In William Shakespeare’s play “Othello”, the villain Iago displays manipulative and self-absorbing personality traits, classifying him as a psychopath. Throughout the play, Iago was consistently using people for his benefit and he managed to disguise himself as an honest character. Shakespeare depicts him as a malicious character, and takes advantage of his reputation to plot revenge to whom he believes to have wronged him. His psychopathic traits such as pathological lying, lack of remorse or guilt, shallow affect, parasitic lifestyle, poor behavioural controls, impulsivity, and criminal versatility proves that Iago is, indeed, a psychopath. Iago can be seen as manipulative and cunning which is one of many aspects of a psychopath. In …show more content…
the play, he successfully controlled many characters to his advantage. Iago said, “But for my sport and profit. I hate the Moor,/ And it is thought abroad that ‘twixt my sheets/ He has done my office. I know not if ’t be true,/ But I, for mere suspicion in that kind,/ Will do as if for surety.” (I.iii.429-433) This quote depicts his hatred towards, the Moor, Othello. Previously, Iago displayed different reasons why he wanted to demolish Othello: Cassio is given the job of lieutenant from Othello, Iago believes Othello slept with his wife, and Iago loves Desdemona. The climax of the play was when Iago influenced Othello to believe that Cassio is having an affair with Desdemona. Iago said, “ Ay, there’s the point. As, to be bold with you,/ Not to affect many proposèd matches/ Of her own clime, completion, and degree,/ Where to we see in all things nature tends…” (234-244) This quote explains why would Desdemona, a beautiful woman, fall in love with Othello who is black? Successfully, he manoeuvres Othello that Desdemona will snap back to her natural taste in men one day and compare Othello unfavourably to other men in Venice. Iago can be seen as charming and honest, but many psychopaths tend to lie to benefit themselves. In the final act, Iago doesn’t show any remorse for his actions which is a clear indication that he is a psychopath. Othello murders Desdemona, and he was confronted by Emilia who proves that she was innocent. When Montano, Gratiano, and Iago enter, Emilia confronts Iago for lying and manipulating Othello. “(to IAGO) Disprove this villain, if thou best a man./ He says thou told’st him that his wife was false./ I know thou didst not, thou’rt not such a villain. Speak, for my heart is full./ I told him what I thought, and told no more/ Than what he found himself was apt and true./ But did you ever tell him she was false?/ I did./ You told a lie, an odious, damnèd lie/ …/ With Cassio, mistress. Go to, charm your tongue.” (V.ii.184-195) The conversation between Emilia and Iago depicts that Iago doesn’t feel any sorrow and guilt for lying. He instead tells his wife, Emilia, to silence and go home. However, Emilia refused to go home and accused Iago for Desdemona’s death. He then drew his sword and murdered his wife for exposing his plan accusing Desdemona. Iago’s last quote in the play was when he was captured. “Demand me nothing. What you know, you know./ From this time I never will speak word.” (316-317) This quote illustrates that he doesn’t feel apologetic for Roderigo, Othello, Desdemona, and Emilia’s deaths. Most psychopaths don’t feel any contrition or repentance when it comes to their fault. Iago is a perfect example of a psychopath, because he did not show any actions or words to justify his crimes. When readers encounter Iago in the play, they seem to be shocked or speechless by his morals and actions.
Iago’s personality traits are components of a psychopath; A psychopath possesses superficial charm, unreliability, untruthfulness, lack of remorse or shame, antisocial behaviour, poor judgment, incapacity to love, and specific loss of insight. In the article “Psychopaths know right from wrong, but don’t care” written by Maaike Cima, Franca Tonnaer, and Marc D. Hauser describes a psychopath. “Adult psychopaths have deficits in emotional processing and inhibitory control, engage in morally inappropriate behaviour, and generally fail to distinguish moral from conventional violations. These observations, together with a dominant tradition in the discipline which sees emotional processes as causally necessary for moral judgment, have led to the conclusion that psychopaths lack an understanding of moral rights and wrongs.”(Maaike Cima, Franca Tonnaer, and Marc D. Hauser) This article depicts that psychopaths have poor control over their feelings, and they will never admit their wrongdoings. These characteristics, perfectly describe Iago in the play “Othello”. Throughout the play Iago’s behaviour has been consistently manipulative, persuasive, and two-faced. All characters believed his words because of his good reputation and humbleness. He successfully used Roderigo to be his wallet, stripped Cassio from his lieutenant position, and controlled Othello to make him believe …show more content…
that Desdemona was having an affair. The constant lies and manipulation concludes that Iago was a psychopath. Iago can be seen as a proud, self-absorbing character in the play.
