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I am Vietnamese, I am American
Durian fruit. When people ask me how I feel about my Vietnamese culture, the first thing that comes to mind is durian fruit. Unlike the strawberries or cherries found at Safeway, durian fruit at first glance does not even look edible. The entire fruit resembles a dirty old football, except that durian weighs nearly three pounds. One-inch spikes and a tough brown outer peel cover the fruit, giving it an intimidating look. Inside, yellow, kidney-shaped pieces line the peel like orange slices. As a child, I hated durian. I refused to even taste it. Later on, when I was older, my mother bribed me with two dollars to try the meaty flesh. I fell in love with the fruit instantly. Its heavenly aroma tantalized my olfactory senses. The fleshy kidney-shaped parts felt as smooth as butter inside my mouth.
Just like the durian, my Vietnamese culture repulsed me as a young child. I always felt that there was something shameful in being Vietnamese. Consequently, I did not allow myself to accept the beauty of my culture. I instead looked up to Americans. I wanted to be American. My feelings, however, changed when I entered high school. There, I met Vietnamese students who had extraordinary pride in their heritage. Observing them at a distance, I re-evaluated my opinions. I opened my life to Vietnamese culture and happily discovered myself embracing it. `
When I was seven years old, I wanted very much to be American. I wanted to be like Richie Cunningham from the sitcom “Happy Days,” which aired often in the early 1980s. I wanted his startlingly blue eyes, his confident smile, his red freckles, his red hair, and of course his strong “American” voice. I envied his tall, strong frame and ...
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...cabulary served as a constant reminder of my long-time neglect of my culture. I always regretted—and to this day, still regret—losing those valuable years.
Nowadays, in the new house that my parents strove so hard to get, I no longer have to drag a chair into the bathroom. It took twelve years, but I can now see my reflection perfectly well. There are big differences when I look, though; the mirror is no longer cracked, the face I see is no longer small. I look older and a little bit wiser (I owe this to the tough yet proper way I was raised). I still do not detect any blue eyes or red hair or red freckles, but that’s okay because Richie Cunningham, if he were real, would actually envy the way I have two cultures at my disposal. I have become a living microcosm of two worlds, a living testament to the harmony between my Vietnamese and American cultures.
The author Gary Shteyngart of “Sixty-Nine Cent” describes himself in a tug of war between the Russian culture of his parents and the American culture in which he wants to be a part of. At the age of seven, Gary Shteyngart and his family immigrated to the United States from Russia. When he was fourteen, his family and other Russian immigrant made a trip to Florida to see Disneyland. He describes “the ride over the MacArthur Causeway to Miami Beach was my real naturalization ceremony”( Shteyngart 103). At that age, he wanted to be like every American born boy, He wanted to eat at McDonald’s, walk the beaches, and speak to the girls, and to enjoy what every boy his age takes for granted. One of his desires was to eat a McDonald’s sixty-nine cent hamburger and drink a Coke. On the way back from Disneyland, he found out this was not going to happen. His parents were given a picnic lunch, packed by the woman who owned the motel, for them to eat instead of spending money at MacDonald’s. As his parents were sitting out “sort boiled eggs wrapped in tinfoil; vinaigrette, the Russian beet salad, overflowing a reused container of sour cream; cold chicken served between crisp white furrows of bulk, (Shteyngart 104)” Shteyngart could not believe that they were doing this to him. Here they were at McDonald’s and he was not going to get a sixty-nine-cent hamburger with a Coke.
How would it feel to flee from post-war Communist forces, only to face an ethnocentric population of people in a new country? In Anne Fadiman's The Spirit Catches You and You Fall Down, a portrait of a disquieting, often times touching, ethnography (i.e. a book that details particular data of an extended period of time an anthropologist spent living closely with a community of individuals during his or her field work) of Fadiman's experience living in Merced, California, which was home to the largest population of Hmong refugees, such as the Lee family, from Laos who suffered mass confusion when trying to navigate the American health care system. Because the Hmong could not speak sufficient English until the children gained language skills native to the United States, residents of California were not accepting of the Hmong community. Fadiman aims to better understand how knowledge of illness among Hmong and Western medical practitioners differ, which pushes the reader to understand how the complicate medical treatment in the past as well as the present from a perspective of an American observing a Hmong family's struggle with the system. In America, it isn’t uncommon to be judged for your clothing, your house, or the amount of money your family makes, so it is easy to believe that the Hmong people were not easily accepted into American society. As a whole, ethnocentrism, or the tendency to believe that one's culture is superior to another, is one of America's weaknesses and this account proves ethnocentric behavior was prominent even in the 1970-80's when Fadiman was in the process of doing her fieldwork in post-Vietnam War Era California.
