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Explain Iago role in the play of Othello
The character analysis of othello
Explain Iago role in the play of Othello
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Iago is well-known as William Shakespeare’s most sacred character in the play Othello. His role He is a prominent soldier who has fought beside Othello for several years, earning him the role as his trusted advisor. He is classified as the antagonist of the play due to his acts of jealousy and sociopathic tendencies. Iago can be classified as the most heinous villain in Shakespeare. Iago’s most terrible characteristic is his utter lack of convincing motivation for his actions. Other traits also include: a lack of compassion for others, cold heartedness, shallow emotions and charm.
In the first scene, he claims to be angry at Othello for having passed him over for the position of lieutenant. None of these claims seem to explain Iago’s deep hatred of Othello and Iago’s inability to express his true motivation. He is willing to take revenge on anyone; Othello, Desdemona, Cassio, Roderigo, even his wife Emilia. His acts are the slightest provocation and he enjoys the pain and damage he causes. This is a sign of impulsivity.
Iago
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He manipulated all the characters and only harmed them in doing so. He had no intentions of good, but only immoral. Iago used his intelligence, selfishness, and his skilled lying habits which only revealed him as a sociopathic character. Iago used his convincing and lying skills to make Othello believe that Desdemona was wrong and that he should do something about it, and of course Othello believed Iago because he felt as though he can trust him. Iago also used his friendship as an advantage, which is why he went through all the trouble in getting Cassio drunk so he would lose his position and then Iago would gain more trust from Othello. Overall, sociopaths tend to think and be higher than everyone around them. They tend to constantly lie which tends to affect the characters around them in a negative direction, which just proves the case that Iago is a
As you can see he doesn’t have any empathy towards Cassio getting discharged which makes him a truly evil character. Although Othello liked Cassio very much, Iago had to ruin his reputation. He convinces Roderigo in this quote and that gives him the ability to get Roderigo to fight Cassio, “First, I must tell thee this: Desdemona is directly in love with him.” He realizes that Roderigo has a crush on Desdemona so he uses that in his favor. Proving once more that he has no empathy towards anyone while devising his master plans. This isn’t the only person however the biggest influence he's had on someone was when he manipulated Othello. He
Patrick Henry’s Anti-Federalist argument had a big purpose when it was wrote. It was Henry’s way of talking about his objections to the new Constitution. He listed varies objection to the constitution and stated reasoning behind his objections to make others see his point. Henry was a liberal activist. He wrote his document in first person. The audience for his stated was for the general public. The general public that this would have been in interest to was the government, anti-federalists, the state, and any adult in general.
...is no remorse in his answer. In fact, he asserts and defends his behavior. He even has the nerve to kill his wife. Iago clearly enjoys inflicting pain onto others. This is proven repeatedly, as he continues to hurt, manipulate, and use others. This is also proven when Iago says, “As he shall smile, Othello shall go mad” (IV.I.117). Iago is sadistic. He does not think twice about his actions, nor does he care about the repercussions and consequences that occur as a result. This also is a symptom of a psychopathic personality, which Iago certainly displays.
Iago is, in my opinion, the main character, creating the most depth and interest throughout the entire play. Iago is often funny and quite charming throughout the play, but the most captivating part of his personality is his sheer lack of reasoning behind his hatred for Othello. The only two reasons he outwardly conveys in his speech is his anger towards Othello for not allowing him the lieutenant position. Later in the act he believes Othello slept with his wife and proclaims that he must get even. He seemingly seeks revenge on everyone around him and apparently takes joy and pride in whatever havoc he wreaks.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago’s Subconscious Motive Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renowned for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly associated with a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives.
Iago is widely known as one of Shakespeare’s most famous villains and this is because of the way in which Shakespeare has presented him. Iago is presented to be a man of pure evil who eliminates any form of happiness of hope within the play. The quotation: “Virtue? A fig! 'Tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners” shows Iago diminishing the virtue of Othello and pointing out that everyone is willful and has virtue until their true intent comes to light. Iago’s attitudes towards women are also very poignant within the play and are one of the aspects of his archetype that are remembered the most. Furthermore, a majority of villains have a reason or an intention to want to cause havoc or to turn to the side of evil. For example, in Hamlet, he is motivated by revenge and achieving what was once lost. In Romeo and Juliet, honour is a prominent theme, alongside the need to keep an age old rivalry that has descended from other generations. However, Iago has no real intentions apart from despising Othello for not offering him the promotion and then later suspects that Othello could be having an affair with his wife, Emilia. Therefore, the fact that he has no hard intention for wanting to ruin the life of Othello and others, is a reason as to why he may be despised by
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is nave and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago as “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289).
Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”, Despise me if I do not. Three great ones of the city,/ In personal suit to make me his lieutenant,... ... middle of paper ... ... n the end of the play.
Iago is the Most Sinister Character in Shakespeare's Works. Of all the characters presented in Shakespeare's literature, the most sinister one is without a doubt Iago. He is a ruthless sociopath. No other character can even come close to his evil.
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
He says: "I love the gentle Desdemona", and this suffices to explain his feelings. It is obvious that Othello is a much 'deeper', more sensitive man than Iago. Another contrast is that Iago's motivation is himself and his self-interest. Iago desires success and gain for himself and no other. It appears that his major grudge against Othello is that he promoted "a fellow almost damn'd in a fair wife" (that is, Cassio) above himself.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
person who has bad things happen to him or her. Likewise, the antagonist is portrayed as evil and villainous, and seeks to destroy the moral protagonist. Many readers and critics perceive Iago as evil, manipulative, and antagonistic. He directly seeks to destroy Othello, Cassio, Roderigo, and any other good character, out of selfish and unprovoked rage. The critic, W.H. Auden, says this in reference to Iago, " Iago is a wicked man. The wicked man, the stage villain...the suffering he inflicts is real (48)." In the play Othello, Othello is viewed as the good, and intelligent character. He is loving wise, and the ideal soldier. The critic William Empson defines him as, "the personification of honour (44)." For these reasons, many readers side with Othello as being the heroic protagonist of the story. Othello is living a successful life, newly married, and prospering until Iago decides to step in. By looking at the play in another perspective, Iago, not Othello, can be viewed as a heroic and good character. Despite Othello's role in the play and portrayal by the critic, Iago's desire and motive to create a better life for himself, as well as his keen and cunning intellect, make him a heroic protagonistic character with whom the audience can sympathize.
Iago character in William Shakespeare’s Othello is truly the definition of the nature of evil. He portrays such a strong character describing this nature of deceit throughout the play taking full capability of characters; Desdemona, Othello, Cassio, and Rodrigo. His ability to master the nature of good first before plotting his schemes, allows Iago to become successful in each of his evil plots. Iago would not be successful if it was not for his mastery in being good. Not only does he achieve his goals in scheming, but he also understands human nature, that allowed him to understand thoroughly of good people and was able to take advantage of the cause. Iago, alone, represented both the nature of good and the nature of evil in Shakespeare’s’ Othello.