Iago, always, seems to be proud of his good reputation and self value. In the article “Iago the Psychopath” written by Fred West, depicts and analyses Iago’s behaviour and personality. “Like the psychopath described by Cleckley, Iago is impulsive, but he sees nothing wrong with his behaviour, no matter how erratic or antisocial; therefore, he doesn't bother to find or invent excuses unless prodded. The very first lines of Othello contain just such prodding on the part of Roderigo, Iago’s gull…” (West.30) West argues that Iago sees no wrong doings to his actions. Iago can be seen to be using his best friend Roderigo for his wealth, and he, successfully, convinces him that sending gifts to Desdemona will win her heart. However, Iago stole all the gifts that were supposed to be delivered to Desdemona, and makes Roderigo believe that killing Cassio will eliminate all obstacles between Roderigo and Desdemona’s love. When Roderigo realises Iago’s plan, Iago stabs him and kills him. This is one of many examples that Iago easily uses people for his own good and finishes them off if they are no use. West also cites “As a psychopath, he has no real insight into his own true nature, hence it would never occur to him to inquire if he were evil or malignant. Also, he projects his own views and shallowness of affect upon other, so he has no reason for making an unfavourable evolution of himself against anyone else.
Only in matters of intelligence does he see any difference: he considers himself more complex and more intelligent than anyone around him ” (30) West infers that Iago doesn’t seem to be understood by others but himself. He only cares for his fortune and would pursue his goals, even if it’s destroying others around him. Psychopaths possess little or no remorse for the consequences of their behaviour. Generally, Psychopaths do not feel any empathy for others, but intelligent psychopaths appear charismatic and empathetic, although it is an act. They are far less sensitive in aspects of fear, distress, or disgust. Psychopaths tend to do certain actions as children, such as bed-wetting, animal abuse, or fire-starting. It has been estimated that around 1% of the male population are psychopathic; Studies show that there are far fewer female psychopaths. Around 15 to 25% of people in prison in the United States are considered psychopathic. It has been estimated that around 25% of bullying are due to the 1% of people who are maniacs. Psychopaths continue to manipulate psychologists and cell mates in prison. Psychopathy is known to be intractable and untreatable. They do exceptionally well in business and networking. Many people who are psychopathic are very successful in life, however they have poor long-term and trusting relationships. More characteristics include: easily bored, callous use of lies, cunning image management, no conscience, arrogant, and a high need for control. Iago’s traits in the play can be seen as cruel or inhumane, but some may argue that he is a sociopath, not a psychopath. Sociopaths are people who do not follow society’s norms and often break the law. It is characteristic of people with this diagnosis to be entirely careless about other peoples feelings and pain. Symptoms include: persistent lying or deceit to exploit others, intense egocentrism, hostility, poor or abusive relationships, and more. People can argue that unlike a psychopath, Iago has more sociopathic characteristics such as his intense egocentrism and sense of superiority. Iago said, “I know my pride” and “I am worth no worse a place” proving that he values himself highly. Some can see this and say that Iago was, indeed, a sociopath. However, any crimes committed by a sociopath, including murder, will tend to be haphazard, and spontaneous rather than planned. Iago’s plan was all very calculated throughout the play, and he did not make any careless mistakes to spoil his plans.