Many immigrating to the United States develop ideas of themselves and their own identity in order to fit the form of America they have been coaxed into believing. In “A Thousand Years of Good Prayers”, Mr.Shi displays these expectations and false prophecies of character when he naively concludes, “America is worth taking a look at; more than that, America makes him a new person, a rocket scientist, a good conversationalist, a loving father, a happy man”(189). Mr.Shi not only perceives America as a place of pure prosperity and freedom, but also anticipates a society where he can recreate himself. Arguably, these limited ideas of America can foster one 's desire to improve as an individual, however this often results in a further loss of identity because they are unwilling to accept their true self. He longs to exist within the form of American society he fantasizes because he envisions himself as a more developed and well rounded person that he feels communist China has kept him from
My private Vietnam is a never-ending identity conflict. Part of me is American, part of me is Vietnamese. I have Asian features, but I'm tall and broad-shouldered. I don't feel accepted in either culture.
After the fall of the Saigon in 1975, Heidi’s mother- Mrs. Mai Thi Kim decided to send her to America as fearing for her uncertain future in Vietnam. Twenty two years later years, Heidi eventually found her Vietnamese mother. However, as she was raised in the States, Heidi is now "101%" American and has little knowledge of her Vietnamese heritage. Undoubtedly, this reality reveals potentials for cultural collision.
... Surrealism, as a visual movement, had found a method to expose psychological truth by stripping ordinary objects of their normal significance, to create a overpowering image that was beyond ordinary formal organization, in order to bring about an understanding from the viewer. In 1931 several Surrealist painters produced magnificent works that marked a turning point in the evolution of their style. Late in the 1960s riots broke out in Paris, protestors used quotes from Surrealist texts as their slogans or their rally cries. Many attitudes thats the Surrealists had expressed and many causes they had made their own were taken up by these protestors. In 1969 the actual “Surrealist group” had completely broken apart.
The United States and its people take great pride in knowing that the U.S. is the greatest nation in the world. That is why it’s our duty to father the rest of the world when conflicts arise. American culture and ideals are also thought to take precedents over all other cultures and ideals. In the book, The Spirit Catches You and You Fall down, written by Anne Fadiman, there are many great examples of how American culture is imposed on the people residing with in its enclosed boundaries. The U.S. going to war in Vietnam is also a great example of how the U.S. tried to impose American values on the “less fortunate.” Through understanding America’s so called “duty” in Vietnam one can interpret the intervention of American idealism in the life of a Hmong family.
Surrealism, who has not heard this word nowadays? World of the dreams and everything that is irrational, impossible or grotesque, a cultural movement founded immediately after the First World War and still embraced nowadays by many artists. In order to understand it better it is necessary to look deeper into the work of two outstanding artists strongly connected with this movement, and for whom this style was an integral part of their lives.
Charlotte Perkins Gilman’s “The Yellow Wallpaper” voices the struggle of an unnamed woman who loses her identity and mind. The narrator is oppressed by her husband who suppresses her voice, independence, and actions in an attempt to cure her worsening hysteria. The conflict between the two arises as the narrator attempts to break free of her submissive role and find her voice.
