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Main theme of the yellow wallpaper
Critical interpretation of the yellow wallpaper
Main theme of the yellow wallpaper
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A Woman without a Voice
Charlotte Perkins Gilman’s “The Yellow Wallpaper” voices the struggle of an unnamed woman who loses her identity and mind. The narrator is oppressed by her husband who suppresses her voice, independence, and actions in an attempt to cure her worsening hysteria. The conflict between the two arises as the narrator attempts to break free of her submissive role and find her voice.
Constant oppression by her controlling husband leads to the story’s protagonist eventually succumbing to Identity loss. “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression-a slight hysterical tendency-what is one to do?” (519). Here Gilman illustrates early on that the woman has no voice of her own even in her own mental state. The last part of the question, “what is one to do”, seems to allude to the fact that has given in to the overassertive voice of her husband. Gilman shows us another example of our heroine’s loss of identity due to her “loving” husband’s smothering attention. “He is very careful and loving, and hardly lets me stir without special direction” (520). John’s overbearing demeanor is viewed as careful and loving, and it is quite clear that the narrator is losing her own voice and identity. Justifying his behavior out of love he continues to belittle his wife until she loses all identity. It is the battle to regain her identity and to let her voice be heard that gives us our conflict between John and his wife.
The Yellow Wallpaper is about the external conflict between an unnamed woman, trying to break free of her submissive role and find her voice in life, and her domineering husband who ...
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...eference to the characters apparent role in society and at home being beneath her husband. By acknowledging this she is once again voicing her opposition to the oppression of her officious husband. At the end of the story John faints in the path of his wife and she proceeds to “creep” over him (530). Symbolically the repressed wife has finally brought her husband down and has triumphed over him.
Charlotte Perkins Gilman writes a haunting tale of lost identity and the struggle to break free of oppression and find a voice to be heard. The central idea of identity loss causes the protagonist to slip into hysteria which is the only place that she seems to find a voice. Upon finding this voice she proceeds to break free from her husband and regain her identity. Without this conflict this is just the story of a mad woman who finally loses touch with all reality.
The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house.
The irony between the two characters shows us how the narrator has a false sense of how a marriage should be. “John laughs at me, of course, but one expects that in a marriage” (Gilman 478). It is ironic because in a healthy, normal marriage, no one expects for a husband to laugh at his wife, but the narrator finds it to be completely normal. The narrator truly believes that her marriage is normal and that everything is fine, when in fact her husband has tricked her into going to an abandoned insane asylum in hopes of curing her. Another ironic moment is when John’s course of treatment backfires. John believes that taking his wife to an old asylum and locking her in a bedroom will be the cure for her for her depression, but it does the complete opposite. The narrator states, “I’ve got out at last, in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back” (Gilman 489). Both John and his sister believed that by isolating the narrator she would eventually become sane, but they failed to realize what was really wrong with her. John’s state of ignorance and his stubbornness lead him to misjudge the situation a...
..., Gilman acknowledges the fact that much work is needed to overcome the years of injustice. Through the concluding scenes where the narrator goes into her mental illness rebellion, Gilman encourages women to do what they can to stand up for themselves.
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
The character of the husband, John, in “The Yellow Wallpaper” by Charlotte Perkins Gilman is introduced as a respected physician and a caring husband who strives to improve the mental health of his wife, the narrator, who is diagnosed with temporary nervous condition. John tries throughout the story to apply professional treatment methods and medications in his approach to helping his wife gain strength. However, his patient, his wife, seems to disregard John’s professional opinions and act as if she is following his advices only during his awakening presence with her. The narrator seems to be in need of John’s positive opinion about the status of her mental condition in order to avoid the criticism even though she disagrees with his treatment methodology. John, without doubt, cares for his wife and her wellbeing, but he does not realize how his treatment method negatively impacts their relationship his wife’s progress towards gaining strength. Although John was portrayed as a caring and a loving physician and husband to the narrator through out most of the story, he was also suggested as being intrusive and directive to a provoking level in the mind of the narrator.
The narrator is afflicted with temporary nervous depression. She makes it evident that this affliction is due to her repression by her husband, John. He has total control over her thoughts and feelings, her health, and over her life. He does not take her seriously and laughs at her but, in this society, “one expects that”. (Gilman 1) He controls every aspect of her life. He forces her to stay in a room which she despises, and consequently, drives her insane. Gilman builds up the story to convey her feelings of the repercussions a woman faces in total supervision and domination by a man. She follows her husband’s counsel of total bed rest, but deep within her, she knows this will be her destruction. However, as characteristic of a woman of this time period, she obediently accommodates the demands of the man. This leaves her no choice, but to subject herself to the anguish of being totally alone in a room with ghastly yellow wallpaper.