Driven by an overbearing lust for evil that only a pure psychopath can have, Iago is not only one of literature’s worst villain’s, but he also is a heinous psychopath, whom possesses absolutely no capacity for human kindness or virtue. While Iago claims to be motivated by obtaining revenge of Othello and by jealousy of Michael Cassio, his actions suggest that of a diagnosis of psychopathic personality disorder, as his motivations contradict each other, and are not sufficient to constitute the level of destruction he employs. According to the Diagnostic and Statistics Manual of mental disorders, an individual can be diagnosed as a psychopath if they show a minimum of five out of eight of the following symptoms: 1) deceitful, conning, and manipulative behaviors, 2) absence of psychotic and neurotic symptoms, 3) lack of remorse, 4) lack of empathy, 5) inflated and arrogant self-appraisal, 6) pathological lying, 7) need for constant stimulation, and 8) glibness and superficial charm. Throughout the play, Othello, Iago displays all of these symptoms, and therefore is a psychopath. He especially manipulates and cons others, has a grandiose self-perception, and lacks empathy and remorse. He also needs constant stimulation.
The fascinating intelligence of Shakespeare begins with Othello, unlike other tragedies that begin with ancillary figures that point out the character that will turn out to be at the center of the tragedy, with his genius creation of truly evil Iago instead of Othello. Shakespeare gave Iago the honor of being a main character, an antagonist too, in one of his blood-soaked tragedies and made him survive the experience. Iago, the genius villain whose intrigues and deception brought the downfall of the main hero Othello, is considered in today’s society a true Sociopath. Sociopathy-as noted by Preston McAfee-is a personality disorder defined by certain characteristics such as manipulations, lack of empathy, sense of entitlement, and a grandiose sense of his own importance. Those traits were manifestly shown by Iago in Shakespeare’s tragedy Othello.
Iago was very blind to seeing the faults in his actions. At least the personal faults. He was able to identify certain characteristics of himself but just assigned them onto other people. In some case a psychopath can “Projects his own views and shallowness … upon others” excusing themselves from the responsibilities and pressures of theirself (West 30). This behavior could be one of the reasons that Iago says he hates Othello. He sees these things in himself, attributes he does not like and projects them on Othello, the person who most recently wronged him, as a way to fight those unliked characteristics. Iago “does not regard his own actions as horrendously evil” because he believes that it is deserved in a way (West 28). As if with the mentality of “What else can he expect from appointing someone who has no experience. He deserves it.” Being “egocentricity is his vanity” prevents himself from seeing his flaws (West 34). Although who is to say that in the brain of a psychopath if they see their actions as a flaw. This prevention of seeing and accepting these flaws results in a hindered reality of wrong and right. Because if vanity is a characteristic of a psychopath then no psychopath will see what they are doing as wrong, at least not the average one. This would cause an inverse of morals creating a backwards thought of right and wrong. To make matters more confusing Iago mockingly knows what he's doing in wrong and subconsciously contests it with sarcasm. He even if the entire arguments hold no ground he still has to knowingly be aware that he is lying to everyone and yet he still asks “as honest as I am” (II.i.220). Yes it could be sarcasm but that joking attitude alone lightens up the tone for the severity of what he has done. Joking can in some
Iago would most commonly be referred to as dishonest, however beyond that he is also downright amoral and uses other’s weaknesses to manipulate them into doing what he pleases. From the very beginning we see how Iago manipulates Roderigo by pretending he is looking out for his best interests in the matter of Othello’s elopement with Desdemona. He makes Barbantio angry with Othello and Desdemona by telling him about their elopement then lying about the consummation of their relationship. He then leaves Roderigo to take responsibility for his (Iago’s) actions. In the meantime he goes off to inform Othello that Roderigo is accountable for telling Barbantio about the relationship and saying horrible things about Othello. Iago later brings Roderigo back into his quest for revenge when he tries to get Cassio fired from the position that Iago originally wished to obtain. Although Cassio knows it is against his better judgement to drink, Iago manipulates him into getting drunk then stages a fight between Roderigo and Cassio. He even goes as far as to try to make Cassio look bad by telling Montano that he gets drunk regularly. Upon Iago’s explanation of the situation Othello promptly fires Cassio from his position and Iago becomes more respected in Othello’s eyes. Roderigo is a prime example of how Iago uses people to fulfil his desires. Iago convinces Roderigo that he could win Desdemona’s love away from Othello and the only man that stands in the way is Cassio. In this way when he plans to humiliate Cassio it seems as if he is doing it to help out Roderigo when, in actuality, he is seeking revenge on Cassio for taking his position.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
A psychopath easily demonstrates several discernible quirks. Iago, one of Shakespeare 's most notable characters from Othello, regularly displays unholy habits. Iago is a man who is determined to achieve his goals by manipulating and scheming plans to get what he wants. His shallow heart shows no mercy for those who oppose. A psychopath Iago undoubtedly fits the role of a psychopath because of his manipulative, emotionless and devious behavior throughout the entire play.
