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What role does fate have in greek myth
Themes in greek mythology
Essays on fate in greek mythology
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Fate and Glorified Death in Homer’s The Iliad
In Homer’s The Iliad, talk of fate is frequent and influential. While only some characters know what is fated for them, all acknowledge that their destiny has already been laid out for them. Despite the psychological and emotional effects the accepted idea of fate had on the characters, they continue to engage in the bloody ten-year battle. Homer evokes this motivation in the characters to keep supporting the war despite little incentive, through the significance of glory and its relation to fate as an ultimate end rather than a governing force. This leads to the Iliad’s own message on fate being based on a warrior’s form of death and legacy rather than a fixed way of life. The Iliad further poses the question of whether the actions of the mortals seen throughout the text was free-will or pre-determined. While fate is treated by the gods as an unchangeable power, it is referred to ambiguously and gives the reader an open view on fate, leaving the reader to decide whether the often referred to, “will of Zeus,” is the absolute truth for the humans. These gods and goddesses seen in The Iliad are said to act upon in fate when evidence shows their intervention causing actual altering of the characters own free will. Thus, the gods become the direct cause for the demise of many warriors with a serious significance being placed on an honorable and glorified death. Leaving fate as something rather engineered by the gods themselves.
In Robert C. Solomon’s article “On Fate and Fatalism,” he refers to fate in literature as a way to place significance on the overall ending or resolution, as if no other possible reality could have occurred. More specifically, the Iliad shows the “will of Zeus” (...
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...f glory “Thus it is with good reason that the Iliad speaks of death as coming at ‘the right time’” (Solomon 449) Just like Achilles chose to die young for the glory and Hector knowing the fight between Achilles and him was his time to fight for his honor.
In conclusion, Homer’s the Iliad shows denial of fate being something that is enforced by the gods and as an unchangeable path to be taken by humans. While most of the characters in the Iliad do not know what fate has in store for them, they continue to fight, aspiring to have a glorified death, the type of honorable death that gives life meaning and makes warriors go down in history such as Achilles and Hector. The Iliad is quick to refer to fate when speaking of the action that unfolds, however, these perfect circumstances that combine to create the classic Homer epic cannot give all the credit to simply fate.
Simone Weil’s essay “The Iliad: or Poem of Force” places importance on human interaction, the grounding, empathic, human relations which are rare, fleeting, and necessary. She claims Force to be a governing factor in all human interaction, and the ‘thingness’, which force prescribes to humans, as a dangerous, uncontrollable factor of human existence. In order to overcome force, one must direct all their attention towards recognizing others suffering. In her other essay, “Attention and Will,” Weil discusses religious attention as the most important. She claims that one must practice a passive attention to God in order to reach a divinity beyond reality itself which holds truth.
A twenty-first century reading of the Iliad and the Odyssey will highlight a seeming lack of justice: hundreds of men die because of an adulteress, the most honorable characters are killed, the cowards survive, and everyone eventually goes to hell. Due to the difference in the time period, culture, prominent religions and values, the modern idea of justice is much different than that of Greece around 750 B.C. The idea of justice in Virgil’s the Aeneid is easier for us to recognize. As in our own culture, “justice” in the epic is based on a system of punishment for wrongs and rewards for honorable acts. Time and time again, Virgil provides his readers with examples of justice in the lives of his characters. Interestingly, the meaning of justice in the Aeneid transforms when applied to Fate and the actions of the gods. Unlike our modern (American) idea of blind, immutable Justice, the meanings and effects of justice shift, depending on whether its subject is mortal or immortal.
The subject of Homer’s epic poem, the Iliad, is very clearly stated--it is “the rage of Peleus’ son Achilles.” The reader remains continually aware of the extent of Achilles’ rage, yet is never told the reason why Achilles remains angry and unreconciled. There is no definitive answer to this question. Achilles is not a static character. He is constantly changing; thus the question of why he remains angry solicits different answers at various stages throughout the poem. To find an answer, the reader must carefully examine Achilles’ ever-changing dilemma involving the concepts of mortality and honor. At its simplest, Achilles’ dilemma is that if he goes to war, he will die. But he will die with glory.
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Fate has a place in the Greek world but its place is not the same as it is in other scenarios or worlds. It is important to understand the word before we discuss it. Fate as far as Greek mythology goes is not just fate. By most standards fate means that things occur for an unknown reason that no one has any control over. However, in the world of Greek Mythology fate does not just happen. The gods engineer fate and they interfere to make things happen that might not otherwise have happened. Since the players do not always know of the gods' involvement, things may actually appear to be fate but in reality be engineered happenings.
Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any efforts to change one's future were unrealistic. In Sophocles' Antigone, fate plays a crucial role the choices that the characters make.
...that fate. Events that lead to other events will eventually lead one to their fate. “Oedipus the King” is a great play that sets an example of what fate is. Oedipus chooses to flee from home, in attempt to avoid the god’s statement of his fate from coming true. However, Oedipus’s decision for fleeing is what was necessary to make his fate come true. Undoubtedly, this is what was meant to happen because Oedipus allowed it to. Perhaps if Oedipus ignored the god and never did a thing then perhaps the outcome could have been different for Oedipus. However it did not turn out that way and the choices that Oedipus made is what led him to his doom.
