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Human nature can simultaneously drive humanity to victory or push them off the edge into despair. In times of extreme circumstance, the human species tap into their more primal responses to think in terms of survival instead of logic. Because the Iliad and History of the Peloponnesian War contain influences from the Gods in paradoxical amounts but still fall to the same incivility, the idea that anything but our most basic instincts being able to control mankind in stressful moments is dispelled which exemplifies that human nature is the most influential factor in survival proving that there is no individual in control of their moira.
Although the Homeric society had Gods to lead its character, still emotion was able to overtake logic and calculated moves in war. Achilles was warned that “[He is] destined for both an early death and misery beyond compare” (Il. 1.438-439) yet, he continues to fight for tîmê and kleos. The pride that comes from success on the battlefield is worth much more than being in safe. Half man, half god, Achilles innately had a more complete scope of the world after his actions. Even though
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But now they all die, every last Trojan” ( Il. 21.106-109). Achilles proves with conflicting sentiments that he is guided by his mênis. Primal reactions are overtaking more logical thought processes. His repressed nature is awakened and he strays away from civility. The creation of poleis allows “[For] times of peace and prosperity cities and individuals alike follow higher standards, because they are not forced into a situation where they have to do what they do not want to do.” (HPW. 3.82). When the cities go, humanity follows. Without nomos, humans fall back on their phûsis, living just to survive to the next day, not caring for the long term effects of their
Achilles, son of Thetis, also had divine blood flowing through his veins. He, however, was well aware of his mortality, as he chose a shortened lifespan full of glory over a longer, non-glorious life. "Alas, that you should be at once short of life and long of sorrow above your peers," exclaims his mother. (Butler, I). Despite accepting his mortality, Achilles, like Gilgamesh, was blessed with unequaled strength and skill as t...
In the introduction of the Essential Illiad given by Sheila Murnaghan, Achilles is labeled as “the greatest of the Greek heroes”. In classic mythology a hero is a person of great strength and courage celebrated for bold exploits and is often the offspring of a mortal and a god. Achilles was the greatest fighter among the Greeks or Trojans and feared no man in battle. He was also the offspring of a mortal and a god so by classic mythology definition, Achilles was indeed a hero. A hero is defined by the present day Websters Dictionary as: “one who inspires through manners and actions; an individual who leads through personal example and accomplishments requiring bravery, skill, determination, and other admirable qualities.” Achilles, in no manner, fits this definition. By contemporary standards, he is instead a pathetic villain. Aside from being a kidnapper, rapist and murderer, Achilles proves to be emotionally weak, selfish, and malicious. Many times throughout the Illiad, Achilles is also referred to as “godlike”. The gods of Greek mythology were subject to the same emotions and character flaws as humans, and though privileged to some foresight, the gods had similar mental capacities as humans. What really set the gods apart were their powers (controlling the elements, changing their appearance, etc.), great strength, and immortality. Because of his great strength and apparent invincibility, it is easy to see why Achilles would...
This war involves a human side, including the admission of fear and scenes of domestic life, not in a sentimentalized version. This more complete and responsible depiction shows that there's not one single center to the war, just as there's not one single god for the Greeks.
The Ancient Greeks admired their heroes and tried to learn from both their achievements and their mistakes. They believed that most great leaders and warriors followed a predictable behavior cycle, which often ended tragically. In Homer’s epic poem, The Iliad, Achilles is a great warrior who traces the stages of the behavior cycle twice, from arete to hubris to ate and then to nemesis. Achilles is a highly skilled warrior and a great leader who becomes a narcissist and an arrogant person, which leads to selfish and childish behavior resulting in the death of his best friend. Following Patroclus’ death, Achilles repeats the behavior cycle by regaining his courage and motivation, and goes back to battle against Hector. The pride he feels in killing Hector and his overpowering hatred for him, leads Achilles to another bad decision: disrespecting the body of his enemy. This foolish choice leads directly to Achilles death. Although The Iliad is mainly known as a story about the Trojan War, it is understood as a story about Achilles and his struggle to be a hero.