The reader can see Iago’s drastic difference from what he said in the beginning of the play, compared to his actions in the end of the play. Iago says “Though in the trade of war I have slain men, Yet do I hold it very stuff o' th' conscience To do no contrived murder. I lack iniquity Sometimes to do me service.” (Act I, scene, ii, lines 1-4) Iago tells this straight to Othello’s face that he truly finds murder of another man sickening, and that even though he has killed men before, he believes it to be wrong and will not kill out of his own reasons but only when his is forced to. Contradicting Iago's on words, in Act V, scene I, line 65, Iago murders Roderigo out of cold blood. Iago also murders his wife Emilia in Act V scene ii, line 149, because she wouldn’t obey him to shut up, when she is telling the truth about Iago’s horrible ways he has manipulated Othello into believing Desdemona was unfaithful to him. “Be wise, and get you home.” (Act V, scene ii, line
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncovered Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone. Are his motives only excuses for his actions? Iago pretends to have so many motives that they seem more like excuses. Iago then uses these excuses to justify his actions, which are pure evil. I also feel that Iago has motives and actions that cause his actions. Does Iago have many different excuses, or does he only have one? This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more though to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does.
Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him. Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”,
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
From these eleven soliloquies the audience is pulled back and forth concerning their opinions of Iago’s character. He plays on the audiences pity, however also shows them his darker side. In the end, the audience is left with no doubt that Iago is nothing but evil and manipulative. I suppose one could say Iago was the true definition of a sociopath and cared for no one but himself. Not once did he show remorse or care for any other character in the play. The entire time he thought of schemes to get other characters to commit murder and be murdered in order to acquire his goal of gaining Othello’s title. His use of darkness and light, and deeper motives combine with his exterior ones exposed in his soliloquies, truly made him a hard character to analyze and predict, but allowed the audience to certainly place him as the detestable antagonist at the end.
Iago’s magnificent intelligence and superiority make him a very intriguing character. Iago is not just any villain that comes into a town, with a black cape and knife that scares everyone, he destroys and “kills” by using creative tactics that could only be thought of by someone who is brilliant. He deceives, strategizes, and twists the truth with amazing ease. Iago maintains his on point intelligence by staying completely unconflicted about being evil. Iago is completely committed as he states, “[He will] turn her virtue into pitch, / And… make the net / That shall enmesh them all” (II. Ii. 366-368). Iago is considered a cross between God and the Devil, as shown in the, “Divinity of Hell!” (!!. ii. 356)
Of all the characters in Shakespeare 's literature, Iago is the most innately evil antagonist created. Although Shakespeare’s other antagonists show reasoning behind their actions, Iago lacks any type of motive. In the tragedy, Othello, by William Shakespeare, Iago, the manipulative antagonist plays the role of a master puppeteer who successfully creates chaos and disorder throughout the entire play with no motives behind them. Early on, Iago is seen by the other characters as an honest and trustworthy ensign. Although as the play progresses, this multilayered character manipulates numerous good-natured minds to become as sinful as his own. Iago’s ability to exploit his victims’ flaws in such an unsuspecting manner