The story of “The Lottery” is a dark tale that gives the reader a window into a community blighted by an tradition propagated by ignorance; sending a message that reverberates with many events, ideas, and observations throughout the annals of time. Written by the great Shirley Jackson, this fable exemplifies how delusion and illogical thinking led to the terrifying and morose ending of Tessie Hutchinson's existence. Shirley Jackson was well known in her lifetime, but not necessarily as the literary master she is hailed as today. Jackson had great interest in the culture of witchcraft, and deeply incorporated this knowledge into one of her first short stories: “The Lottery.” While this influence greatly improved the haunted tone of the story, it also spawned various rumors regarding Shirley Jackson herself, being a reclusive bookish woman interested in the dark arts. However, just as the “witches” of Salem were mercilessly murdered for ambiguous reasons, so too was Tessie Hutchinson. Shirley Jackson saw the reflection of these poor souls within our very lives, and channeled their sorrowful essence into a meticulous story that is as moving as it is disturbing.
Why were the cash grants given to mothers? Do you think this was a good idea or a bad
With a sarcastic, monstrous, and angry tone combined with high emotion and sentimentalism, Charlotte Perkins Gilman wrote the short story The Yellow Wallpaper in order to help the oppressed females recover their voice, their rights, and their freedom. She skillfully leaded the reader’s interest from a little horrible opening; then, a curious feeling about Jane’s life immediately became anger because of the unexpected climax of the narrator’s own recognition in the yellow wallpaper. The author tried to show that female would stand up and do whatever they can, even if they lose something to escape the control of male dominance as the narrator did in the story. This story is successful at portraying its authorial purpose because of its setting, types of conflict, character development, and the language effects.
This essay will discuss three important topics that to me have stood out as important concepts that are sensible and comparatively simple to apply in my work as a graduate nurse. They are; the concept of emotional intelligence, the concept of empowerment in nursing and the concept of teamwork in the health care setting. Each topic will be discussed separately, analysed, argued and integrated into the essay as a whole so that the reader may have a greater understanding of how these concepts interact with each other and how each concept may influence the graduate nurse to work at a professional and level how she in turn can utilise these concepts to further enhance her professional development.
When I was younger, I felt different among my group of white friends. Since I was so Americanized throughout my early years of elementary school, I was always too scared to share my culture – even when my friends heard me speaking Vietnamese to my parents on the phone, I would be jokingly made fun of and some would try to mimic my speech. I felt like no one would understand it or treat me differently because of me being Vietnamese. Like I mentioned earlier, being a Vietnamese-American I sided with my American identity more than my Vietnamese one – to the point where I could no longer speak fluent Vietnamese (as I use to when I was younger). As I grew older, I lost my Vietnamese heritage along the way, and with it, I lost a significant portion of my identity. However, since I have entered college, I have been trying to gain that part of my identity back. It is especially helpful that SJSU has a 32% Asian population with copious amounts of Asian festivities going around on campus. With that, I forced myself to become more sociable and outgoing and ended up joining the Vietnamese Student Association (VSA) here on campus. By becoming a member of VSA, it brought back memories of why I enjoyed being Vietnamese in the first place -- it inspired me to not be afraid to share my culture with others and be proud of who I am just as Mrs. Rojas had done for Rose. The people that I have met in the
Surrealism was one of the preeminent Avant-garde art movements of the 20th century within the Modernist movement. Surrealism, an artistic style proclaimed and founded by the poet Andre Breton in 1924 in his Surrealist Manifesto. Surrealism was seen as a product of its historical period (Brahman et al., 2001: 1). It was inspired by discoveries of Freud and the political ideology of Marxism (Ades, 2009). The movement appeared first after World War 1 originating out of Dadaism as artists and intellectuals looked for an escape from the harshness of reality after the war. There was a great interest in the subconscious with dreams. The aesthetic of Surrealism fuses life, art, dream and reality. (Caws, 2014). Surrealism adopted the thought of dreams and magic as a way of translating estoteric ideas to a global spectorship. The Surrealist style uses imagery from the subconscious to create art, it sought to free people from false rationality and restrictive customs. It is the creation of art without the intention of logial comprehensibility (Brusca, 2012). It points out less to art history but rather leans more towards historical change, which relates more to Avant-garde (Jorgensen, D.2011). Surrealism sought to access the sub-conscious and translate it into art. In Surrealist art we get a sense of super-reality in which depicted scene make no sense (Oxford Art Online, 2014).