Even though her husband treats her with what seem at first as love, it becomes clear she is nothing more to him than a piece of property. Every time he talks to her, he asks her to get better for his sake and the children's, and only after mentions hers interests. He doesn't think that she has any normal human feelings or worries and attributes her behavior to minor nervous depression. He doesn't see her true suffering since he believes "there is no reason to suffer" (574). He could never understand that a woman can be unsatisfied with the role imposed on her by society. Even though the heroine recognizes that her condition is caused by something other than John's theory, she is too scared to voice her opinion.
... Gilman’s highlights the significance of liberation from the narrow societal roles that identified the women during the era through which women were customarily oppressed of their capabilities of understanding their self-worth and personal independence. Duration the story, the narrator experiences a gradual transformation and by the end she has an epiphany of her husband’s oppression and authority over every aspect of her life. As the narrator progressively spirals into madness, her perceptions on the society’s values change in favour of the feminist views. As a result, these driving forces motive the narrator to free herself from her husband and the society’s confinements. By identifying herself with the woman behind in the wallpaper, the narrator eventually employs the wallpaper as her instrument in the pursuit of her freedom of reasons and rights in the society.
The thought of the narrator 's life of staying home all day to be taken care of by her husband and his sister, as well as having the husband go out and tarnish her reputation to her family and friends is such a dreadful thought. Apart from her husband John 's treatment is to keep her away from her family for a bit till she is better, but in order to do that he must disclose her well being with them. It is preposterous that her
In the introduction of the story the unnamed narrator describes her ‘illness’ and the ‘conditions’ she faces, however through the analysis of her writing she begins to reveal the oppression that she is forced to submit to. Much of the protagonist’s oppression comes from her husband, as he does not believe she is sick at all. Because she is timid and is subdued by her spouse she believes, like the rest of society, that a male’s qualifications can automatically make him right. The narrator tends to question her husband’s view, but then covers it up with his credentials in her private journal entries, “You see he does not believe I am sick! And what can one do? If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?” (Gilman Wallpaper, 1) This is only the beginning of the oppression and the beginning of the narrator’s rebellion against a society controlled by men. The au...
The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.
John is the over dominant male figure that represents most marriages situations whereby the woman has no say. John dictates the marriage such that all decisions regarding the marriage including the narrator’s health are made by him. He oppresses the narrator in a similar way that the “yellow wallpaper” oppresses the women behind it. Marriage in the book’s society seems to serve as a bondage form for the women such that it provides bondage and captivity. Through Jennie, one can see how marriages enslave the women. Jennie is an epitome of the submissive and oppressed woman in society since she undertakes John’s commands blindly without any form of questioning. Thus, the annoying wallpaper that the in the narrators own wisdom wants to destroy is a representation of breaking away from oppressive marriage
Vintage short stories are meant to entertain their readers. However, many passive readers miss the true entertainment that lies within the story in the hidden context. Most short stories have, embedded in the writing, a lesson or theme attached to them. In the short story “The Yellow Wallpaper,” Gilman demonstrates a woman who has suffered from repression and longs for the freedom from her controlling husband. Gender conflicts play a major role throughout this story. The author portrays these kinds of conflicts through the three main characters, John, Jennie and the narrator. The theme of this story is a woman's fall into insanity resulting from isolation from treatment of post-partum depression. Gilman is also telling the story of how women were thought of as prisoners by the demands of the society throughout that time period. She also expresses the punishments these women had when they tried to break free. As a reader, we see how much control John had over her and how it ended up affecting her individuality.
Though she acknowledges her husband’s affection towards her, and we come to believe John truly is well-intentioned, we can pick up on our narrator’s growing frustration in not having her wishes respected. Being both her husband and her physician, it is clear that John has the final say in things, which seems to make the protagonist’s depression and anxiety only intensify. As she informs us of how well Jennie takes care of her and the house, and how well Mary cares for the baby, it becomes clear she does not hold the same principles as they do. While she admires their dutifulness, our narrator longs for excitement and expression, things it seems Jennie and Mary give very little thought to, if any at all. It seems strange to our narrator to think that they could be content with such a life, but she bears this as a reflection on herself for not confining to the role society has for her, not as a reflection on women such as Jennie and Mary. As she lies in bed unable to sleep at night, she studies the wallpaper. She begins to develop an obsession with it, as she studies it to find some sort of organization, symmetry, or order for it being the way that it is.