of Othello’s mind and uses his jealousy and persecution as the Moor against him. He controls Rodrigo and ultimately destroys his reputation as well as influences Cassio when he is depressed. Iago figures out ways to manipulate multiple characters in Shakespeare’s play Othello using their faults - jealousy, control, and pride – to obtain his wants and desires.