Change, in The Iliad, appears in many forms, but most originate from the actions of others. It is human nature for men to follow their will almost without any regard for those around them. This unwavering willpower brings change upon the weaker wills of other men. Faced with change, the weaker man’s path is altered either slightly or drastically. From this alteration, man is given choices or must make it himself. Through these experiences, they become more aware or more confused with what goes on around them. Regardless of whether they deal with it or not, they accept that change is inevitable and will continue forward. Knowing their lives are comparatively ephemeral to the immortals, they have the tendency of seizing the day. It almost sounds humbling when they say, “no man can turn aside nor escape…let us go on and win glory
Human conflict is among the most complex topics in the world. It has always occurred alongside the existence of humanity, and often it escalates to violence and warfare. This has been a cycle throughout history, and there has not been much evidence pointing to the end of it. With no foreseen end to this cycle combined with a population that has an ever expanding curiosity, humans have had to justify going to war. Individuals tend to be very passionate and emotionally connected to their beliefs and thus they enjoy being right. They have justified violence and war with this innate desire to be right, and for this reason they have become the most common method for resolving human conflict; but at what cost? Life. Unity. Respect. These are concepts
Throughout Homer’s epic poem, The Iliad, gods are presented as remarkably human in almost every way. While it is assumed that gods are divine entities incapable of human transgression, they are portrayed with all the flaws of mortals in The Iliad. The gods are a manifestation of human emotions consequently helping to explain the behavior of the humans in The Iliad. The actions of the heroes are what determine their fate, not divine intervention. Ultimately, the humans in The Iliad have inherent characteristics that provide the driving force behind their actions: the gods simply act in concert with them, allowing the human beings to exercise free will of
When discussing literature, most people would say that The Iliad is the first great tragedy. In literature, a tragedy is defined as a work in which the main character or protagonist encounters extreme loss, pain, and/or sadness. Perhaps one of the most memorable and absolutely tragic deaths that really crushes the main character, Achilleus, in this story is the death of Patroklos, Achilleus’ closest friend and ally. Toward the end of the epic, as the Achaians are being pushed back hard by the Trojan army, Patroklos dons Achilleus’ armor and goes to battle in his stead. And in a disastrous turn of events, Apollo, Euphorbos, and Hektor all have a hand in Patroklos’ death. So, we ask this question: who is responsible for the death of Patroklos?
One of the most compelling topics The Iliad raises is that of the intricate affiliations between fate, man and the gods. Many events related by Homer in his epic poem exhibit how these three connections interweave and eventually determine the very lives of the men and women involved in the war. Homer leaves these complex relationships slightly unclear throughout the epic, never spelling out the exact bonds connecting men's fate to the gods and what can be considered the power of fate. The motivation for the ambiguousness present in The Iliad is not easily understood, but it is a question that enriches and helps weave an even greater significance of the results into Homer's masterpiece. I feel that the interaction between man, god, and fate can be shown to be one great fluidity that ultimately leaves life mysterious, giving much more depth and complexity to the bonds between the three.
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
Homer's Iliad is commonly understood as an epic about the Trojan War, but its meaning goes deeper than that. The Iliad is not only a story of the evolution of Achilleus' persona, but at times it is an anti-war epic as well. The final book proposes many questions to the reader. Why not end with the killing of Hektor? Most stories of war conclude with the triumphant victory of good over evil, but in the Iliad, the final thoughts are inclined to the mourning of the defeated Hektor, which accentuates the fact that good has not triumphed over evil, but simply Achilleus triumphed over Hektor. Ending with the mourning of Hektor also brings to center stage for the first time the human side of war and the harsh aftermath of it. We see that war not only brings great glory, but also much suffering and anguish. Homer puts his anti-war views on display.
The greek good encourage the war and general conflicts between the humans. They use dreams and sometimes take human forms to manipulate and at times physically move people. They weant conflict as it gives them something amusing to do and watch. They care about their favorite players.
Homer makes it clear that Achilles is a man mainly driven by his hunger for glory. Achilles has all the traits of a superhuman from his strength to his incredible ability to fight on the battlefield. Even with these great abilities, it is hard for many readers to perceive him as a hero because of the way he acts. Homer takes this brief time period out of this whole ten-year war just to demonstrate how Achilles cannot control himself when he goes into a rage. In todays world Achilles would not last long as a soldier in any army because he would be court marshaled for insubordination. Achilles ye...
Divine Intervention is a “direct and obvious intervention by a god or goddess in the affairs of humans”. In various myths such as the Iliad, the Epic of Gilgamesh, and Herakles, divine intervention was called upon in order to restrain a hero’s destructive or too powerful forces. Although the divine intervention was used to impair different heroes, the purpose to constrain was the same in all the narratives.
In Homer’s The Iliad, talk of fate is frequent and influential. While only some characters know what is fated for them, all acknowledge that their destiny has already been laid out for them. Despite the psychological and emotional effects the accepted idea of fate had on the characters, they continue to engage in the bloody ten-year battle. Homer evokes this motivation in the characters to keep supporting the war despite little incentive, through the significance of glory and its relation to fate as an ultimate end rather than a governing force. This leads to the Iliad’s own message on fate being based on a warrior’s form of death and legacy rather than a fixed way of life. The Iliad further poses the question of whether the actions of the mortals seen throughout the text was free-will or pre-determined. While fate is treated by the gods as an unchangeable power, it is referred to ambiguously and gives the reader an open view on fate, leaving the reader to decide whether the often referred to, “will of Zeus,” is the absolute truth for the humans. These gods and goddesses seen in The Iliad are said to act upon in fate when evidence shows their intervention causing actual altering of the characters own free will. Thus, the gods become the direct cause for the demise of many warriors with a serious significance being placed on an honorable and glorified death. Leaving fate as something rather engineered by the gods themselves.