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Religious" individual is actually criticizing in tartuffe
Moliere's Tartuffe and the Religious Hypocrisy
Religious" individual is actually criticizing in tartuffe
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“Tartuffe” is a famous satire from the 17th century, written by Jean-Baptiste Poquelin, known by his stage name Molière. Molière utilizes comedy in his work to demonstrate the hypocrisy sometimes found within religion. During the 17th century, anyone believed to be righteous was viewed as a role model. It was normal to believe the words and follow the rules of these leaders. Since religion was considered the center of the 17th century society, “Tartuffe” was originally banned from public viewing due to objections of church leaders who felt it was an attack on religion and people of faith. Molière uses Tartuffe, one of his main characters, to play the role of a man who manipulates others for personal gain by acting righteously; he is a symbol of religious hypocrisy. Orgon, the other main character, represents a man blinded by his devotion to his religious faith who then welcomes Tartuffe into his home and family. Everyone in the household, except Orgon’s mother, realizes Tartuffe is a religious imposter. They try to warn Orgon of Tartuffe’s false pretense; however, he is so deceived by Tartuffe that he refuses to listen …show more content…
Cléante calmly speaks to Orgon about hypocrisy and Tartuffe’s false spirituality. He also emphasizes religious qualities and speaks with wisdom and common sense to show Orgon how everyone that appears to have these qualities are not true and faithful. Cléante notes that Tartuffe tries to defend his actions with his godliness; however, Orgon remains in denial. Orgon has to be persuaded into believing the truth by seeing Tartuffe’s true colors for himself. Much like a person who hears a rumor about their friend, one does not believe it until they see it with their own eyes. Orgon has to be shown Tartuffe’s seduction of his wife before he finally believes what Cléante and his family has been trying to tell
Orgon and candide were two major characters from different books that were devoted to Tartuffe and pangloss respectively. Orgon was a man that followed Tartuffe blindly and candide was a devoted student of pangloss. Orgon and Tartuffe both depended on Tartuffe and pangloss to the point of folly.
Religion can be a powerful form of indoctrination. Religion in the case of Orgon and Voltaire’s situations were used to bypass all critical thought and vetting of their respective influencers. Malice and ignorance often lead to the same conclusions, but intention is key. By aligning with their subjects’ belief systems and establishing themselves, Tartuffe and Pangloss respectively, as powers of authority could sway their subordinates. Though Tartuffe and Pangloss both have authority and hidden motives; the overall means and intentions vary in their approaches.
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants.
In the plot, Cleante is Orgon’s brother-in-law and his main characteristic is being the person who plays the voice of reason in the chaotic situation. To prove this, the journal article titled “The Explicator,” describes Cleante as having the “‘ability to see things clearly is reflected in his ironic comments to Tartuffe’” (Saur 10). Because of this characteristic, Cleante can be viewed as the character who channels Moliere’s thoughts regarding religion. In the journal article, Saur discusses the extent to which Cleante is a “‘mouthpiece of the author’” (9). Saur’s comment can be proven true with relative ease. For example, Cleante discusses with Orgon about Tartuffe, stating “I’m talking about those sanctimonious fellows who use religious zeal to fatten their bank accounts, who attach themselves to the Court while preaching austerity, who adjust their piety to fit their vices. (Moliere 18). In this excerpt, Cleante refers to Tartuffe as a deceptive person who manipulate others by using religion as an excuse. As discussed previously, Moliere makes reference to the real life counterpart, the Cabale des Devots, who uses Christianity as an excuse to carry out their devious plans. In addition, The author inserts himself indirectly into the story by utilizing Cleante as a way to address his opponents’ criticism.