The idea of fate has existed for a long time and exists even today. Fate revolves around the idea that people's lives are predetermined and that no matter what is done it cannot be changed. With the gods it was used to explain events that seemed strange. Sophocles expands on this idea by introducing Oedipus' fate. The thought of fate is strong considering no matter how hard he struggles he still receives what was predetermined. As a baby he survived the elements on Mount Cithaeron. As Oedipus was destined to live, it shows the dominance of fate. Having fate play such a large part of the play is certainly an insight into the Greek's idea that fate controls us no matter how hard we struggle against it.
In Greek mythology as a whole, fate does have a sizeable role in most tales. However, the definition of fate for the ancient Greeks extends from the common definition. The definition of fate that is familiar to us is anything that happens for an unknown reason and is out of our control. But in Greek mythology fate also involves divine intervention from the gods of Olympus. They are able to change outcomes and alter situations to the point where what occurs might not have happened without them. In The Odyssey, gods have a very prominent role. But you cannot just discuss fate by itself. Free will is also a factor. Free will is mankind’s ability to make decisions control the aspects of one’s life. In The Odyssey life is the individual’s responsibility.
In the stories/plays and poems of Gilgamesh, Oedipus the King and Achilles in the Iliad, there are three main heroes who have their fate decided for them by the Gods. Each hero has had fate placed on them according to the god’s, however as fate is understood there is also the idea of free will. Gilgamesh is two-thirds god and one-third man, who feels as though he has no equal, Gilgamesh feels superior to all men until he meets Enkidu, a creation sent to stop Gilgamesh from his reckless and wild ways. Oedipus is the king of Thebes and his fate was prophecies by the blind soothsayer Tiresias in which he was to kill his father and marry his mother. In the poem the Iliad, Achilles was the hero that would win the war with Troy, the prophet Calchas predicted that Achilles would die at an early age. In all of the epics, each character had a destiny to full filled, blessed with extra ordinary powers and abilities, each had the a...
Destiny was of incredible worry to the Greeks, and its workings reverberate through a considerable lot of their myths and writings. We see endless characters who make a huge effort in endeavors to modify destiny, regardless of whether they know such a mean to be worthless. The powerlessness of any mortal or everlasting to change endorsed results comes from the three Fates: sisters Clotho, who turns the string of life; Lachesis, who relegates every individual's predetermination; and Atropos, who conveys the scissors to clip the string of life at its end. These three divinities invade every one of the stories of Greek myth, whether they be stories of divine beings, goddesses, demigods, legends, or mortals and paying little heed to the endeavors related. There is no hope to adjust or drag out the fate of one's life, paying little respect to the quantity of arrangements or safety measures taken. This firmness applies the same amount of to Zeus with regards to the lowliest mortal, as we find in Zeus' dogging of Prometheus to reveal the name of the lady who will bear the posterity that one day will kill him.
One of the most compelling topics The Iliad raises is that of the intricate affiliations between fate, man and the gods. Many events related by Homer in his epic poem exhibit how these three connections interweave and eventually determine the very lives of the men and women involved in the war. Homer leaves these complex relationships slightly unclear throughout the epic, never spelling out the exact bonds connecting men's fate to the gods and what can be considered the power of fate. The motivation for the ambiguousness present in The Iliad is not easily understood, but it is a question that enriches and helps weave an even greater significance of the results into Homer's masterpiece. I feel that the interaction between man, god, and fate can be shown to be one great fluidity that ultimately leaves life mysterious, giving much more depth and complexity to the bonds between the three.
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
Homer's Iliad is commonly understood as an epic about the Trojan War, but its meaning goes deeper than that. The Iliad is not only a story of the evolution of Achilleus' persona, but at times it is an anti-war epic as well. The final book proposes many questions to the reader. Why not end with the killing of Hektor? Most stories of war conclude with the triumphant victory of good over evil, but in the Iliad, the final thoughts are inclined to the mourning of the defeated Hektor, which accentuates the fact that good has not triumphed over evil, but simply Achilleus triumphed over Hektor. Ending with the mourning of Hektor also brings to center stage for the first time the human side of war and the harsh aftermath of it. We see that war not only brings great glory, but also much suffering and anguish. Homer puts his anti-war views on display.
Homer’s The Iliad: Book XX features a battle between the Trojans and Achaians, shortly after Patroklus’ death (Lattimore Book XVI), where the gods must intervene in order to restrain Achilleus’ destructive nature that becomes amplified due to the grief and wrath as a result of the loss of his cousin/lover. The divine foresaw an early fall of Troy caused by the intensified destructive nature of Achilleus, therefore they interfered in the battle to protect a bigger ideal of fate, a fate of a nation, by manipulating smaller ideals of fate, the fates of people’s lives(Lattimore 405). At the beginning of the battle, after the gods descended from Olympus, they decide to sit and just watch how their mortal teams will fend for themselves until Apollo takes form as Lykoan and coerce Aeneias to challenge Achilleus, thus establishing the first act of divine intervention (Lattimore 406-407). When Achilleus is inches away from killing Aeneias, Poseidon takes sympathy upon him and whisks him off to safety (Lattimore 407-411). The last interference occurs during the confrontation between Hektor and Achilleus, where Achilleus is about to murder him and Apollo saves Hektor (Lattimore 416). Hektor’s rescue in this battle is an important event in the Iliad because Achilleus’ and Hektor’s fates are interrelated, further meaning that if Hektor die...