Tartuffe is a simple, realistic story about understanding the real deceivers and those who are deceived in life as represented by the antagonist in the comedy named Tartuffe. In examining the entire story, there is only one deceiver in the story specifically Tartuffe. As the title character of the story, Tartuffe is highly remarkable for depicting various attitudes towards the other characters to hide his real intentions. Only the readers can truly see what was he really up to. He has tremendously played with every character in the story by hiding his true motive by means of presenting his holiness to Madame Pernelle at the beginning of the story as well as to Orgon. Orgon's two-sided character is revealed in the following lines, "some joys, it's true, are wrong in Heaven's eyes, yet Heaven's not averse to compromise... any wrongful act you care to mention, may be redeemed by purity of intention" (Lawall and Mack 360). On the other hand, the major character in the story of Wu, the Stone Monkey showed realism as they search for the Buddhist scriptures with the help of Tripitaka, Zhu Bajie and Sha Wujing or Sandy.
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations. When Dorine tries to tell Orgon about Elmire's illness, all Orgon can say is,
The most obvious weakness shared between Orgon and Madame Pernelle is gullibility. The trait of gullibility can be seen as a family trait as suggested in an essay on "Tartuffe" : "His mother shares his capacity for self-delusion even after Tartuffe has been found out ("We cannot always judge by what we see")" (Weals). Orgon believes because Tartuffe claims to be a man of God, he should put everything he has into Tartuffe's hands. He proves how much he believes this after Damis tells him that Tartuffe was flirting with Elmire. From this accusation Orgon replies to Damis: "I disinherit you; an empty purse /
In his book Gargantua and Pantagruel, Francois Rabelais uses satire to address the dislocation felt by Renaissance Humanists. By providing an exaggerated fable, comical in nature, Rabelais poses a serious introspection into the extremes of both the Medieval and the Renaissance man. More importantly, however, he brings into question his own ideals of Humanism. Through an analysis of Rabelais’ satirical technique and by examining his social parody of the Medieval and the Renaissance man, we are able to better understand Rabelais’ introspection into the ideals of his own generation and to accept his argument that learning is transitory and often a necessary, yet futile, attempt to understand our world.
The female characters in Molière’s Tartuffe display feminist behaviors years before the feminist movement emerged historically. Many of their actions, words and behaviors are completely out of character for women of their time. Moliere makes a strong statement with this play by presenting female characters that go against convention. The gender inequality when the Enlightenment began was extreme. The women in this play try to fight against this inequality and in the end it is the patriarch of the family that is fooled by Tartuffe yet most of the female characters remain un-fooled throughout the play. Two of the female characters in this play, Doreen and Elmire play significantly different roles in the home. They have different personalities, different household duties and drastically different social standing. As different as these women are, they both show signs of early feminism. To various degrees they fight for want they believe is right. Dorine speaks her mind openly and does not hold anything back. Elmire is sneakier and uses her sexuality to get what she wants.
Moliere's Tartuffe is a satire based on religious hypocrisy. Every character is essential in Tartuffe. All of the characters play an important role, but it is easy to say that Tartuffe and Orgon are the main characters. First, we must know the definition of satire. According to the Merriam-Webster Online Dictionary, satire is defined as "literary work holding up human vices and follies to ridicule or scorn" ("satire"). In other words, a satire is defined as literary work that uses humor to point out the foolishness of a person or just in human nature. Religious hypocrisy can be self-defined as a false assumption of a person. What follows are examples of how I believe Tartuffe exposes humor through religious hypocrisy.
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
Molière’s play “Tartuffe and Oscar Wilde’s play “The Importance of Being Earnest” both demonstrate a comical portrait of hypocrisy. In “Tartuffe”, the main character Tartuffe is seen as a religious hypocrite who takes advantage of Orgon’s wealth and agrees to marry his daughter, Mariane against her wishes. In “The Importance of Being Earnest”, Jack and Algernon both lie about their identity to get the woman of their dreams. The authors use the concept of double personalities in the play to reveal the deceit and lies to represent the theme of hypocrisy. In fact, hypocrisy is not only displayed in the characters but in the play as a whole. Additionally, the plays are both hypocrital in ways that they do not follow the structure of comedy.
The play Tartuffe is a comedy written by French playwright Moliere. Most of his plays were meant to critique common behaviors he saw in his society. In Tartuffe, he is criticizing those people who pretend to be very pious and religious, when in fact, they are simply pretending devotion to God to further their own personal desires.